Author: David W. SamsonPublisher:
ISBN:
Category : Swinney Conservatory of Music
Languages : en
Pages : 198
Book Description
The Swinney Conservatory of Music at Central Methodist University
Author: David W. SamsonPublisher:
ISBN:
Category : Swinney Conservatory of Music
Languages : en
Pages : 198
Book Description
Concert Band
Author: Central Methodist College (Fayette, Mo.). Swinney Conservatory of MusicPublisher:
ISBN:
Category :
Languages : en
Pages : 14
Book Description
College Guide for Performing Arts Majors
Author: Carole J. EverettPublisher: Peterson's
ISBN: 076892698X
Category : Art
Languages : en
Pages : 482
Book Description
Describes graduate programs in art, dance, music, and theater, and lists undergraduate programs.
Missouri Journal of Research in Music Education
Author: The Eighth Summer Light Opera Performance Workshop Presents The Impresario
Author: Frank DugganPublisher:
ISBN:
Category : Opera programs
Languages : en
Pages : 12
Book Description
The Instrumentalist
Author: Central Methodist College
Author: Frank C. TuckerDirectory
Author: National Association of Schools of MusicPublisher:
ISBN:
Category : Conservatories of music
Languages : en
Pages : 272
Book Description
Musical America
Author: Publisher:
ISBN:
Category : Music
Languages : en
Pages : 692
Book Description
Includes "Directory: Foreign."
Writing Kit Carson
Author: Susan Lee JohnsonPublisher: UNC Press Books
ISBN: 1469658844
Category : History
Languages : en
Pages : 529
Book Description
In this critical biography, Susan Lee Johnson braids together lives over time and space, telling tales of two white women who, in the 1960s, wrote books about the fabled frontiersman Christopher "Kit" Carson: Quantrille McClung, a Denver librarian who compiled the Carson-Bent-Boggs Genealogy, and Kansas-born but Washington, D.C.- and Chicago-based Bernice Blackwelder, a singer on stage and radio, a CIA employee, and the author of Great Westerner: The Story of Kit Carson. In the 1970s, as once-celebrated figures like Carson were falling headlong from grace, these two amateur historians kept weaving stories of western white men, including those who married American Indian and Spanish Mexican women, just as Carson had wed Singing Grass, Making Out Road, and Josefa Jaramillo. Johnson's multilayered biography reveals the nature of relationships between women historians and male historical subjects and between history buffs and professional historians. It explores the practice of history in the context of everyday life, the seductions of gender in the context of racialized power, and the strange contours of twentieth-century relationships predicated on nineteenth-century pasts. On the surface, it tells a story of lives tangled across generation and geography. Underneath run probing questions about how we know about the past and how that knowledge is shaped by the conditions of our knowing.