The Technique of Film and Video Editing PDF Download

Author: Ken Dancyger
Publisher: Taylor & Francis US
ISBN:
Category : Performing Arts
Languages : en
Pages : 504

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Book Description
This edition provides a detailed look at the artistic and aesthetic principles and practices of editing for both picture and sound. It also contains up-to-date information on the influences of MTV and commercials, and new technologies.

Author: Ken Dancyger
Publisher: Taylor & Francis
ISBN: 0240807650
Category : Performing Arts
Languages : en
Pages : 510

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Book Description
Providing a detailed, precise look at the artistic and aesthetic principles and practices of editing for both picture and sound, this handbook contains analyses of photographs from dozens of classic and contemporary films and videos to provide a sound basis for the professional filmmaker and student editor.

Author: Luís Fernando Morales Morante
Publisher: Taylor & Francis
ISBN: 135199848X
Category : Art
Languages : en
Pages : 261

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Book Description
Luís Fernando Morales Morante is Professor at the Autonomous University of Barcelona, Spain. He is the author of several books, and has worked as an editor for Panamericana Televisión and Frecuencia Latina, as well as for the media postproduction company Advanced Video Systems in Lima, Peru.

Author: Karel Reisz
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 411

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Book Description

Author: Edward Dmytryk
Publisher: Routledge
ISBN: 0429000774
Category : Art
Languages : en
Pages : 156

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Book Description
In On Film Editing, director Edward Dmytryk explains, in clear and engaging terms, the principles of film editing. Using examples and anecdotes from almost five decades in the film industry, Dmytryk offers a masterclass in film and video editing. Written in an informal, "how-to-do-it" style, Dmytryk shares his expertise and experience in film editing in a precise and philosophical way, contending that all parties on the film crew—from the camera assistant to the producer and director—must understand film editing to produce a truly polished work. Originally published in 1984, this reissue of Dmytryk’s classic editing book includes a new critical introduction by Andrew Lund, as well as chapter lessons, discussion questions, and exercises.

Author: Valerie Orpen
Publisher: Columbia University Press
ISBN: 0231851367
Category : Performing Arts
Languages : en
Pages : 167

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Book Description
Film Editing provides an introduction to the craft of editing in the non-silent film. In clear and accessible language, Valerie Orpen considers editing as an expressive strategy rather than a mere technique. She reveals that editing can be approached and studied in a similar way to other aspects of film. Traditionally, studies on editing or montage tend to focus on silent cinema, yet this book claims that an examination of editing should also consider the role of the soundtrack. The aim of Film Editing is to examine the way in which editing can make meaning. The book addresses editing as part of a wider context and as a crucial element of the overarching design and vision of a film. Consequently, this book incorporates other parameters, such as mise-en-scène, framing, sound, genre, history, and performance. By examining a number of mainstream and art films, such as Godard's A bout de souffle, Hitchcock's Rear Window, and Scorsese's Raging Bull, Film Editing seeks to dispel the notion that editing is necessarily polarized as continuity versus discontinuity.

Author: John Reich
Publisher: Open SUNY Textbooks
ISBN: 9781942341475
Category :
Languages : en
Pages :

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Book Description
Exploring Movie Construction & Production contains eight chapters of the major areas of film construction and production. The discussion covers theme, genre, narrative structure, character portrayal, story, plot, directing style, cinematography, and editing. Important terminology is defined and types of analysis are discussed and demonstrated. An extended example of how a movie description reflects the setting, narrative structure, or directing style is used throughout the book to illustrate building blocks of each theme. This approach to film instruction and analysis has proved beneficial to increasing students¿ learning, while enhancing the creativity and critical thinking of the student.

Author: Vsevolod Illarionovich Pudovkin
Publisher: Read Books Ltd
ISBN: 1446547353
Category : Drama
Languages : en
Pages : 346

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Book Description
This vintage book contains two pioneering volumes on the subject of film making by V.I. Pudovkin. Considered two of the most valuable manuals of the practice and theory of film making ever written, these texts will prove invaluable for the student or film enthusiast, and are not to be missed by discerning collectors of such literature. The chapters of this volume include: 'The Film Scenario and Its Theory', 'Film Director and Film Material', 'Types Instead of Actors', 'Close-Ups in Time', 'Asynchronism as a Principle of Sound Film', 'Rhythmic Problems in my First Sound Film', 'Notes and Appendices', 'Film Acting', et cetera. Vsevolod Illarionovich Pudovkin (1893 – 1953) was a Russian film director, screenwriter, and actor, famous for developing influential theories of montage. This volume is being republished now complete with a new prefatory biography of the author.

Author: Michael Wohl
Publisher: Peachpit Press
ISBN: 0201734834
Category : Computers
Languages : en
Pages : 469

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Book Description
An advanced guidebook that teaches practical editing strategies using Final Cut Pro, this title goes beyond the basics to combine practical techniques with professional strategy and artistic technique. With guidelines on general editing techniques and improving workflow, this guide shows readers how to use Final Cut to tackle creative compositing with other applications.

Author: Karel Reisz
Publisher: Focal Press
ISBN: 9781138419384
Category :
Languages : en
Pages :

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Book Description
Enhanced version of the seminal text on editing includes a new foreword, a new afterword, a revamped cover and layout, as well as a lower price!The single most comprehensive and engaging volume on film editing. Reisz and Millar introduce readers to every aspect of the editor's craft, providing a concise history of editing and describing editing style as it applies to every genre of moviemaking, including many types of narrative and documentary films. The particular demands of wide-screen filmmaking, cinema verite, and the avant-garde are also covered. Reisz and Millar's account of the differences between smooth and abrupt editing and their remarkable sense of editing for dramatic effect rather than for realism make this book essential for apprentice editors, as well as those who want to know how filmmakers understand their work.