Author: John BergerPublisher:
ISBN:
Category :
Languages : en
Pages : 210
Book Description
The Success and Failure of Picasso, Etc. (Reprinted.).
Author: John BergerThe Success and Failure of Picasso
Author: John BergerPublisher: Vintage
ISBN: 0307794245
Category : Biography & Autobiography
Languages : en
Pages : 240
Book Description
At the height of his powers, Pablo Picasso was the artist as revolutionary, breaking through the niceties of form in order to mount a direct challenge to the values of his time. At the height of his fame, he was the artist as royalty: incalculably wealthy, universally idolized−and wholly isolated. In this stunning critical assessment, John Berger−one of this century's most insightful cultural historians−trains his penetrating gaze upon this most prodigious and enigmatic painter and on the Spanish landscape and very particular culture that shpaed his life and work. Writing with a novelist's sensuous evocation of character and detail, and drawing on an erudition that embraces history, politics, and art, Berger follows Picasso from his childhood in Malaga to the Blue Period and Cubism, from the creation of Guernica to the pained etchings of his final years. He gives us the full measure of Picasso's triumphs and an unsparing reckoning of their cost−in exile, in loneliness, and in a desolation that drove him, in his last works, into an old man's furious and desperate frenzy at the beauty of what he could no longer create.
The Success and Failure of Picasso
Author: John BergerPublisher:
ISBN:
Category : Painters
Languages : en
Pages : 210
Book Description
The Success and Failure of Picasso with 120 Ills
Author: J. BergerSuccess and Failure of Picasso
Author: John BergerPublisher:
ISBN: 9780140140040
Category : Europe in literature
Languages : en
Pages : 220
Book Description
The British Library General Catalogue of Printed Books to 1975
Author: British LibraryPublisher:
ISBN:
Category : Reference
Languages : en
Pages : 536
Book Description
The succes and failure of Picasso
Author: John BergerThe Spanish Eye
Author: Robert HavardPublisher: Tamesis Books
ISBN: 9781855661431
Category : Art
Languages : en
Pages : 196
Book Description
The guiding principle of this title is that the 'sister arts' of painting and poetry are mutually illuminating, their common currency being the visual image. Five masters - El Greco, Velazquez, Goya, Picasso and Dali - are discussed, with a view to distinguishing what is peculiarly Spanish in their way of looking at reality.
Theorizing Modernism
Author: Johanna DruckerPublisher: Columbia University Press
ISBN: 9780231080835
Category : Art
Languages : en
Pages : 234
Book Description
The final section explores concepts of the artist as a producing subject and of the viewer as a produced subject with respect to such artists as Pablo Picasso, Marcel Duchamp, Andy Warhol, and Sherrie Levine.
The Artist, His Model, Her Image, His Gaze
Author: Karen L. KleinfelderPublisher: University of Chicago Press
ISBN: 9780226439839
Category : Art
Languages : en
Pages : 294
Book Description
Although Pablo Picasso's name is virtually synonymous with modernity, his late graphics repeatedly turn back to the traditional theme of the artist and model. Had the aging artist turned reactionary, or is Picasso's treatment of the theme more subversive than anyone has suspected? In this innovative study, Karen L. Kleinfelder rejects the claim that Picasso's later work was a failure. The failing, she claims, lies more in the way we typically have read the images, treating them merely as reflections of an "old-age" style or of the artist's private life. Focusing on graphics dating from 1954 to 1970, Kleinfelder shows how Picasso plays with the artist-model theme to extend, subvert, and parody both the possibilities and limits of representation. For Kleinfelder, Picasso's graphic work both mystifies and demystifies the creative process, venerates and mocks the effects of aging and the artist's self-image as a living "old master," and acknowledges and denies his own fear of death. Using recent interpretive and literary theory, Kleinfelder probes the three-way relationship between artist, model, and canvas. The dynamics of this relationship provided Picasso with an open-ended textual framework for exploring the dichotomies of man/woman, self/other, and vitality/mortality. What unfolds is the artist's struggle not only with the impossibility of representing the model on canvas, but also with the inevitability of his own death. Kleinfelder explores how Picasso's means of pursuing these issues allows him to defer closure on a long, productive career. By focusing on the graphics rather than the paintings, Kleinfelder contradicts the primacy of the painted "masterpiece"; she steers the reader away from the assumption that the artist must work toward creating a final body of work that signifies the culmination of his search for a coherent identify. Picasso's search, she argues, realizes itself in the creative process. She interprets the late graphics not as a biographical statement but as a tool for investigating the possibilities of representation within the limits of Picasso's medium and his lifetime. Richly illustrated, Kleinfelder's book will open up new approaches to the late work of this complex artist.