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Author: Erik Gunderson Publisher: Cambridge University Press ISBN: 1107090016 Category : Drama Languages : en Pages : 239
Book Description
Introduction -- Misreading Seneca -- Writing metaphysics -- The nature of Seneca -- The spectacle of ethics -- Losing Seneca -- The analytics of desire -- The last monster -- Conclusion: the metaphysics of Senecan morals -- Notes -- Bibliography -- Index.
Author: Erik Gunderson Publisher: Cambridge University Press ISBN: 1107090016 Category : Drama Languages : en Pages : 239
Book Description
Introduction -- Misreading Seneca -- Writing metaphysics -- The nature of Seneca -- The spectacle of ethics -- Losing Seneca -- The analytics of desire -- The last monster -- Conclusion: the metaphysics of Senecan morals -- Notes -- Bibliography -- Index.
Author: Gregory A. Staley Publisher: OUP USA ISBN: 0195387430 Category : Drama Languages : en Pages : 200
Book Description
The question of why Seneca wrote tragedy has been debated since at least the 13th century. Since Seneca was a Stoic, critics assumed he wrote with the standard Stoic theory of literature as education in philosophy in mind. This book argues that Seneca was influenced by Aristotle's famous defense of tragedy against Plato's critique.
Author: Andromache Karanika Publisher: Routledge ISBN: 135124339X Category : History Languages : en Pages : 191
Book Description
This volume examines emotional trauma in the ancient world, focusing on literary texts from different genres (epic, theatre, lyric poetry, philosophy, historiography) and archaeological evidence. The material covered spans geographically from Greece and Rome to Judaea, with a chronological range from about 8th c. bce to 1st c. ce. The collection is organized according to broad themes to showcase the wide range of possibilities that trauma theory offers as a theoretical framework for a new analysis of ancient sources. It also demonstrates the various ways in which ancient texts illuminate contemporary problems and debates in trauma studies.
Author: Andreas Heil Publisher: BRILL ISBN: 9004217088 Category : Literary Criticism Languages : en Pages : 895
Book Description
This new and important introduction to Seneca provides a systematic and concise presentation of this author’s philosophical works and his tragedies. It provides handbook style surveys of each genuine or attributed work, giving dates and brief descriptions, and taking into account the most important philosophical and philological issues. In addition, they provide accounts of the major steps in the history of their later influence. The cultural background of the texts and the most important problem areas within the philosophic and tragic corpus of Seneca are dealt with in separate essays.
Author: Chiara Graf Publisher: Oxford University Press ISBN: 0198907028 Category : Philosophy Languages : en Pages : 227
Book Description
What is the role of emotion in the scientific, philosophical, and literary works of Seneca the Younger? Scholarship on Seneca has often historically treated emotion as an obstacle to moral progress in his thought--an inherently treacherous aspect of human experience which must be eradicated via reason. However, a growing body of scholarly work has come to recognize that Seneca made room for emotions in his philosophy, framing such sensations as fear and shame as ethically beneficial in certain circumstances. Seneca's Affective Cosmos: Subjectivity, Feeling, and Knowledge in the Natural Questions and Beyond extends such arguments to arrive at a surprising conclusion: Seneca is prepared to harness towards therapeutic and didactic ends even the extreme and misguided emotions that result from our flawed understanding of the universe. Affect plays a particularly important role for the Senecan proficiens, the morally and intellectually imperfect student of Stoicism. Whereas the idealized figure of the Senecan wise man can achieve ethical progress through reason alone, the proficiens' compromised understanding of the world often prevents him from doing so. When reason fails him, the Senecan proficiens can harness his emotions towards moral progress. For instance, in Seneca's meteorological treatise Natural Questions, stupefaction and anxiety are presented as paradoxical sources of courage in the face of death. Similarly, in the tragedy Trojan Women, grief and hopelessness provide the protagonist Andromache with unexpected solace. Chiara Graf reaches these conclusions by placing a variety of Senecan texts in dialogue with modern works on affect theory, a school of thought that has gained popularity in the Humanities but remains underexplored in the Classics.
Author: Publisher: Oxford University Press ISBN: 0192889680 Category : History Languages : en Pages : 806
Book Description
Hercules is a tragedy of great theatrical, poetic, and cultural value. Written probably at the intersection of the principates of Claudius and Nero, it addresses central issues of early imperial Rome, even as it speaks profoundly to our times. Among its concerns are violence and madness; imperatives of family and self; Rome, identity and place; the nature of virtue; the longing for immortality; the theatre of rage; and the empire of death. The play is dramatically innovative, spectacular, and arresting: from its fiery, monumental god-prologue (the only one in Senecan tragedy), through meditative soliloquies, impassioned speeches, trenchant dialogue, a failed wooing scene with an impressive after-life in Tudor drama, a stunning entrance for Hercules and his captured hellhound, Theseus' ecphrastic narrative of the hero's infernal 'labour', to a familicidal madness scene and an emotionally turbulent, non-violent finale, in which the instinct for self-punitive suicide is thwarted by the claims of kinship and the acceptance of intolerable suffering. The whole is bound together by some of Seneca's most affective choral lyrics, as intellectually engaging as they are emotionally potent. Hercules is A. J. Boyle's sixth, full-scale edition for OUP of a play by or attributed to Seneca. It offers a comprehensive introduction, newly edited Latin text, English verse translation designed for both performance and academic study, and a detailed exegetic, analytic, and interpretative commentary. The aim has been to elucidate the text dramatically as well as philologically, and to locate the play firmly in its contemporary historical and theatrical context and the ensuing literary and dramatic tradition. As such, its substantial influence on European drama from the sixteenth to the twenty-first centuries is given emphasis throughout; this and the accessibility of the commentary to Latinless readers make the edition particularly useful to scholars and students not only of classics, but also of comparative literature and drama, and to anyone interested in the cultural dynamics of literary reception and the interplay between theatre and history.
Author: Philip R. Hardie Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110673517 Category : Literary Criticism Languages : en Pages : 481
Book Description
Six hundred years after Poggio’s retrieval of the De rerum natura, and with the recent surge of interest in Lucretius and his influence, there has never been a better time to fully assess and recognize the shaping force of his thought and poetry over European culture from antiquity to modern times. This volume offers a multidisciplinary and updated overview of Lucretius as philosopher and as poet, with special attention to how these two aspects interact. The volume includes 18 contributions by established as well as early career scholars working on Lucretius’ philosophical and poetic work, and his reception both in ancient and early modern times. All the chapters present new and original research. Section I explores core issues of Epicurean-Lucretian epistemology and ethics. Section II expounds much new material on ancient response to and reception of Lucretius. Section III presents new material and analysis on the immediate, fraught early modern reception of the poem. Section IV offers a wide collection of new and original papers on Lucretius’ fortunes in the period from Machiavelli up to Victorian times. Section V explores little known aspects of the iconographical and biographical motifs related to the De rerum natura.
Author: Martin Stöckinger Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110528614 Category : Literary Criticism Languages : en Pages : 438
Book Description
This volume sets out to explore the complex relationship between Horace and Seneca. It is the first book that examines the interface between these different and yet highly comparable authors with consideration of their œuvres in their entirety. The fourteen chapters collected here explore a wide range of topics clustered around the following four themes: the combination of literature and philosophy; the ways in which Seneca’s choral odes rework Horatian material and move beyond it; the treatment of ethical, poetic, and aesthetic questions by the two authors; and the problem of literary influence and reception as well as ancient and modern reflections on these problems. While the intertextual contacts between Horace and Seneca themselves lie at the core of this project, it also considers the earlier texts that serve as sources for both authors, intermediary steps in Roman literature, and later texts where connections between the two philosopher-poets are drawn. Although not as obviously palpable as the linkage between authors who share a common generic tradition, this uneven but pervasive relationship can be regarded as one of the most prolific literary interactions between the early Augustan and the Neronian periods. A bidirectional list of correspondences between Horace and Seneca concludes the volume.
Author: James R. Unwin Publisher: Rowman & Littlefield ISBN: 1978711204 Category : Religion Languages : en Pages : 231
Book Description
Paul and Seneca Among the Condemned: The Use of Spectacle in the Early Empire relocates the comparison of these two figures from the philosopher’s lecture hall to the amphitheaters of Rome and Corinth. The book explores the sites and images of spectacle that littered the landscapes of the ancient world. By examining archaeological remains alongside the letters of Paul and Seneca, James R. Unwin recreates their exhibitions of spectacle imagery. What we discover in viewing these provocative scenes from the grim world of the arena are suggestive responses to sovereign power and state terror. Their responses open up space for us to think through the reproduction of new arenas in our present world.
Author: Erik Gunderson
Author: Erik Gunderson
Author: Gregory A. Staley
Author: Andromache Karanika
Author: Andreas Heil
Author: Chiara Graf
Author: 
Author: Philip R. Hardie
Author: Margaret Graver
Author: Martin Stöckinger
Author: James R. Unwin