Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Substance of Cervantes PDF full book. Access full book title The Substance of Cervantes by John G. Weiger. Download full books in PDF and EPUB format.
Author: John G. Weiger Publisher: Cambridge University Press ISBN: 9780521168342 Category : Language Arts & Disciplines Languages : en Pages : 310
Book Description
A 1986 examination of the foundation upon which Cervantes constructed his works from La Galatea (1585) to Persiles y Sigismunda (1617).
Author: John G. Weiger Publisher: Cambridge University Press ISBN: 9780521168342 Category : Language Arts & Disciplines Languages : en Pages : 310
Book Description
A 1986 examination of the foundation upon which Cervantes constructed his works from La Galatea (1585) to Persiles y Sigismunda (1617).
Author: Stephen Marlowe Publisher: Skyhorse ISBN: 1628720018 Category : Fiction Languages : en Pages : 681
Book Description
This is the story of my death and life, in which fiction and that lesser truth, history, from time to time form a seamless whole. Speaking is the hero of Stephen Marlowe's brilliant new novel. He is Don Miguel de Cervantes Saavedra: son of a barber-surgeon (always on the run from the bill collector), grandson of a converso(a Jew who chose Christianity over the flames of the Spanish Inquisition), adorer of his own sister (who may not have been his sister after all), brother of one of the most famous spies in recorded history (though the records have mysteriously vanished), prisoner in an Algerian dungeon (following capture by Barbary Pirates), friend to a Faustian eunuch astrologer named Cide Hamete Benegeli (whose missing private parts are miraculously regenerating), and, of course, creator of the most celebrated of all fictional historical novels--The Adventures of Don Quixote de la Mancha. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
Author: Miguel de Cervantes Saavedra Publisher: ISBN: 9780393617474 Category : Literary Collections Languages : en Pages : 0
Book Description
"Diana de Armas Wilson's introductory study captures the true essence of why Cervantes's novel has become a valuable piece of our shared cultural heritage. Humour, satire, and the religious and political conflicts that plagued the era all form part of Cervantes's great vision, and Wilson's study provides thorough analysis of why we still want to read the adventures of his would-be knight errant and his loyal squire over four centuries later." --AARON KAHN, University of Sussex
Author: Dominick L. Finello Publisher: Bucknell University Press ISBN: 9780838752555 Category : Literary Criticism Languages : en Pages : 318
Book Description
"Pastoral Themes and Forms in Cervantes's Fiction explores the various pastoral dimensions of Cervantes's art, from his early Galatea, which is a pastoral novel, to his masterful Don Quijote de la Mancha. Dominick Finello here focuses on the pastoral's impact on the composition of Don Quijote: its rural backdrop of a rustic Spain; the literary inheritance of its characters and style; its dialogic structure, which reflects that of the pastoral novel; and the vital stimulus produced by Cervantes's direct observation of the effects of imaginative pastoral disguises and mimetic play on its characters, including bucolic games, the representation of eclogues and masques, and other such diversions. The blending of pastoral themes and forms into his fiction has led Cervantes to ring major changes on conventional patterns of the pastoral." "The pastoral's congenial interaction with the creativity of Don Quijote is apparent in the novel's settings and character conception. With regard to the settings, pastoral style in the Quijote focuses specifically on the geographical configuration and rural backdrop of Don Quijote's adventures and eventually places them in the context of the history of pastoral nomadism on the Iberian peninsula. With regard to characters, shepherds, goatherds, farmers, and other rural people appear everywhere in the Quijote; and Sancho Panza is the leading rustic personage from this group. Sancho's felicitous projection of pastoral life reflects his fundamental optimism. Don Quijote is linked to the literary shepherd through his discourse on the golden age, his imitation of the lovelord shepherd in the Sierra Morena episode of part 1, and the "Pastor Quijotiz" scheme, which signals his demise late in part 2. Dulcinea, Don Quijote's beloved, is conceived with both the rustic and literary dimensions of the pastoral heroine." "One of the essential features of the Quijote is its dialogic structure, which reflects that of the Renaissance academic colloquium and that of the pastoral novel. Another vital pastoral stimulus of Cervantes's art is his direct observation of the effects of imaginative pastoral disguises and mimetic play on his characters. The documented social customs involving pastoral mimesis (such as eclogues, masques, and games) indicate that pastoral expression and values have been integrated to a significant degree into the fabric of the lives of Cervantes's characters." "Cervantes's attitude toward the pastoral may be established through direct statements he made about pastoral authors, poems, and books. It may also be constituted through less direct means - such as the abrupt conclusion and subsequent disappearance of pastoral stories from the main narrative of the Quijote."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Roland Greene Publisher: University of Chicago Press ISBN: 022600077X Category : Literary Criticism Languages : en Pages : 221
Book Description
Blood. Invention. Language. Resistance. World. Five ordinary words that do a great deal of conceptual work in everyday life and literature. In this original experiment in critical semantics, Roland Greene considers how these words changed over the course of the sixteenth century and what their changes indicate about broader forces in science, politics, and other disciplines. Rather than analyzing works, careers, or histories, Greene discusses a broad swath of Renaissance and transatlantic literature—including Shakespeare, Cervantes, Camões, and Milton—in terms of the development of these five words. Aiming to shift the conversation around Renaissance literature from current approaches to riskier enterprises, Greene also proposes new methods that take advantage of digital resources like full-text databases, but still depend on the interpreter to fashion ideas out of ordinary language. Five Words is an innovative and accessible book that points the field of literary studies in an exciting new direction.
Author: David Quint Publisher: Princeton University Press ISBN: 0691186464 Category : Literary Criticism Languages : en Pages : 209
Book Description
This book offers a radically new reading of Don Quijote, understanding it as a whole much greater than the sum of its famous parts. David Quint discovers a unified narrative and deliberate thematic design in a novel long taught as the very definition of the picaresque and as a rambling succession of individual episodes. Quint shows how repeated motifs and verbal details link the episodes, often in surprising and heretofore unnoticed ways. Don Quijote emerges as a work that charts and reflects upon the historical transition from feudalism to the modern times of a moneyed, commercial society. In Part One of the novel, this change is measured in a shift in the nature of erotic desire, and we find Don Quijote torn between his love for Dulcinea and his hopes to wed for wealth and social advancement. In Part Two, Don Quijote himself changes from anarchic madman to a gentler, wiser hero--a member of a middle class in the making. Throughout, Cervantes meditates on the literary form that he is inventing as a response to modernity, questioning the novel's relationship to other genres and the place of heroism and imagination within stories of everyday life. A new and coherent guide through the maze-like structure of Don Quijote, this book invites readers to appreciate the perennial modernity of Cervantes's masterpiece---a novel that confronts times not so distant from our own.
Author: Miguel de Cervantes Saavedra Publisher: Girvin Press ISBN: 1444645536 Category : Biography & Autobiography Languages : en Pages : 426
Book Description
INTRODUCTION The early Chinese believed that jade had an immortality of its own and was impervious to decay. For them there was no substance nobler, purer, more durable, more pre-eminently suitable for the fashioning of religious emblems and the embodiment of dogma. Round jade, as round a kernel, the whole body of early Chinese civilisation crystallised. And yet they were not the first discoverers or users of jade, for the Babylonians made seal cylinders of jade, and Professor Elliott Smith believes that the Turkestan jade mountains and rivers were first worked by miners from Mesopotamia who, passing on legends about the magical qualities of jade, infected the Chinese with their beliefs. From the third millennium he says, the mines on the S.E. of the Caspian were being exploited and contact was established between Babylonians, Elamites, and the population of Turkestan. But however early the contacts, assumed or established, we can state truthfully that the Chinese made jade particularly and everlastingly their own, embodying in it their traditions, their religion, their administrative system. They may have derived their belief in the life-giving properties of jade from the Elamites, or have come to attach a magical value to its presence from the Babylonian miners, but for neither of these peoples was it the vehicle of supernatural beliefs, and, penetrate as far back as we may into pre-history, we cannot find a time in China in which jade was not used for religious purposes. What perhaps emphasises the peculiar position of jade in Chinese culture is the fact that other early peoples used jade, although for them it had no significance greater or even as great as gold or pearls. Jade was dug and worked in many parts of Europe. Hatchets have been found in Switzerland, nephrite celts in South Italy and France, Germany, Dalmatia, and Hungary. Jade celts, too, were discovered by Schliemann at Hissarlik, but by no people save the Chinese has jade been made the nucleus and the shrine of a civilisation-although its use was distributed in Turkestan, Persia, Siberia, India, Lake Baikal, and Japan, and to a minor degree the substance was prized by most Asiatic peoples. It is only during the last two decades that collectors have begun to realise the enormous importance of jade. Dr. Laufer broke new ground when, in 1912, he published his great work, xde, A Study in Chinese Archzology and Religion. His object in writing this book was rather ethnological than artistic. He himself calls it a contribution to the l Anthropology, Encyclopzdia Britannica.....