Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Syntagma Musicum III PDF full book. Access full book title Syntagma Musicum III by Michael Praetorius. Download full books in PDF and EPUB format.
Author: Michael Praetorius Publisher: OUP USA ISBN: 9780195145632 Category : Music Languages : en Pages : 304
Book Description
Volume III deals with terminology and offers us the most detailed commentary available from the 17th century about the performance of particular pieces of music.
Author: Michael Praetorius Publisher: OUP USA ISBN: 9780195145632 Category : Music Languages : en Pages : 304
Book Description
Volume III deals with terminology and offers us the most detailed commentary available from the 17th century about the performance of particular pieces of music.
Author: Siegfried Vogelsanger Publisher: Wipf and Stock Publishers ISBN: 1532684312 Category : Biography & Autobiography Languages : en Pages : 294
Book Description
Michael Praetorius (1571–1621) was “one of the most versatile, wide-ranging, and prolific German composers of the seventeenth century,” “also important as a theorist,” and “the most often quoted and excerpted writer on performance practice.” 2021 marks the four hundredth anniversary of this Lutheran musician’s death and the four hundred and fiftieth anniversary of his birth. Yet until now, no biography of this multitalented and fascinating man has been made available in English. This translation of Siegfried Vogelsänger’s 2008 German biography of Praetorius will introduce you to Praetorius’s family and employers, his work as organist and court music director, his sacred and secular musical compositions, his historical and theoretical musical work, his grandiose goals and plans, and—most importantly—the man himself. Appendices provide new insights into Praetorius’s ancestry and life, as well as new translations of primary sources written by Praetorius and others. Richly furnished with pictures and illustrations and supplemented with a glossary, Heaven Is My Fatherland will transport you into Praetorius’s world and open up for you the convictions of his heart.
Author: Helmar Schramm Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110971917 Category : Science Languages : en Pages : 604
Book Description
This volume presents a collection of original papers at the intersection of philosophy, the history of science, cultural and theatrical studies. Based on a series of case studies on the 17th century, it contributes to an understanding of the role played by instruments at the interface of science and art. The papers pursue the hypothesis that the development and construction of instruments make a substantive contribution to the opening of new fields of knowledge, the development of new cultural practices, but also to the delineation of particular genres, methods, and disciplines. This perspective leads the authors to reflect anew on what actually defines an instrument and to develop a series of basic questions to determine what an instrument is - which actions does the instrument incorporate? – which actions does the instrument make possible? - when do the objects of examination themselves become instruments? – what skills are required to use an instrument, which skills does it produce? With its combination of new theoretical models and historical case studies, its detailed demonstration of the mutual influence of art and science with the instrument as the point of intersection, this volume enters new territory. It is of great value for all those interested in the history of our perception of instruments. Besides the editors, the authors of the papers are: Jörg Jochen Berns, Olaf Breidbach, Georges Didi-Huberman, Peter Galison, Sybille Krämer, Dieter Mersch, Hans-Jörg Rheinberger, Wilhelm Schmidt-Biggemann, and Otto Sibum.
Author: Richard W. Griscom Publisher: Routledge ISBN: 1135839328 Category : Art Languages : en Pages : 745
Book Description
A Choice "Best Academic" book in its first edition, The Recorder remains an essential resource for anyone who wants to know about this instrument. This new edition is thoroughly redone, takes account of the publishing activity of the years since its first publication, and still follows the original organization.
Author: SusanLewis Hammond Publisher: Routledge ISBN: 1351568841 Category : Music Languages : en Pages : 286
Book Description
Editing Music in Early Modern Germany argues that editors played a critical role in the transmission and reception of Italian music outside Italy. Like their counterparts in the world of classical learning, Renaissance music editors translated texts and reworked settings from Venetian publications, adapting them to the needs of northern audiences. Their role is most evident in the emergence of the anthology as the primary vehicle for the distribution of madrigals outside Italy. As a publication type that depended upon the judicious selection and presentation of material, the anthology showcased editorial work. Anthologies offer a valuable case study for examining the impact of editorial decision-making on the cultivation of particular styles, genres, authors and audiences. The book suggests that music editors defined the appropriation of Italian music through the same processes of adaptation, transformation and domestication evident in the broader reception of Italy north of the Alps. Through these studies, Susan Lewis Hammond's work reassesses the importance of northern Europe in the history of the madrigal and its printing. This book will be the first comprehensive study of editors as a distinct group within the network of printers, publishers, musicians and composers that brought the madrigal to northern audiences. The field of Renaissance music printing has a long and venerable scholarly tradition among musicologists and music bibliographers. This study will contribute to recent efforts to infuse these studies with new approaches to print culture that address histories of reading and listening, patronage, marketing, transmission, reception, and their cultural and political consequences.
Author: John H. Baron Publisher: Pendragon Press ISBN: 9781576471005 Category : Juvenile Nonfiction Languages : en Pages : 506
Book Description
This is the first comprehensive overview of instrumental chamber music from the 16th century to the present. There are comparisons of different genres, composers, and periods. Situations for chamber music at different moments in history are brought into a continuum, and all aspects of chamber music are placed into perspective. A History of the Idea of Chamber Music is chronologically organized at the most general level. Beyond that, national schools figure prominently, as well as genres and personalities. Throughout this book the composition of chamber music, the performance of chamber music, and the social, economic, political, and aesthetic conditions for chamber music have been considered per se and as they interact. (From the Introduction)
Author: James Haar Publisher: Boydell & Brewer Ltd ISBN: 184383894X Category : Literary Criticism Languages : en Pages : 600
Book Description
Chronological surveys of national musical cultures (in Italy, France, the Netherlands, Germany, England, and Spain), genre studies (Mass, motet, madrigal, chanson, instrumental music, opera), as well as essays on intellectual and cultural developments and concepts relevant to music (music theory, printing, the Protestant Reformation and the corresponding Catholic movement, humanism, the concepts of "Renaissance" and "Baroque").
Author: Douglas Yeo Publisher: Rowman & Littlefield ISBN: 1538159678 Category : Music Languages : en Pages : 207
Book Description
Modern low brass instruments—trombone, tuba, and euphonium—have legions of ancestors, cousins, and descendants in over five-hundred years of history. Prominent scholar and performer Douglas Yeo provides a unique, accessible reference guide that addresses a broad range of relevant topics and brings these instruments to life with clear explanations and the most up-to-date research. Brief biographies of many path-changing individuals highlight their influence on instrument development and use. The book’s inclusive scope also recognizes the work of diverse, influential artists whose important contributions to trombone and tuba history and development have not previously been acknowledged in other literature. Extensive illustrations by Lennie Peterson provide insight into many of the entries.
Author: Michael Praetorius
Author: Michael Praetorius
Author: Michael Praetorius
Author: Michael Praetorius
Author: Siegfried Vogelsanger
Author: Helmar Schramm
Author: Richard W. Griscom
Author: SusanLewis Hammond
Author: John H. Baron
Author: James Haar
Author: Douglas Yeo