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Author: Gerwin Strobl Publisher: Cambridge University Press ISBN: 9780521122726 Category : Drama Languages : en Pages : 0
Book Description
Based on extensive archival research, this is a comprehensive study of theatre in the Third Reich. It explores the contending pressures and ambitions within the regime and the Nazi party, within the German theatre profession itself and the theatre-going public. Together, these shaped theatrical practice in the Nazi years. By tracing the origins of the Nazi stage back to the right-wing theatre reform movement of the late nineteenth century, Strobl suggests that theatre was widely regarded as a central pillar of German national identity. The role played by the stage in the evolving collective German identity after 1933 is examined through chapters on theatre and Nazi racial policy, anti-religious campaigns and the uses of history. The book traces the evolving fortunes of theatre in the Third Reich, to the years of 'total war', and the resulting physical destruction of most German playhouses.
Author: Gerwin Strobl Publisher: Cambridge University Press ISBN: 9780521122726 Category : Drama Languages : en Pages : 0
Book Description
Based on extensive archival research, this is a comprehensive study of theatre in the Third Reich. It explores the contending pressures and ambitions within the regime and the Nazi party, within the German theatre profession itself and the theatre-going public. Together, these shaped theatrical practice in the Nazi years. By tracing the origins of the Nazi stage back to the right-wing theatre reform movement of the late nineteenth century, Strobl suggests that theatre was widely regarded as a central pillar of German national identity. The role played by the stage in the evolving collective German identity after 1933 is examined through chapters on theatre and Nazi racial policy, anti-religious campaigns and the uses of history. The book traces the evolving fortunes of theatre in the Third Reich, to the years of 'total war', and the resulting physical destruction of most German playhouses.
Author: Jessica Hillman Publisher: McFarland ISBN: 0786492686 Category : Performing Arts Languages : en Pages : 225
Book Description
With chapters on The Sound of Music, Milk and Honey, Fiddler on the Roof, Cabaret, The Rothschilds, Rags, Ragtime and The Producers, this book examines both direct and indirect references to, or resonances of, the Holocaust, tracing changing American attitudes through the chronological progression of these musical productions and their subsequent revivals. Despite the abundance of writing on both musical theatre history and on the difficulties of Holocaust representation, history and theatre scholars alike have thus far ignored the intersections of these areas. The academy thereby risks excluding precisely those works that shed the most light on our culture's evolving response to the Shoah, an event that still helps to define American identity. This book redresses this lapse by focusing on the theatrical form seen by the greatest amount of people--musicals--which either trigger or reflect changing American mores.
Author: Thomas Wilson Publisher: Рипол Классик ISBN: 5878836254 Category : History Languages : en Pages : 315
Book Description
With observations on the migration of certain industries in prehistoric times. From the report of the U.S. National Museum for 1894, pages 757-1011, with plates 1-25 and figures 1-374.
Author: Henning Grunwald Publisher: Oxford University Press ISBN: 0199609047 Category : History Languages : en Pages : 265
Book Description
What role did the courts play in the demise of Germany's first democracy and Hitler's rise to power? Courtroom to Revolutionary Stage challenges the orthodox interpretation of Weimar political justice. Henning Grunwald argues that an exclusive focus on reactionary judges and a preoccupation with number-crunching verdicts has obscured precisely that aspect of trials most fascinating to contemporary observers: their drama. Drawing on untapped sources and material previously inaccessible in English, Grunwald shows how an innovative group of party lawyers transformed dry legal proceedings into spectacular ideological clashes. Supported by powerful party legal offices (which have hitherto escaped scholarly notice almost entirely), they developed a sophisticated repertoire of techniques at the intersection of criminal law, politics, and public relations. Harnessing the emotional appeal of tens of thousands of trials, Communists and (emulating them) National Socialists institutionalized party legal aid in order to build their ideological communities. Defendants turned into martyrs, trials into performances of ideological self-sacrifice, and the courtroom into 'revolutionary stage', as one prominent party lawyer put it. It is this political justice as 'revolutionary stage' that most powerfully impacted Weimar political culture. While it helps to explain Weimar's demise, this argument about the theatricality of justice transcends interwar Germany. Trials were compelling not because they offered instruction about the revolutionary struggle, but because in a sense they were the revolutionary struggle. The ideological struggle, their message ran, left no room for fairness, no possibility of a 'neutral platform': justice was unattainable until the Republic was destroyed.
Author: Janelle Reinelt Publisher: Cambridge University Press ISBN: 1139498290 Category : Drama Languages : en Pages : 325
Book Description
David Edgar's writings address the most basic questions of how humans organize and govern themselves in modern societies. This study brings together the disciplines of political philosophy and theatre studies to approach the leading British playwright as a political writer and a public social critic. Edgar uses theatre as a powerful tool of public discourse, an aesthetic modality for engaging with and thinking/feeling through the most pressing social issues of the day. In this he is a supreme rationalist: he deploys character, plot and language to explore ideas, to make certain kinds of discursive cases and model hypothetical alternatives. Reinelt and Hewitt analyze twelve of Edgar's most important plays, including Maydays and Pentecost, and also provide detailed discussions of key performances and critical reception to illustrate the playwright's artistic achievement in relation to his contributions as a public figure in British cultural life.
Author: Thomas Wilson Publisher: DigiCat ISBN: Category : Fiction Languages : en Pages : 329
Book Description
The author of the work derives the origins of what we know as a swastika symbol from the earliest cultures. He studies its origins in the ancient shapes of a cross and brings the comparison of different types of cross symbols, which later evolved in the swastika. Further, the author examines the role of the swastika in the extreme Orient (Japan, Korea, China, and Tibet), the classical Orient (Babylonia, Assyria, Chaldea, and Persia, Phenicia, Lycaonia, Armenia, Caucasus, and Asia Minor - including Troy and mentioning Schliemann), Africa (Egypt, Algeria, Ashantee), classical Occident (Mediterranean - Greece, Cyprus, Rhodes, Milos, and Thera), Europe (the Bronze Age, the Gallo-Roman period, the Anglo-Saxon period, and the swastika on ancient coins), the United States of America (in pre-Columbian times, among the North American Indians, and a "colonial patchwork"), Central America (Nicaragua, Yucatan, and Costa Rica), and South America (Brazil and Paraguay). He shows various artifacts associated with the swastika, including spindle-whorls, coins, vases, and idols. The author also notes the importance of this symbol among both the ancient Buddhists and Hindus. It is generally a very deep and interesting study showing the universalism of the swastika symbol in different cultures of the world.
Author: Gerwin Strobl
Author: Gerwin Strobl
Author: Bernd Weikl
Author: Thomas Wilson
Author: Jessica Hillman
Author: Unity Theatre Society
Author: Thomas Wilson
Author: Henning Grunwald
Author: Janelle Reinelt
Author: Christopher B. Balme
Author: Thomas Wilson