Author: Messiaen
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The Technique of My Musical Language. 2 Vols in 1
The Technique of My Musical Language: Text
Author: Olivier Messiaen
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 82
Book Description
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 82
Book Description
The Technique of My Musical Language ; 1-2
The Technique of My Musical Language
The Messiaen Companion
Author: Russell Hoban
Publisher: Faber & Faber
ISBN: 0571281044
Category : Music
Languages : en
Pages : 471
Book Description
Re-issued to coincide with the centenary of Messiaen's birth, The Messiaen Companion was the first major study to appear after the composer's death in April 1992. It was the first book to offer both a complete survey of Messiaen's extraordinary achievements and a comprehensive guide to his music, also examining in detail the enduring inspiration which Messiaen derived from his religious faith and from his lifelong passion for ornithology and the natural world. The contributors, all of whom have made a special study of the composer, include two biographers of Messiaen and a number of the foremost interpreters of his music. Messiaen's influential teaching is recalled in essays by three of his pupils (Pierre Boulez, George Benjamin, and Peter Hill), and the composer is also remembered in a remarkable and moving contribution from his widow and devoted musical companion, the pianist Yvonne Loriod.
Publisher: Faber & Faber
ISBN: 0571281044
Category : Music
Languages : en
Pages : 471
Book Description
Re-issued to coincide with the centenary of Messiaen's birth, The Messiaen Companion was the first major study to appear after the composer's death in April 1992. It was the first book to offer both a complete survey of Messiaen's extraordinary achievements and a comprehensive guide to his music, also examining in detail the enduring inspiration which Messiaen derived from his religious faith and from his lifelong passion for ornithology and the natural world. The contributors, all of whom have made a special study of the composer, include two biographers of Messiaen and a number of the foremost interpreters of his music. Messiaen's influential teaching is recalled in essays by three of his pupils (Pierre Boulez, George Benjamin, and Peter Hill), and the composer is also remembered in a remarkable and moving contribution from his widow and devoted musical companion, the pianist Yvonne Loriod.
Technique of My Musical Language: Exemples musicaux - Musical examples
Author: Olivier Messiaen
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 70
Book Description
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 70
Book Description
The Musical Language of Pierre Boulez
Author: Jonathan Goldman
Publisher: Cambridge University Press
ISBN: 0521514908
Category : Biography & Autobiography
Languages : en
Pages : 269
Book Description
A fresh look at the musical universe of arguably one of the most influential composers of the twentieth century.
Publisher: Cambridge University Press
ISBN: 0521514908
Category : Biography & Autobiography
Languages : en
Pages : 269
Book Description
A fresh look at the musical universe of arguably one of the most influential composers of the twentieth century.
Messiaen's Musical Techniques: The Composer's View and Beyond
Author: Gareth Healey
Publisher: Routledge
ISBN: 1317097122
Category : Music
Languages : en
Pages : 224
Book Description
Despite Messiaen's position as one of the greatest technical innovators of the twentieth century, his musical language has not been comprehensively defined and investigated. The composer's 1944 theoretical study, The Technique of My Musical Language, expounds only its initial stages, and while his posthumously published Traité de rythme, de couleur, et d'ornithologie contains detailed explanations of selected techniques, in most cases the reader is left to define these more precisely by observing them in the context of Messiaen's analyses of his own works. Technical processes are nevertheless in many cases the primary components of a work or movement. For instance, personnages dominate 'Joie du sang des étoiles' from the Turangalîla-symphonie, and in certain cases, such as 'L'échange' from the Vingt regards sur l'Enfant-Jésus, the process (asymmetric augmentation) is the only structuring element present. Given this reliance on idiosyncratic techniques, clear comprehension of the music is impossible without a detailed knowledge of Messiaen's methods. Gareth Healey charts their development and interconnections, considers their relationship with formal structures, and applies them in refined and extended form to works for which Messiaen himself left no published analysis.
Publisher: Routledge
ISBN: 1317097122
Category : Music
Languages : en
Pages : 224
Book Description
Despite Messiaen's position as one of the greatest technical innovators of the twentieth century, his musical language has not been comprehensively defined and investigated. The composer's 1944 theoretical study, The Technique of My Musical Language, expounds only its initial stages, and while his posthumously published Traité de rythme, de couleur, et d'ornithologie contains detailed explanations of selected techniques, in most cases the reader is left to define these more precisely by observing them in the context of Messiaen's analyses of his own works. Technical processes are nevertheless in many cases the primary components of a work or movement. For instance, personnages dominate 'Joie du sang des étoiles' from the Turangalîla-symphonie, and in certain cases, such as 'L'échange' from the Vingt regards sur l'Enfant-Jésus, the process (asymmetric augmentation) is the only structuring element present. Given this reliance on idiosyncratic techniques, clear comprehension of the music is impossible without a detailed knowledge of Messiaen's methods. Gareth Healey charts their development and interconnections, considers their relationship with formal structures, and applies them in refined and extended form to works for which Messiaen himself left no published analysis.