Author: H. Mario Raimondo SoutoPublisher:
ISBN:
Category : Photography
Languages : en
Pages : 334
Book Description
The Technique of the Motion Picture Camera
Author: H. Mario Raimondo SoutoPublisher:
ISBN:
Category : Photography
Languages : en
Pages : 334
Book Description
Motion Picture Photography
Author: H. Mario Raimondo-SoutoPublisher: McFarland
ISBN: 0786484071
Category : Performing Arts
Languages : en
Pages : 381
Book Description
In 1891, William Dickson, a researcher at Thomas Edison's firm, developed the Kinetograph, a motion picture camera that used Eastman Kodak's new celluloid film. Almost immediately, an industry was born. The new artistic and technical discipline of motion picture photography matured as the film industry grew. From the beginnings of the movie camera, developments in film production and exhibition have been inextricably linked to the evolution of motion picture photography. This work traces the history of motion picture photography from the late 19th century through the year 1960, when color photography became the accepted standard. Generously illustrated, it covers each decade's cameras, lenses, cameramen, film processing methods, formats, studios, lighting techniques and major cinematographic developments. Each chapter concludes with examples of the decade's outstanding cinematography. Instructors considering this book for use in a course may request an examination copy here.
Motion Picture Camera Techniques
Author: David W. SamuelsonPublisher: Butterworth-Heinemann
ISBN:
Category : Performing Arts
Languages : en
Pages : 206
Book Description
Defines the successful cinematographer as a discriminant synthesizer of creativity and technology, and outlines a myriad of filming considerations from light use and environmental conditions to projection methods and appropriate equipment.
Motion Picture Photography
Author: H. Mario Raimondo-SoutoPublisher: McFarland
ISBN: 0786427841
Category : Performing Arts
Languages : en
Pages : 381
Book Description
In 1891, William Dickson, a researcher at Thomas Edison's firm, developed the Kinetograph, a motion picture camera that used Eastman Kodak's new celluloid film. Almost immediately, an industry was born. The new artistic and technical discipline of motion picture photography matured as the film industry grew. From the beginnings of the movie camera, developments in film production and exhibition have been inextricably linked to the evolution of motion picture photography. This work traces the history of motion picture photography from the late 19th century through the year 1960, when color photography became the accepted standard. Generously illustrated, it covers each decade's cameras, lenses, cameramen, film processing methods, formats, studios, lighting techniques and major cinematographic developments. Each chapter concludes with examples of the decade's outstanding cinematography. Instructors considering this book for use in a course may request an examination copy here.
The technique of the motion picture cameras
Author: H. Mario Raimondo SoutoPublisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
The Camera Assistant's Manual
Author: David E. Elkins, SOCPublisher: Taylor & Francis
ISBN: 1136048987
Category : Performing Arts
Languages : en
Pages : 625
Book Description
Excel as an Assistant Cameraman (AC) in today’s evolving film industry with this updated classic. Learn what to do—and what NOT to do—during production and get the job done right the first time. The Camera Assistant’s Manual, Sixth Edition covers the basics of cinematography and provides you with the multi-skill set needed to maintain and transport a camera, troubleshoot common problems on location, prepare for job interviews, and work with the latest film and video technologies. Illustrations, checklists, and tables accompany each chapter and highlight the daily workflow of an AC. This new edition has been updated to include: A fresh chapter on the entry level camera positions of Camera Trainee/Production Assistant Coverage of emerging iPhone apps that are used by filmmakers and ACs on set An updated companion website offering online tutorials, clips, and techniques that ACs can easily access while on location (www.cameraassistantmanual.com) All new sample reports and forms including AC time cards, resumé templates, a digital camera report, and a non-prep disclaimer Instruction and custom forms to help freelance filmmakers keep track of daily expenses for tax purposes The Camera Assistant’s Manual, Sixth Edition is an AC's bible for success and a must-have for anyone looking to prosper in this highly technical and ever-changing profession.
Basic Motion Picture Technology
Author: L. Bernard HappéPublisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 372
Book Description
Principles of Cinematography
Author: Leslie J. WheelerPublisher: Fountain Press, Limited
ISBN:
Category : Photography
Languages : en
Pages : 452
Book Description
This book has now been completely revised to include chapters dealing with film emulsions, the principles of colour cinematography and also with magnetic sound recording. Whilst the fundamental principles of all cinematographic processes, considerable portions of the book are devoted to the work of film laboratories, camera and projector mechanisms, the film in television and also to sound recording.
Handbook of Basic Motion Picture Techniques
Author: Emil E. BrodbeckPublisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 286
Book Description
Experimental Filmmaking and the Motion Picture Camera
Author: Joel SchlemowitzPublisher: Routledge
ISBN: 0429997035
Category : Art
Languages : en
Pages : 281
Book Description
Experimental Filmmaking and the Motion Picture Camera is an introductory guide to experimental filmmaking, surveying the practical methods of experimental film production as well as the history, theory, and aesthetics of experimental approaches. Author Joel Schlemowitz explains the basic mechanism of the camera before going on to discuss slow and fast motion filming, single-frame time lapse, the long take, camera movement, workings of the lens, and the use of in-camera effects such as double exposure. A comprehensive guide to using the 16mm Bolex camera is provided. Strategies for making films edited in-camera are covered. A range of equipment beyond the basic non-sync camera is surveyed. The movie diary and film portrait are examined, along with the work of a range of experimental filmmakers including Stan Brakhage, Rudy Burckhardt, Paul Clipson, Christopher Harris, Peter Hutton, Takahiko Iimura, Marie Losier, Rose Lowder, Jonas Mekas, Marie Menken, Margaret Rorison, Guy Sherwin, and Tomonari Nishikawa. This is the ideal book for students interested in experimental and alternative modes of filmmaking. It provides invaluable insight into the history, methods, and concepts inherent to experimental uses of the camera, while providing students with a solid foundation of techniques and practices to foster their development as filmmakers. Supplemental material, including links to films cited in the book, can be found at www.experimentalfilmmaking.com.