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Author: Daniel V. Thompson Publisher: Courier Corporation ISBN: 0486141640 Category : Art Languages : en Pages : 175
Book Description
Tempera painting, the method in which colors are mixed with some binding material other than oil (primarily egg yolk), is the earliest type of painting known to man. The wall paintings of ancient Egypt and Babylon are tempera, as are many of the paintings of Giotto, Lippi, Botticelli, Raphael, Titian, Tintoretto, and many other masters. But in spite of the time-proven excellence of this technique — which boasts many clear advantages over oil paint — it does not receive the degree of attention from modern painters that it deserves. Part of the explanation for this neglect, surely, is the absence of sufficient information about the materials and procedures involved in tempera painting. The present volume, in fact, is virtually the only complete, authoritative, step-by-step treatment of the subject in the English language, D.V. Thompson wrote this book after an exhaustive study, over many years, of countless medieval and Renaissance manuscripts in the British Museum and elsewhere, and is unquestionably the world's leading authority on tempera materials and processes. Beginning with an introductory chapter on the uses and limitations of tempera, the author covers such topics as the choice of material for the panel; propensities of various woods; preparing the panel for gilding; making the gesso mixture; methods of applying the gesso; planning the design of a tempera painting; use of tinted papers; application of metals to the panel; tools for gliding; handling and laying gold; combination gold and silver leafing; pigments and brushes; choice of palette; mixing the tempera; tempering and handling the colors; techniques of the actual painting; mordant gilding; permanence of tempera painting; varnishing; and artificial emulsion painting. The drawings and diagrams, illustrating the various materials and techniques, infinitely increase the clarity of the discussions. As a careful exposition of all aspects of authentic tempera painting, including many of the possible modern uses for this ancient method, this book actually stands alone. No one who is interested in tempera painting as a serious pursuit can afford to be without it.
Author: Daniel V. Thompson Publisher: Courier Corporation ISBN: 0486141640 Category : Art Languages : en Pages : 175
Book Description
Tempera painting, the method in which colors are mixed with some binding material other than oil (primarily egg yolk), is the earliest type of painting known to man. The wall paintings of ancient Egypt and Babylon are tempera, as are many of the paintings of Giotto, Lippi, Botticelli, Raphael, Titian, Tintoretto, and many other masters. But in spite of the time-proven excellence of this technique — which boasts many clear advantages over oil paint — it does not receive the degree of attention from modern painters that it deserves. Part of the explanation for this neglect, surely, is the absence of sufficient information about the materials and procedures involved in tempera painting. The present volume, in fact, is virtually the only complete, authoritative, step-by-step treatment of the subject in the English language, D.V. Thompson wrote this book after an exhaustive study, over many years, of countless medieval and Renaissance manuscripts in the British Museum and elsewhere, and is unquestionably the world's leading authority on tempera materials and processes. Beginning with an introductory chapter on the uses and limitations of tempera, the author covers such topics as the choice of material for the panel; propensities of various woods; preparing the panel for gilding; making the gesso mixture; methods of applying the gesso; planning the design of a tempera painting; use of tinted papers; application of metals to the panel; tools for gliding; handling and laying gold; combination gold and silver leafing; pigments and brushes; choice of palette; mixing the tempera; tempering and handling the colors; techniques of the actual painting; mordant gilding; permanence of tempera painting; varnishing; and artificial emulsion painting. The drawings and diagrams, illustrating the various materials and techniques, infinitely increase the clarity of the discussions. As a careful exposition of all aspects of authentic tempera painting, including many of the possible modern uses for this ancient method, this book actually stands alone. No one who is interested in tempera painting as a serious pursuit can afford to be without it.
Author: Koo Schadler Publisher: ISBN: 9780615446066 Category : Languages : en Pages : 133
Book Description
A comprehensive guide to painting in egg tempera. Topics include the history of egg tempera; how to make traditional, true gesso panels starting from scratch; essential supplies for a tempera studio; different methods of applying tempera paint; how to finish a tempera painting, including oil glazing on top; and much more. There is also a comprehensive material suppliers list, recommended reading list, and a pigment appendix. "One of the most concise and useful books on egg tempera...should be on the bookshelf of every serious artist" (Studio Products Inc.)
Author: Daniel Ambrose Publisher: ISBN: 9781367640580 Category : Languages : en Pages :
Book Description
An intimate collection of insightful stories and inspiring artworks created during the aftermath of tumultuous personal events in the life of artist Daniel Ambrose.
Author: Vaclav Vytlacil Publisher: Read Books Ltd ISBN: 1446545164 Category : Art Languages : en Pages : 76
Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author: Altoon Sultan Publisher: Altoon Sultan ISBN: 9780823028887 Category : Art Languages : en Pages : 128
Book Description
"Illustrated with 150 beautiful paintings by the author as well as some by old masters and other contemporary artists working in the medium, The Luminous Brush is the most comprehensive how-to guide on this luminous painting medium that is experiencing a newfound popularity among today's artists."--BOOK JACKET.
Author: Richard J. Boyle Publisher: University of Washington Press ISBN: Category : Art Languages : en Pages : 234
Book Description
Tempera was a primary medium for artistic expression in Europe in the 14th and 15th centuries. Milk and Eggs examines the American re-emergence of tempera painting in the mid-20th century. It experienced a renaissance in the work of a large number of mostly unconnected American artists, including Thomas Hart Benton, Paul Cadmus, Jacob Lawrence, and Andrew Wyeth among others.Milk and Eggs focuses on four centers where tempera painting was revived--Yale University School of Art, the Art Students League of New York, the studio of N. C. Wyeth in Chadds Ford, Pennsylvania, and the Kansas City Art Institute--and the historical, cultural, and philosophical factors that drove the revival, including the Great Depression and the Works Progress Administration. It also examines the medium in great detail, its materials and preparation, and arrives at a definition of tempera. Moreover, the results of extensive analysis of certain works of art is included..
Author: Karoline Beltinger Publisher: Archetype Publications ISBN: 9781909492448 Category : Chromatographic analysis Languages : en Pages : 0
Book Description
This co- publication of Archetype Publications Ltd with Schweizerisches Institut für Kunstwissenschaft (SIK-ISEA) is a collection of essays by an international group of scholars which provides access to an important chapter of technical art history: the rise in the popularity of temperas as an alternative to oil paints in Europe in the 19th and early 20th century. The term 'tempera' designated media that were generally water-soluble and which could include components as wide ranging as egg, gums, glues, soaps, waxes and resins. Revered as the technique of the ancients, it possessed both historical cachet and aesthetic and practical advantages, such as luminosity of colour, short drying times, and resistance to yellowing and cracking. Although interest in tempera paints was not limited to any one country, their industrial manufacture was concentrated in the region of present-day Germany, while in Italy a distinct tradition of artisanal production evolved. Developments in these two regions are surveyed, lending insight into the academic polemics surrounding temperas, the varied range of products on the market, their composition and their use by specific artists for easel paintings, murals and decorative schemes alike. Based upon source material, conservation research and technical studies of paintings as well as scientific approaches to the analysis of historical temperas, a vivid depiction of this complex artistic period emerges.
Author: Mary Jane MIller Publisher: Lulu.com ISBN: 1304045781 Category : Icon painting Languages : en Pages : 48
Book Description
Mary Jane Miller discusses her Icon Painting technique, the history and meaning of icon painting. The How to book orients icon painters and examines why icons continue to be a spiritual tool. From a uniquely Western perspective, this step-by-step study of art and teaching of a practical course in Icon Painting technique. The religion and spirituality of this technique brings to life the sacred and beautiful art of egg tempera painting. Included are egg tempera recipe guides and patterns to work from. Beginners, intermediate, and advanced iconographers will all find new insights.With in-depth information, invaluable advice, and superb illustrations of each step, this is a most comprehensive guide to the philosophy and practice of icon painting. In addition, this Icon Painting technique book can be read as a step-by-step guide of how to create your own icon. The 12-step sequence put forth here is a guideline or road map for the process from vision to creation. However, while easy to follow detailed instructions about technique and materials are provided, my main objective is to emphasize the mystical experience of the process itself, bringing the the Icon Painting technique to a better understanding of the two natures of Christ - flesh and spirit. Details; Looking at Icons Revealed, One Secret Prayer Method, Brief History of Iconography, Organic Egg Tempera, Icon of St Luke, Overview of How to Paint Icons, Wood, Linen, Gesso and Gold, First lines, Chaos of Color, Second lines, Highlights and Veils, Final Lines, Analysis of Icon Images, Mixing Paint for Lettering, Prayers for an Iconographer Egg Temepra and Earth Pigments 41 Rules for the Iconographer 42 Conclusion
Author: Aidan Hart Publisher: ISBN: 9780852442159 Category : Icon painting Languages : en Pages : 0
Book Description
This is the most comprehensive book to date on the techniques of icon and wall painting. Illustrated with over 450 colour photos and 180 drawings, it will be a source of pleasure and inspiration for the general reader as well as for the practising icon painter. The book is more than just a technical manual; it sets artistic practice in the context of the Church's spirituality and liturgy, with chapters on the theology and history of the icon, the role and symbolism of the iconostasis, and the principles behind the positioning of wall paintings within churches. The wealth of information in this book makes it an indispensable reference text, not only for iconographers but also for any painter working in egg tempera, fresco or secco. All the necessary processes are covered, including the making gessoing of wooden panels, gilding, preparing pigments, lime plastering and fresco, the various techniques for painting in tempera, right through to photographing the finished artwork. -- from dust jacket.
Author: Daniel V. Thompson
Author: Daniel V. Thompson
Author: Koo Schadler
Author: Robert Vickrey
Author: Daniel Ambrose
Author: Vaclav Vytlacil
Author: Altoon Sultan
Author: Richard J. Boyle
Author: Karoline Beltinger
Author: Mary Jane MIller
Author: Aidan Hart