Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 326
Book Description
The Tagus and the Tiber; Or, Notes of Travel in Portugal, Spain, and Italy, in 1850-1 William Edward Baxter
Author: The Tagus and the Tiber; Or, Notes of Travel in Portugal, Spain, and Italy, in 1850-1 William Edward Baxter
Author: The Tagus and the Tiber; Or, Notes of Travel in Portugal, Spain, and Italy, in 1850-51
Author: William Edward BaxterPublisher:
ISBN:
Category : Italy
Languages : en
Pages : 324
Book Description
The Eclectic Review
Author: Samuel GreatheedThe Spectator
Author: Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1288
Book Description
A weekly review of politics, literature, theology, and art.
Norton's Literary Gazette and Publishers' Circular
Author: British Museum Catalogue of printed Books
Author: Catalogus Librorum, quibus aucta est Bibliotheca Collegii SS. Trinitatis ... juxta Dublin, anno exeunte Kal. Novembr. 1853. [Edited by J. H. Todd.]
![Catalogus Librorum, quibus aucta est Bibliotheca Collegii SS. Trinitatis ... juxta Dublin, anno exeunte Kal. Novembr. 1853. [Edited by J. H. Todd.] PDF](https://books.google.com/books/content/images/frontcover/DQxgAAAAcAAJ?fife=w80-h100)
Author: Trinity College (Dublin, Ireland). LibraryPublisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 416
Book Description
Portugal e os estrangeiros
Author: Manoel Bernardes BrancoPublisher:
ISBN:
Category : Portugal
Languages : en
Pages : 578
Book Description
The Idea of Europe in British Travel Narratives, 1789-1914
Author: Katarina GephardtPublisher: Routledge
ISBN: 1317028120
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
The nineteenth century was the heyday of travel, with Britons continually reassessing their own culture in relation to not only the colonized but also other Europeans, especially the ones that they encountered on the southern and eastern peripheries of the continent. Offering illustrative case studies, Katarina Gephardt shows how specific rhetorical strategies used in contemporary travel writing produced popular fictional representations of continental Europe in the works of Ann Radcliffe, Lord Byron, Charles Dickens, and Bram Stoker. She examines a wide range of autobiographical and fictional travel narratives to demonstrate that the imaginative geographies underpinning British ideas of Europe emerged from the spaces between fact and fiction. Adding texture to her study are her analyses of the visual dimensions of cross-cultural representation and of the role of evolving technologies in defining a shared set of rhetorical strategies. Gephardt argues that British writers envisioned their country simultaneously as distinct from the Continent and as a part of Europe, anticipating the contradictory British discourse around European integration that involves both fear that the European super-state will violate British sovereignty and a desire to play a more central role in the European Union.