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Author: M. Flisfeder Publisher: Springer ISBN: 1137110740 Category : Performing Arts Languages : en Pages : 201
Book Description
Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Žižek's theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.
Author: M. Flisfeder Publisher: Springer ISBN: 1137110740 Category : Performing Arts Languages : en Pages : 201
Book Description
Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Žižek's theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.
Author: M. Flisfeder Publisher: Palgrave Macmillan ISBN: 9780230341470 Category : Performing Arts Languages : en Pages : 0
Book Description
Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Žižek's theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.
Author: Matthew Flisfeder Publisher: Bloomsbury Publishing USA ISBN: 1501311794 Category : Performing Arts Languages : en Pages : 185
Book Description
Provides an introductory explanation of postmodernism and its connection to film theory, and how it can be used to interpret Ridley Scott’s film, Blade Runner.
Author: Slavoj Zizek Publisher: Duke University Press ISBN: 9780822313953 Category : Literary Criticism Languages : en Pages : 308
Book Description
DIVA theoretical analysis of social conflict that uses examples from Kant, Hegel, Lacan, popular culture and contemporary politics to critique nationalism./div
Author: M. Flisfeder Publisher: Springer ISBN: 1137361514 Category : Social Science Languages : en Pages : 296
Book Description
Film, media, and cultural theorists have long appealed to Lacanian theory in order to discern processes of subjectivization, representation, and ideological interpellation. Here, the contributors take up a Zizekian approach to studies of cinema and media, raising questions about power, ideology, sexual difference, and enjoyment.
Author: Slavoj Zizek Publisher: John Wiley & Sons ISBN: 0745681441 Category : Philosophy Languages : en Pages : 261
Book Description
What do we know about Hegel? What do we know about Marx? What do we know about democracy and totalitarianism? Communism and psychoanalysis? What do we know that isn't a platitude that we've heard a thousand times - or a self-satisfied certainty? Through his brilliant reading of Hegel, Slavoj Zizek - one of the most provocative and widely-read thinkers of our time - upends our traditional understanding, dynamites every cliché and undermines every conviction in order to clear the ground for new ways of answering these questions. When Lacan described Hegel as the ‘most sublime hysteric’, he was referring to the way that the hysteric asks questions because he experiences his own desire as if it were the Other's desire. In the dialectical process, the question asked of the Other is resolved through a reflexive turn in which the question begins to function as its own answer. We had made Hegel into the theorist of abstraction and reaction, but by reading Hegel with Lacan, Zizek unveils a Hegel of the concrete and of revolution - his own, and the one to come. This early and dazzlingly original work by Zizek offers a unique insight into the ideas which have since become hallmarks of his mature thought. It will be of great interest to anyone interested in critical theory, philosophy and contemporary social thought.
Author: M. Flisfeder Publisher: Springer ISBN: 1137110740 Category : Performing Arts Languages : en Pages : 188
Book Description
Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Žižek's theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.
Author: Slavoj Zizek Publisher: MIT Press ISBN: 9780262740159 Category : Literary Criticism Languages : en Pages : 206
Book Description
Slavoj Žižek, a leading intellectual in the new social movements that are sweeping Eastern Europe, provides a virtuoso reading of Jacques Lacan. Žižek inverts current pedagogical strategies to explain the difficult philosophical underpinnings of the French theoretician and practician who revolutionized our view of psychoanalysis. He approaches Lacan through the motifs and works of contemporary popular culture, from Hitchcock's Vertigo to Stephen King's Pet Sematary, from McCullough's An Indecent Obsession to Romero's Return of the Living Dead—a strategy of "looking awry" that recalls the exhilarating and vital experience of Lacan. Žižek discovers fundamental Lacanian categories the triad Imaginary/Symbolic/Real, the object small a, the opposition of drive and desire, the split subject—at work in horror fiction, in detective thrillers, in romances, in the mass media's perception of ecological crisis, and, above all, in Alfred Hitchcock's films. The playfulness of Žižek's text, however, is entirely different from that associated with the deconstructive approach made famous by Derrida. By clarifying what Lacan is saying as well as what he is not saying, Žižek is uniquely able to distinguish Lacan from the poststructuralists who so often claim him.
Author: Slavoj Zizek Publisher: Macmillan ISBN: 0312427182 Category : History Languages : en Pages : 271
Book Description
Philosopher, cultural critic, and agent provocateur Zizek constructs a fascinating new framework to look at the forces of violence in the world.
Author: M. Flisfeder
Author: M. Flisfeder
Author: M. Flisfeder
Author: Matthew Flisfeder
Author: Slavoj Zizek
Author: M. Flisfeder
Author: Slavoj Zizek
Author: M. Flisfeder
Author: Slavoj Zizek
Author: Slavoj Žižek
Author: Slavoj Zizek