Author: Olivier Messiaen
Publisher:
ISBN:
Category : Music theory
Languages : en
Pages : 76
Book Description
The Technique of My Musical Language: Musical examples
Author: Olivier Messiaen
Publisher:
ISBN:
Category : Music theory
Languages : en
Pages : 76
Book Description
Publisher:
ISBN:
Category : Music theory
Languages : en
Pages : 76
Book Description
Materials and Techniques of Post-Tonal Music
Author: Stefan Kostka
Publisher: Routledge
ISBN: 1351859226
Category : Music
Languages : en
Pages : 355
Book Description
Materials and Techniques of Post-Tonal Music, Fifth Edition provides the most comprehensive introduction to post-tonal music and its analysis available. Covering music from the end of the nineteenth century through the beginning of the twenty-first, it offers students a clear guide to understanding the diverse and innovative compositional strategies that emerged in the post-tonal era, from Impressionism to computer music. This updated fifth edition features: chapters revised throughout to include new examples from recent music and insights from the latest scholarship; the introduction of several new concepts and topics, including parsimonius voice-leading, scalar transformations, the New Complexity, and set theory in less chromatic contexts; expanded discussions of spectralism and electronic music; timelines in each chapter, grounding the music discussed in its chronological context; a companion website that provides students with links to recordings of musical examples discussed in the text and provides instructors with an instructor’s manual that covers all of the exercises in each chapter. Offering accessible explanations of complex concepts, Materials and Techniques of Post-Tonal Music, Fifth Edition is an essential text for all students of post-tonal music theory.
Publisher: Routledge
ISBN: 1351859226
Category : Music
Languages : en
Pages : 355
Book Description
Materials and Techniques of Post-Tonal Music, Fifth Edition provides the most comprehensive introduction to post-tonal music and its analysis available. Covering music from the end of the nineteenth century through the beginning of the twenty-first, it offers students a clear guide to understanding the diverse and innovative compositional strategies that emerged in the post-tonal era, from Impressionism to computer music. This updated fifth edition features: chapters revised throughout to include new examples from recent music and insights from the latest scholarship; the introduction of several new concepts and topics, including parsimonius voice-leading, scalar transformations, the New Complexity, and set theory in less chromatic contexts; expanded discussions of spectralism and electronic music; timelines in each chapter, grounding the music discussed in its chronological context; a companion website that provides students with links to recordings of musical examples discussed in the text and provides instructors with an instructor’s manual that covers all of the exercises in each chapter. Offering accessible explanations of complex concepts, Materials and Techniques of Post-Tonal Music, Fifth Edition is an essential text for all students of post-tonal music theory.
Applying Karnatic Rhythmical Techniques to Western Music
Author: Rafael Reina
Publisher: Routledge
ISBN: 1317180127
Category : Music
Languages : en
Pages : 455
Book Description
Most classical musicians, whether in orchestral or ensemble situations, will have to face a piece by composers such as Ligeti, Messiaen, Varèse or Xenakis, while improvisers face music influenced by Dave Holland, Steve Coleman, Aka Moon, Weather Report, Irakere or elements from the Balkans, India, Africa or Cuba. Rafael Reina argues that today’s music demands a new approach to rhythmical training, a training that will provide musicians with the necessary tools to face, with accuracy, more varied and complex rhythmical concepts, while keeping the emotional content. Reina uses the architecture of the South Indian Karnatic rhythmical system to enhance and radically change the teaching of rhythmical solfege at a higher education level and demonstrates how this learning can influence the creation and interpretation of complex contemporary classical and jazz music. The book is designed for classical and jazz performers as well as creators, be they composers or improvisers, and is a clear and complete guide that will enable future solfege teachers and students to use these techniques and their methodology to greatly improve their rhythmical skills. An accompanying website of audio examples helps to explain each technique. For examples of composed and improvised pieces by students who have studied this book, as well as concerts by highly acclaimed karnatic musicians, please copy this link to your browser: http://www.contemporary-music-through-non-western-techniques.com/pages/1587-video-recordings
Publisher: Routledge
ISBN: 1317180127
Category : Music
Languages : en
Pages : 455
Book Description
Most classical musicians, whether in orchestral or ensemble situations, will have to face a piece by composers such as Ligeti, Messiaen, Varèse or Xenakis, while improvisers face music influenced by Dave Holland, Steve Coleman, Aka Moon, Weather Report, Irakere or elements from the Balkans, India, Africa or Cuba. Rafael Reina argues that today’s music demands a new approach to rhythmical training, a training that will provide musicians with the necessary tools to face, with accuracy, more varied and complex rhythmical concepts, while keeping the emotional content. Reina uses the architecture of the South Indian Karnatic rhythmical system to enhance and radically change the teaching of rhythmical solfege at a higher education level and demonstrates how this learning can influence the creation and interpretation of complex contemporary classical and jazz music. The book is designed for classical and jazz performers as well as creators, be they composers or improvisers, and is a clear and complete guide that will enable future solfege teachers and students to use these techniques and their methodology to greatly improve their rhythmical skills. An accompanying website of audio examples helps to explain each technique. For examples of composed and improvised pieces by students who have studied this book, as well as concerts by highly acclaimed karnatic musicians, please copy this link to your browser: http://www.contemporary-music-through-non-western-techniques.com/pages/1587-video-recordings
Tonal and Rhythm Patterns
Author: Edwin Gordon
Publisher: State University of New York Press
ISBN: 1438404492
Category : Philosophy
Languages : en
Pages : 207
Book Description
Music instruction can now be adapted more effectively to students' individual differences and curriculums can be developed to meet particular class needs, as a result of the original research by Professor Gordon which concentrates on the basic areas of tonal and rhythm concepts. More than 10,000 grade-school students across the United States participated in three years of testing which produced the data interpreted in this new book. Presented in terms of current learning theories applied to music, an attempt is made to provide for musical instruction grounded on research.
Publisher: State University of New York Press
ISBN: 1438404492
Category : Philosophy
Languages : en
Pages : 207
Book Description
Music instruction can now be adapted more effectively to students' individual differences and curriculums can be developed to meet particular class needs, as a result of the original research by Professor Gordon which concentrates on the basic areas of tonal and rhythm concepts. More than 10,000 grade-school students across the United States participated in three years of testing which produced the data interpreted in this new book. Presented in terms of current learning theories applied to music, an attempt is made to provide for musical instruction grounded on research.
Reader's Guide to Music
Author: Murray Steib
Publisher: Routledge
ISBN: 1135942692
Category : Music
Languages : en
Pages : 2624
Book Description
The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).
Publisher: Routledge
ISBN: 1135942692
Category : Music
Languages : en
Pages : 2624
Book Description
The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).
Messiaen the Theologian
Author: Andrew Shenton
Publisher: Routledge
ISBN: 1351558455
Category : Music
Languages : en
Pages : 501
Book Description
For Olivier Messiaen, music was a way of expressing his faith. He considered it his good fortune to have been born a Catholic and declared that 'the illumination of the theological truths of the Catholic faith is the first aspect of my work, the noblest and no doubt the most useful'. Messiaen is one of the most widely performed and recorded composers of the twentieth-century and his popularity is increasing, but the theological component of his music has so far largely been neglected, or dealt with superficially, and continues to provide a serious impediment to understanding and appreciating his music for some of his audience. Messiaen the Theologian makes a significant contribution to Messiaen studies by providing cultural and historical context to Messiaen's theology. An international array of Messiaen scholars cover a wide variety of topics including Messiaen's personal spirituality, the context of Catholicism in France in the twentieth century, and comparisons between Messiaen and other artists such as Dante and T.S. Eliot. Interdisciplinary methodologies such as exegesis, theological studies and analysis are used to contribute to the understanding of several major works including ?lairs sur l'au-del?., Sept Ha??nd Saint Fran?s d'Assise. By approaching Messiaen and his music from such important and original perspectives, this book will be of interest not only to musicians and theologians, but also to readers interested in the connection between spirituality and the arts.
Publisher: Routledge
ISBN: 1351558455
Category : Music
Languages : en
Pages : 501
Book Description
For Olivier Messiaen, music was a way of expressing his faith. He considered it his good fortune to have been born a Catholic and declared that 'the illumination of the theological truths of the Catholic faith is the first aspect of my work, the noblest and no doubt the most useful'. Messiaen is one of the most widely performed and recorded composers of the twentieth-century and his popularity is increasing, but the theological component of his music has so far largely been neglected, or dealt with superficially, and continues to provide a serious impediment to understanding and appreciating his music for some of his audience. Messiaen the Theologian makes a significant contribution to Messiaen studies by providing cultural and historical context to Messiaen's theology. An international array of Messiaen scholars cover a wide variety of topics including Messiaen's personal spirituality, the context of Catholicism in France in the twentieth century, and comparisons between Messiaen and other artists such as Dante and T.S. Eliot. Interdisciplinary methodologies such as exegesis, theological studies and analysis are used to contribute to the understanding of several major works including ?lairs sur l'au-del?., Sept Ha??nd Saint Fran?s d'Assise. By approaching Messiaen and his music from such important and original perspectives, this book will be of interest not only to musicians and theologians, but also to readers interested in the connection between spirituality and the arts.
Materials and Techniques of Twentieth-century Music
Author: Stefan M. Kostka
Publisher: Prentice Hall
ISBN:
Category : Music
Languages : en
Pages : 360
Book Description
The twilight of the tonal system -- Scale formations in twentieth-century music -- The vertical dimension -- The horizontal dimension : melody and voice leading -- Harmonic progression and tonality -- Developments in rhythm -- Form in twentieth-century music -- Imports and allusions -- Nonserial atonality -- Classical serialism -- Timbre and texture : acoustic -- Timbre and texture : electronic -- Serialism after 1945 -- The roles of chance and choice in twentieth-century music -- Minimalism and beyond.
Publisher: Prentice Hall
ISBN:
Category : Music
Languages : en
Pages : 360
Book Description
The twilight of the tonal system -- Scale formations in twentieth-century music -- The vertical dimension -- The horizontal dimension : melody and voice leading -- Harmonic progression and tonality -- Developments in rhythm -- Form in twentieth-century music -- Imports and allusions -- Nonserial atonality -- Classical serialism -- Timbre and texture : acoustic -- Timbre and texture : electronic -- Serialism after 1945 -- The roles of chance and choice in twentieth-century music -- Minimalism and beyond.
Essentials for Composers
Author: Jonathan Middleton
Publisher: Waveland Press
ISBN: 1478635207
Category : Music
Languages : en
Pages : 179
Book Description
Mastering the technical skills needed for fruitful music composition is relatively straightforward compared to the development of crucial creative-thinking strategies. While most introductory texts emphasize techniques, this affordable guide goes far beyond the initial stage of methods instruction to engage readers at a profound level. The author believes composers, as a first priority, must know what they are doing creatively and why they are doing it before segueing to learning the basic tools for the task. Unique yet practical, concise yet comprehensive, Essentials for Composers guides novice composers through a set of basic steps, examples, and concepts to help them work through stages of the creative process in manageable and stimulating ways. Middleton explains how to approach each topic (harmony, melody, counterpoint, orchestration, variation) and explore the creative process through experimentation by completing related exercises. Such direction, which prompts efforts toward defining, developing, discovering, and shaping one’s own creative process, unseals the essence of music composition. Relevant for students with interests ranging from film scoring to preparing music for digital games, Essentials for Composers is suitable for those who compose with or without the aid of technology. Bibliographies, score summaries, interviews with two composers, and analytical interludes prompt further investigation of topics.
Publisher: Waveland Press
ISBN: 1478635207
Category : Music
Languages : en
Pages : 179
Book Description
Mastering the technical skills needed for fruitful music composition is relatively straightforward compared to the development of crucial creative-thinking strategies. While most introductory texts emphasize techniques, this affordable guide goes far beyond the initial stage of methods instruction to engage readers at a profound level. The author believes composers, as a first priority, must know what they are doing creatively and why they are doing it before segueing to learning the basic tools for the task. Unique yet practical, concise yet comprehensive, Essentials for Composers guides novice composers through a set of basic steps, examples, and concepts to help them work through stages of the creative process in manageable and stimulating ways. Middleton explains how to approach each topic (harmony, melody, counterpoint, orchestration, variation) and explore the creative process through experimentation by completing related exercises. Such direction, which prompts efforts toward defining, developing, discovering, and shaping one’s own creative process, unseals the essence of music composition. Relevant for students with interests ranging from film scoring to preparing music for digital games, Essentials for Composers is suitable for those who compose with or without the aid of technology. Bibliographies, score summaries, interviews with two composers, and analytical interludes prompt further investigation of topics.
Language, Music, and the Brain
Author: Michael A. Arbib
Publisher: MIT Press
ISBN: 0262018101
Category : Science
Languages : en
Pages : 677
Book Description
A presentation of music and language within an integrative, embodied perspective of brain mechanisms for action, emotion, and social coordination. This book explores the relationships between language, music, and the brain by pursuing four key themes and the crosstalk among them: song and dance as a bridge between music and language; multiple levels of structure from brain to behavior to culture; the semantics of internal and external worlds and the role of emotion; and the evolution and development of language. The book offers specially commissioned expositions of current research accessible both to experts across disciplines and to non-experts. These chapters provide the background for reports by groups of specialists that chart current controversies and future directions of research on each theme. The book looks beyond mere auditory experience, probing the embodiment that links speech to gesture and music to dance. The study of the brains of monkeys and songbirds illuminates hypotheses on the evolution of brain mechanisms that support music and language, while the study of infants calibrates the developmental timetable of their capacities. The result is a unique book that will interest any reader seeking to learn more about language or music and will appeal especially to readers intrigued by the relationships of language and music with each other and with the brain. Contributors Francisco Aboitiz, Michael A. Arbib, Annabel J. Cohen, Ian Cross, Peter Ford Dominey, W. Tecumseh Fitch, Leonardo Fogassi, Jonathan Fritz, Thomas Fritz, Peter Hagoort, John Halle, Henkjan Honing, Atsushi Iriki, Petr Janata, Erich Jarvis, Stefan Koelsch, Gina Kuperberg, D. Robert Ladd, Fred Lerdahl, Stephen C. Levinson, Jerome Lewis, Katja Liebal, Jônatas Manzolli, Bjorn Merker, Lawrence M. Parsons, Aniruddh D. Patel, Isabelle Peretz, David Poeppel, Josef P. Rauschecker, Nikki Rickard, Klaus Scherer, Gottfried Schlaug, Uwe Seifert, Mark Steedman, Dietrich Stout, Francesca Stregapede, Sharon Thompson-Schill, Laurel Trainor, Sandra E. Trehub, Paul Verschure
Publisher: MIT Press
ISBN: 0262018101
Category : Science
Languages : en
Pages : 677
Book Description
A presentation of music and language within an integrative, embodied perspective of brain mechanisms for action, emotion, and social coordination. This book explores the relationships between language, music, and the brain by pursuing four key themes and the crosstalk among them: song and dance as a bridge between music and language; multiple levels of structure from brain to behavior to culture; the semantics of internal and external worlds and the role of emotion; and the evolution and development of language. The book offers specially commissioned expositions of current research accessible both to experts across disciplines and to non-experts. These chapters provide the background for reports by groups of specialists that chart current controversies and future directions of research on each theme. The book looks beyond mere auditory experience, probing the embodiment that links speech to gesture and music to dance. The study of the brains of monkeys and songbirds illuminates hypotheses on the evolution of brain mechanisms that support music and language, while the study of infants calibrates the developmental timetable of their capacities. The result is a unique book that will interest any reader seeking to learn more about language or music and will appeal especially to readers intrigued by the relationships of language and music with each other and with the brain. Contributors Francisco Aboitiz, Michael A. Arbib, Annabel J. Cohen, Ian Cross, Peter Ford Dominey, W. Tecumseh Fitch, Leonardo Fogassi, Jonathan Fritz, Thomas Fritz, Peter Hagoort, John Halle, Henkjan Honing, Atsushi Iriki, Petr Janata, Erich Jarvis, Stefan Koelsch, Gina Kuperberg, D. Robert Ladd, Fred Lerdahl, Stephen C. Levinson, Jerome Lewis, Katja Liebal, Jônatas Manzolli, Bjorn Merker, Lawrence M. Parsons, Aniruddh D. Patel, Isabelle Peretz, David Poeppel, Josef P. Rauschecker, Nikki Rickard, Klaus Scherer, Gottfried Schlaug, Uwe Seifert, Mark Steedman, Dietrich Stout, Francesca Stregapede, Sharon Thompson-Schill, Laurel Trainor, Sandra E. Trehub, Paul Verschure
Music, Language, and Cognition
Author: Peter Kivy
Publisher: Oxford University Press
ISBN: 0199217661
Category : Music
Languages : en
Pages : 260
Book Description
No further information has been provided for this title.
Publisher: Oxford University Press
ISBN: 0199217661
Category : Music
Languages : en
Pages : 260
Book Description
No further information has been provided for this title.