Author: Roger Manvell
Publisher: Hastings House Book Publishers
ISBN:
Category : Music
Languages : en
Pages : 326
Book Description
The Technique of Film Music
Author: Roger Manvell
Publisher: Hastings House Book Publishers
ISBN:
Category : Music
Languages : en
Pages : 326
Book Description
Publisher: Hastings House Book Publishers
ISBN:
Category : Music
Languages : en
Pages : 326
Book Description
The Technique of Film Music
Author: Roger Manvell
Publisher: London, Focal
ISBN:
Category : Motion picture music
Languages : en
Pages : 304
Book Description
Publisher: London, Focal
ISBN:
Category : Motion picture music
Languages : en
Pages : 304
Book Description
The Cambridge Companion to Film Music
Author: Mervyn Cooke
Publisher: Cambridge University Press
ISBN: 1107094518
Category : Music
Languages : en
Pages : 439
Book Description
A stimulating and unusually wide-ranging collection of essays overviewing ways in which music functions in film soundtracks.
Publisher: Cambridge University Press
ISBN: 1107094518
Category : Music
Languages : en
Pages : 439
Book Description
A stimulating and unusually wide-ranging collection of essays overviewing ways in which music functions in film soundtracks.
Film Music: A Very Short Introduction
Author: Kathryn Kalinak
Publisher: Oxford University Press
ISBN: 0199707979
Category : Performing Arts
Languages : en
Pages : 162
Book Description
Film music is as old as cinema itself. Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world. Film Music: A Very Short Introduction is a compact, lucid, and thoroughly engaging overview written by one of the leading authorities on the subject. After opening with a fascinating analysis of the music from a key sequence in Quentin Tarantino's Reservoir Dogs, Kathryn Kalinak introduces readers not only to important composers and musical styles but also to modern theoretical concepts about how and why film music works. Throughout the book she embraces a global perspective, examining film music in Asia and the Middle East as well as in Europe and the United States. Key collaborations between directors and composers--Alfred Hitchcock and Bernard Herrmann, Akira Kurosawa and Fumio Hayasaka, Federico Fellini and Nino Rota, to name only a few--come under scrutiny, as do the oft-neglected practices of the silent film era. She also explores differences between original film scores and compilation soundtracks that cull music from pre-existing sources. As Kalinak points out, film music can do many things, from establishing mood and setting to clarifying plot points and creating emotions that are only dimly realized in the images. This book illuminates the many ways it accomplishes those tasks and will have its readers thinking a bit more deeply and critically the next time they sit in a darkened movie theater and music suddenly swells as the action unfolds onscreen. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.
Publisher: Oxford University Press
ISBN: 0199707979
Category : Performing Arts
Languages : en
Pages : 162
Book Description
Film music is as old as cinema itself. Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world. Film Music: A Very Short Introduction is a compact, lucid, and thoroughly engaging overview written by one of the leading authorities on the subject. After opening with a fascinating analysis of the music from a key sequence in Quentin Tarantino's Reservoir Dogs, Kathryn Kalinak introduces readers not only to important composers and musical styles but also to modern theoretical concepts about how and why film music works. Throughout the book she embraces a global perspective, examining film music in Asia and the Middle East as well as in Europe and the United States. Key collaborations between directors and composers--Alfred Hitchcock and Bernard Herrmann, Akira Kurosawa and Fumio Hayasaka, Federico Fellini and Nino Rota, to name only a few--come under scrutiny, as do the oft-neglected practices of the silent film era. She also explores differences between original film scores and compilation soundtracks that cull music from pre-existing sources. As Kalinak points out, film music can do many things, from establishing mood and setting to clarifying plot points and creating emotions that are only dimly realized in the images. This book illuminates the many ways it accomplishes those tasks and will have its readers thinking a bit more deeply and critically the next time they sit in a darkened movie theater and music suddenly swells as the action unfolds onscreen. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.
Film Music
Author: Kevin J. Donnelly
Publisher: Edinburgh University Press
ISBN: 1474467814
Category : Motion picture music
Languages : en
Pages : 223
Book Description
Bringing together some of the most influential international scholars on the subject, this anthology provides a detailed, diverse and accessible perspective on music in the cinema.
Publisher: Edinburgh University Press
ISBN: 1474467814
Category : Motion picture music
Languages : en
Pages : 223
Book Description
Bringing together some of the most influential international scholars on the subject, this anthology provides a detailed, diverse and accessible perspective on music in the cinema.
Film Music
Author: Roy M. Prendergast
Publisher: W. W. Norton & Company
ISBN: 9780393308747
Category : History
Languages : en
Pages : 356
Book Description
The expanded, updated, and revised edition of Film Music brings together the experience and insights of the professional film music editor with the scholarship and concerns of the film critic and historian. In this pioneering work, film music--from its beginnings to the present day--is analyzed both as composition and as an integral element of cinematic expression. Beginning with an extensive historical overview, the author recreates the process by which film music composers developed their own forms out of typical screen action. The techniques and achievements of filmmakers from the silent and early sound film eras to the 1990s are examined, including the unique demands of music for the rapidly changing images of cartoons and animated films. A new chapter about music for television has been added to the very informative discussion of techniques for synchronizing music to picture. And the latest technological advances are described in an entirely new section dealing with contemporary methods and tools, including video post-production, the advent of digital audio, and the pervasive influence of the music synthesizer. Replete with music examples drawn from actual film scores, this comprehensive study concludes with an extensive and up-to-date bibliography of related reference works.
Publisher: W. W. Norton & Company
ISBN: 9780393308747
Category : History
Languages : en
Pages : 356
Book Description
The expanded, updated, and revised edition of Film Music brings together the experience and insights of the professional film music editor with the scholarship and concerns of the film critic and historian. In this pioneering work, film music--from its beginnings to the present day--is analyzed both as composition and as an integral element of cinematic expression. Beginning with an extensive historical overview, the author recreates the process by which film music composers developed their own forms out of typical screen action. The techniques and achievements of filmmakers from the silent and early sound film eras to the 1990s are examined, including the unique demands of music for the rapidly changing images of cartoons and animated films. A new chapter about music for television has been added to the very informative discussion of techniques for synchronizing music to picture. And the latest technological advances are described in an entirely new section dealing with contemporary methods and tools, including video post-production, the advent of digital audio, and the pervasive influence of the music synthesizer. Replete with music examples drawn from actual film scores, this comprehensive study concludes with an extensive and up-to-date bibliography of related reference works.
The Technique of Film Music
Author: John Huntley
Publisher:
ISBN:
Category : Motion picture music
Languages : en
Pages : 310
Book Description
Publisher:
ISBN:
Category : Motion picture music
Languages : en
Pages : 310
Book Description
Complete Guide to Film Scoring
Author: Richard Davis
Publisher: Hal Leonard Corporation
ISBN: 1495032264
Category : Music
Languages : en
Pages : 424
Book Description
(Berklee Guide). Essential for anyone interested in the business, process and procedures of writing music for film or television, this book teaches the Berklee approach to the art, covering topics such as: preparing and recording a score, contracts and fees, publishing, royalties, copyrights and much more. Features interviews with 21 top film-scoring professionals, including Michael Kamen, Alf Clausen, Alan Silvestri, Marc Shaiman, Mark Snow, Harry Gregson-Williams and Elmer Bernstein. Now updated with info on today's latest technology, and invaluable insights into finding work in the industry.
Publisher: Hal Leonard Corporation
ISBN: 1495032264
Category : Music
Languages : en
Pages : 424
Book Description
(Berklee Guide). Essential for anyone interested in the business, process and procedures of writing music for film or television, this book teaches the Berklee approach to the art, covering topics such as: preparing and recording a score, contracts and fees, publishing, royalties, copyrights and much more. Features interviews with 21 top film-scoring professionals, including Michael Kamen, Alf Clausen, Alan Silvestri, Marc Shaiman, Mark Snow, Harry Gregson-Williams and Elmer Bernstein. Now updated with info on today's latest technology, and invaluable insights into finding work in the industry.
The Technique of Film and Video Editing
Author: Ken Dancyger
Publisher: Taylor & Francis US
ISBN:
Category : Performing Arts
Languages : en
Pages : 504
Book Description
This edition provides a detailed look at the artistic and aesthetic principles and practices of editing for both picture and sound. It also contains up-to-date information on the influences of MTV and commercials, and new technologies.
Publisher: Taylor & Francis US
ISBN:
Category : Performing Arts
Languages : en
Pages : 504
Book Description
This edition provides a detailed look at the artistic and aesthetic principles and practices of editing for both picture and sound. It also contains up-to-date information on the influences of MTV and commercials, and new technologies.
Music Composition for Film and Television
Author: Lalo Schifrin
Publisher: Hal Leonard Corporation
ISBN: 1476899487
Category : Music
Languages : en
Pages : 292
Book Description
(Berklee Guide). Learn film-scoring techniques from one of the great film/television composers of our time. Lalo Schifrin shares his insights into the intimate relationship between music and drama. The book is illustrated with extended excerpts from his most iconic scores such as Mission: Impossible , Cool Hand Luke , Bullitt and many others and peppered with anecdotes from inside the Hollywood studios. Schifrin reveals the technical details of his own working approach, which has earned him six Oscar nominations, 21 Grammy nominations (with four awards), and credits on hundreds of major productions. Includes the full score of Schifrin's Fanfare for Screenplay and Orchestra , a treasure-trove of unfettered dramatic sound painting, commissioned by the Chicago Symphony Orchestra, and a great thesis on the emblematic language of film music.
Publisher: Hal Leonard Corporation
ISBN: 1476899487
Category : Music
Languages : en
Pages : 292
Book Description
(Berklee Guide). Learn film-scoring techniques from one of the great film/television composers of our time. Lalo Schifrin shares his insights into the intimate relationship between music and drama. The book is illustrated with extended excerpts from his most iconic scores such as Mission: Impossible , Cool Hand Luke , Bullitt and many others and peppered with anecdotes from inside the Hollywood studios. Schifrin reveals the technical details of his own working approach, which has earned him six Oscar nominations, 21 Grammy nominations (with four awards), and credits on hundreds of major productions. Includes the full score of Schifrin's Fanfare for Screenplay and Orchestra , a treasure-trove of unfettered dramatic sound painting, commissioned by the Chicago Symphony Orchestra, and a great thesis on the emblematic language of film music.