Author: Archibald John Stephens
Publisher:
ISBN:
Category : Ecclesiastical law
Languages : en
Pages : 368
Book Description
The substance of the argument delivered before the judicial committee of the Privy council by Archibald John Stephens ... in the case of Thomas Byard Sheppard, against William James Early Bennett. With an appendix containing their lordships' judgment
Author: Archibald John Stephens
Publisher:
ISBN:
Category : Ecclesiastical law
Languages : en
Pages : 368
Book Description
Publisher:
ISBN:
Category : Ecclesiastical law
Languages : en
Pages : 368
Book Description
The Substance of the Argument Delivered Before the Judicial Committee of the Privy Council
Author: Archibald John Stephens
Publisher:
ISBN:
Category : Church of England
Languages : en
Pages : 404
Book Description
Publisher:
ISBN:
Category : Church of England
Languages : en
Pages : 404
Book Description
The Argument of Archibald John Stephens
Author: Sheppard Bennett
Publisher: BoD – Books on Demand
ISBN: 3382183633
Category : Fiction
Languages : en
Pages : 361
Book Description
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Publisher: BoD – Books on Demand
ISBN: 3382183633
Category : Fiction
Languages : en
Pages : 361
Book Description
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
History of Morris County, New Jersey
Author: Edmund Drake Halsey
Publisher:
ISBN:
Category : Morris County (N.J.)
Languages : en
Pages : 510
Book Description
Publisher:
ISBN:
Category : Morris County (N.J.)
Languages : en
Pages : 510
Book Description
History of Hunterdon and Somerset Counties, New Jersey
Author:
Publisher:
ISBN:
Category : Hunterdon County (N.J.)
Languages : en
Pages : 1152
Book Description
Publisher:
ISBN:
Category : Hunterdon County (N.J.)
Languages : en
Pages : 1152
Book Description
The History of Camden County, New Jersey
Author: George Reeser Prowell
Publisher:
ISBN:
Category : Camden County (N.J.)
Languages : en
Pages : 1262
Book Description
Publisher:
ISBN:
Category : Camden County (N.J.)
Languages : en
Pages : 1262
Book Description
Transactions of the Cumberland & Westmorland Antiquarian & Archeological Society
Author: Cumberland and Westmorland Antiquarian and Archaeological Society
Publisher:
ISBN:
Category : Cumberland (England)
Languages : en
Pages : 426
Book Description
List of members included in each volume except v. 1.
Publisher:
ISBN:
Category : Cumberland (England)
Languages : en
Pages : 426
Book Description
List of members included in each volume except v. 1.
The Dictionary of National Biography
Author: Leslie Stephen
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 1360
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 1360
Book Description
A Durable Fire
Author: Virginia Bernhard
Publisher:
ISBN: 9780380708734
Category : Fiction
Languages : en
Pages : 532
Book Description
Publisher:
ISBN: 9780380708734
Category : Fiction
Languages : en
Pages : 532
Book Description
Hollywood Highbrow
Author: Shyon Baumann
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.