The Tate Gallery 1982-84, Illustrated Catalogue of Acquisitions PDF Download

Author: Tate Gallery
Publisher: Tate Publishing(UK)
ISBN:
Category : Art
Languages : en
Pages : 468

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Author: Tate Gallery
Publisher: Tate Publishing(UK)
ISBN:
Category : Art
Languages : en
Pages : 584

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Author: Joe Graham
Publisher: Bloomsbury Publishing
ISBN: 1350166669
Category : Art
Languages : en
Pages : 217

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Serial Drawing offers a timely and rigorous exploration of a relatively little-researched art form. Serial drawings – artworks that are presented as singular works but are made up of distributed parts – are studied in fresh, contemporary terms with a novel philosophical approach, emphasizing both the way in which this unique form of visual art exists in the world, and how it is encountered by the beholder. Inspired by the quadruple framework of Graham Harman's object-oriented ontology, Joe Graham explores a variety of serial drawings according to the idea that, in being serially arrayed, such artworks constitute a rather particular form of art object: one which is both unified yet pluralised, visible yet withdrawn. Examining works by artists such as Alexei Jawlensky, Ellsworth Kelly, Hanne Darboven, Jill Baroff and Stefana McClure, Graham interrogates the manner in which serial drawings are able to be appreciated by the viewer who beholds them in object-oriented terms. This task is carried out by paying attention to the manner in which three tensions – space, time and seriality –emerge for consideration within the beholders performative encounter with the work: an encounter which is 'seen serially', and which the medium of drawing specifically directs their attention towards.

Author: John M. A. Thompson
Publisher: Routledge
ISBN: 1317791606
Category : Social Science
Languages : en
Pages : 776

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Based on original contributions by specialists, this manual covers both the theory and the practice required in the management of museums. It is intended for all museum and art gallery profession staff, and includes sections on new technology, marketing, volunteers and museum libraries.

Author: Tate Gallery
Publisher:
ISBN: 9780946590971
Category : Art
Languages : en
Pages : 172

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Author: Frances Ambler
Publisher: Ilex Press
ISBN: 1781577234
Category : Psychology
Languages : en
Pages : 103

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'Learn the rules like a pro so you can break them like an artist' - Picasso Whether it's through disrupting a routine, turning an idea on its head or challenging the norm, Brief Lessons in Rule Breaking will give you the confidence to take creative risks and experiment, free from self-doubt. Be inspired by the artistic avant garde with wise words from Abramovic, Duchamp and more.

Author: Joanne Begiato
Publisher: Manchester University Press
ISBN: 1526128594
Category : Design
Languages : en
Pages : 395

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This book offers an innovative account of manliness in Britain between 1760 and 1900. Using diverse textual, visual and material culture sources, it shows that masculinities were produced and disseminated through men’s bodies –often working-class ones – and the emotions and material culture associated with them. The book analyses idealised men who stimulated desire and admiration, including virile boxers, soldiers, sailors and blacksmiths, brave firemen and noble industrial workers. It also investigates unmanly men, such as drunkards, wife-beaters and masturbators, who elicited disgust and aversion. Unusually, Manliness in Britain runs from the eras of feeling, revolution and reform to those of militarism, imperialism, representative democracy and mass media, periods often dealt with separately by historians of masculinities.

Author: Andrew Causey
Publisher: Reaktion Books
ISBN: 1780232454
Category : Art
Languages : en
Pages : 240

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British painter Peter Lanyon transformed the art of landscape, rescuing it from picturesque depictions of the English countryside and resituating it as an art form capable of expressing radical ideas. The old European tradition of landscape—mostly concerned with ownership and leisure and not the daily life of the working class—was of no interest to Lanyon. His work instead reframed the consequences of war and industrialization upon a rapidly changing coastal landscape. In Peter Lanyon, Andrew Causey sets out to explain just how this transformation occurred. Lanyon’s family resided in West Cornwall for generations, and Causey asserts that the artist’s concern with regional identity, along with his resistance to what he saw as a history of outsider exploitation of St. Ives and the surrounding areas, were integral to his art. Drawing on recent work by cultural geographers, anthropologists, and archeologists, Causey makes sense of Lanyon’s relationship to the landscape and the pre-capitalist economy of his region. Provocative and insightful, Peter Lanyon is a thoroughly illuminating examination of the modern life of a landscape artist.

Author: Franny Moyle
Publisher: Penguin
ISBN: 073522093X
Category : Biography & Autobiography
Languages : en
Pages : 592

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The life of one of Western art's most admired and misunderstood painters J.M.W. Turner is one of the most important figures in Western art, and his visionary work paved the way for a revolution in landscape painting. Over the course of his lifetime, Turner strove to liberate painting from an antiquated system of patronage. Bringing a new level of expression and color to his canvases, he paved the way for the modern artist. Turner was very much a man of his changing era. In his lifetime, he saw Britain ravaged by Napoleonic wars, revived by the Industrial Revolution, and embarked upon a new moment of Imperial glory with the ascendancy of Queen Victoria. His own life embodied astonishing transformation. Born the son of a barber in Covent Garden, he was buried amid pomp and ceremony in St. Paul's Cathedral. Turner was accepted into the prestigious Royal Academy at the height of the French Revolution when a climate of fear dominated Britain. Unable to travel abroad he explored at home, reimagining the landscape to create some of the most iconic scenes of his country. But his work always had a profound human element. When a moment of peace allowed travel into Europe, Turner was one of the first artists to capture the beauty of the Alps, to revive Venice as a subject, and to follow in Byron’s footsteps through the Rhine country. While he was commercially successful for most of his career, Turner's personal life remained fraught. His mother suffered from mental illness and was committed to Bedlam. Turner never married but had several long-term mistresses and illegitimate daughters. His erotic drawings were numerous but were covered up by prurient Victorians after his death. Turner's late, impressionistic work was held up by his Victorian detractors as example of a creeping madness. Affection for the artist’s work soured. John Ruskin, the greatest of all 19th century art critics, did what he could to rescue Turner’s reputation, but Turner’s very last works confounded even his greatest defender. TURNER humanizes this surprising genius while placing him in his fascinating historical context. Franny Moyle brilliantly tells the story of the man to give us an astonishing portrait of the artist and a vivid evocation of Britain and Europe in flux.

Author: Glenn Adamson
Publisher: Thames & Hudson
ISBN: 0500773432
Category : Art
Languages : en
Pages : 444

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The first book to address the significance of the materials and methods used to make contemporary artworks Today, artists are able to create using multiple methods of production—from painting to digital technologies to crowdsourcing—some of which would have been unheard of just a few decades ago. Yet, even as our means of making art become more extraordinary and diverse, they are almost never addressed in their specificity. While critics and viewers tend to focus on the finished products we see in museums and galleries, authors Glenn Adamson and Julia Bryan-Wilson argue that the materials and processes behind the scenes used to make artworks are also vital to current considerations of authorship and to understanding the economic and social contexts from which art emerges. This wide-ranging exploration of different methods and media in art since the 1950s includes nine chapters that focus on individual processes of making: Painting, Woodworking, Building, Performing, Tooling Up, Cashing In, Fabricating, Digitizing, and Crowdsourcing. Detailed examples are interwoven with the discussion, including visuals that reveal the intricacies of techniques and materials. Artists featured include Ai Weiwei, Alice Aycock, Isa Genzken, Los Carpinteros, Paul Pfeiffer, Doris Salcedo, Santiago Sierra, and Rachel Whiteread.