Author: Bernhard BerensonPublisher: Literary Licensing, LLC
ISBN: 9781497998698
Category :
Languages : en
Pages : 250
Book Description
This Is A New Release Of The Original 1902 Edition.
The Study and Criticism of Italian Art V2
Author: Bernhard BerensonPublisher: Literary Licensing, LLC
ISBN: 9781497998698
Category :
Languages : en
Pages : 250
Book Description
This Is A New Release Of The Original 1902 Edition.
The study and criticism of Italian art. 2 (1920)
Author: Bernard BerensonPublisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 0
Book Description
The Study and Criticism of Italian Art
Author: Bernard BerensonPublisher:
ISBN:
Category : Art
Languages : en
Pages : 264
Book Description
The Study and Criticism of Italian Art
Author: Bernard BerensonPublisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 262
Book Description
The Study and Criticism of Italian Art
Author: Bernhard BerensonThe Study and Criticism of Italian Art Volume 2
Author: Bernard BerensonPublisher: Theclassics.Us
ISBN: 9781230251523
Category :
Languages : en
Pages : 44
Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1902 edition. Excerpt: ... RUDIMENTS OF CONNOISSEURSHIP (a Fragment) The materials for the historical study of art are of three kinds: 1. Contemporary documents. 2. Tradition. 3. The works of art themselves. These materials are not presented ready for use. The student is confronted with a quantity of data of every kind supposed to concern his subject, and he cannot accept them all offhand as being of equal value. Examination soon reveals that some of the data offered are suspicious, some doubtful, and others positively apocryphal. He is obliged, therefore, before going further, to sift his materials, separating them into two groups: one immediately and distinctly valuable for his studies; the other not wholly useless, but only of remote and indirect consequence. The process of sifting is different in each of the three kinds of materials dealt with by the student of the history of art. CONTEMPORARY DOCUMENTS--THE DOCUMENT IN ART The contemporary document needs the least sifting. We need only consider its genuineness (forged documents being by no means rare), its correct transcription, and its value as information or evidence. 1n Only the last question is within the strict bounds of the art student's province, the questions of genuineness and text being better dealt with by palaeographists and philologists. Confining ourselves, therefore, to the discussion of the document as information or evidence, we must note that the art student's attitude toward a document is not quite the same as that of the student of general history. To the latter, every treaty or agreement, to take one instance, that he can find, if connected with his subject, is of the greatest importance, even if it never was carried out, and never intended to be, the mere existence of a sketch for an...
The Study and Criticism of Italian Art
Author: Bernhard BerensonPublisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 0
Book Description
The Study and Criticism of Italian Art, Volume 2
Author: Bernard BerensonPublisher: Palala Press
ISBN: 9781347033180
Category :
Languages : en
Pages : 254
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Study and Criticism of Italian Art. (Ser. 1.)
Author: Bernard BerensonRudiments of Connoisseurship
Author: Bernard BerensonPublisher: New York, Schocken Books
ISBN:
Category : Art
Languages : en
Pages : 262
Book Description