The Story of Christian Music PDF Download

Author: Andrew Wilson-Dickson
Publisher: Fortress Press
ISBN: 9780800634742
Category : Music
Languages : en
Pages : 268

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Book Description
Music has been at the heart of Christian worship since the beginning, and this lavishly illustrated and wonderfully written volume fully surveys the many centuries of creative Christian musical experimentation. From its roots in Jewish and Hellenistic music, through the rich tapestry of medieval chant to the full flowering of Christian music in the centuries after the Reformation and the many musical expressions of a now-global Christianity, Wilson-Dickson conveys 'a glimpse of the fecundity of imagination with which humanity has responded to the creator God.' Book jacket.

Author: Andrew Wilson-Dickson
Publisher: Lion Books
ISBN: 9780745951195
Category : Church music
Languages : en
Pages : 256

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Book Description
An illustrated introduction to the history and practice of Christian music. The main body of the text goes through the whole vast panoply of Christian music's history. The book looks at music in the Orthodox tradition and in Africa, as well as music for worship in 20th-century Europe and America.

Author: Tim Dowley
Publisher:
ISBN: 9780281079261
Category : Music
Languages : en
Pages : 0

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Book Description
Music is at the heart of the world's cultural heritage, and from the beginning has played an essential role in Christianity, with many of the greatest composers creating sacred music of all kinds. Tim Dowley traces the story of Christian music from the earliest Jewish traditions through the Renaissance and Reformation to the present day, discussing both the various liturgical traditions and non-liturgical sacred music. Dr Dowley also covers the fascinating history of hymns and sacred songs, and Christian expressions in modern jazz, folk, rock, and pop idioms. This comprehensive volume ranges widely, with specialist features on Christian music worldwide, and a focus on such varied topics as Christmas carols, the music of Handel and Bach, spirituals and the blues, medieval polyphony, Hildegard of Bingen, and Contemporary Christian Music. Dowley considers key questions, such as: What is Christian music? Is it solely music used in Christian worship? Or music with spirituality, with the power to move people? And what is the role of the Bible in all this? Richly illustrated with almost two hundred photographs and pictures, Christian Music: A Global History is a book for anyone who is moved, inspired, or intrigued by any kind of music from the Christian tradition. Key features include: - Comprehensive coverage of the history of worship music, from ancient times to the present day - In-depth articles on key themes and individuals - Provides historical, theological, and liturgical contexts for Christian music - Includes specialist articles written by international experts - Covers both Western and non-Western musical traditions - Richly illustrated throughout

Author: Bob Darden
Publisher: A&C Black
ISBN: 9780826414366
Category : Music
Languages : en
Pages : 456

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Book Description
From Africa through the spirituals, from minstrel music through jubilee, and from traditional to contemporary gospel, "People Get Ready!" provides, for the first time, an accessible overview of this musical genre.

Author: Mark Allan Powell
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 1096

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Book Description
These essays provide bandmember lists, complete discographies, lists of awards, artist-website addresses, biographies of the artists, and reviews of their work."--BOOK JACKET.

Author: Jack Wheaton
Publisher: Bible Belt Publishing
ISBN: 9780974476469
Category : Music
Languages : en
Pages : 205

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Book Description
Secular, pagan, and even occult musical styles have crept into the church, all dressed up with new Christian lyrics. Old, traditional hymns - tried and true - have been thrown on the scrap heap of church history. This is even more true with the recent influx of Purpose Driven churches in America. Naively, pastors, music directors, and younger members of congregations have unknowingly embraced musical styles that can have spiritually negative effects on their listeners. Dr. Jack Wheaton, composer and instrumentalist, masterfully covers the deterioration in music in today's church, and gives recommendations to fix the problem. . .before it is too late

Author: Marzanna Poplawska
Publisher: Routledge
ISBN: 0429996292
Category : Music
Languages : en
Pages : 341

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Book Description
This book is a study of music inculturation in Indonesia. It shows how religious expression can be made relevant in an indigenous context and how grassroots Christianity is being realized by means of music. Through the discussion of indigenous expressions of Christianity, the book presents multiple ways in which Indonesians reiterate their identity through music by creatively forging Christian and indigenous elements. This study moves beyond the discussion (and charge) of syncretism, showing that the inclusion of local cultural manifestations is an answer to creating a truly indigenous Christian expression. Marzanna Poplawska, while telling the story of Indonesian Christians and the multiple ways in which they live Christianity through music, emphasizes the creative energy and agency of local people. In their practices she finds optimism for the continuing existence of many traditional genres and styles. Indonesian Christians perform their Christian faith through music, dance, and theater, generating innovative cultural products that enrich the global Christian heritage. The book is addressed to a broad spectrum of readers: scholars from a variety of disciplines – music, religion, anthropology, especially those interested in interactions between Christianity and indigenous cultures; general music lovers and World Music enthusiasts eager to discover musics outside of European realm; as well as Christian believers, church musicians, and choir directors curious to learn about Christian music beyond Euro-American context. Students of religion, sacred music, (ethno)musicology, theater, and dance will also benefit from learning about a variety of indigenous arts employed in Christian churches in Indonesia.

Author: David Ware Stowe
Publisher: Univ of North Carolina Press
ISBN: 0807834580
Category : Religion
Languages : en
Pages : 305

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Book Description
In this cultural history of evangelical Christianity and popular music, David Stowe demonstrates how mainstream rock of the 1960s and 1970s has influenced conservative evangelical Christianity through the development of Christian pop music. For an earlier

Author: M. Jennifer Bloxam
Publisher: Lexington Books
ISBN: 1498549918
Category : Music
Languages : en
Pages : 259

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Book Description
This essay collection celebrates the richness of Christian musical tradition across its two thousand year history and across the globe. Opening with a consideration of the fourth-century lamp-lighting hymn Phos hilaron and closing with reflections on contemporary efforts of Ghanaian composers to create Christian worship music in African idioms, the ten contributors engage with a broad ecumenical array of sacred music. Topics encompass Roman Catholic sacred music in medieval and Renaissance Europe, German Lutheran song in the eighteenth century, English hymnody in colonial America, Methodist hymnody adopted by Southern Baptists in the nineteenth century, and Genevan psalmody adapted to respond to the post-war tribulations of the Hungarian Reformed Church. The scope of the volume is further diversified by the inclusion of contemporary Christian topics that address the evangelical methods of a unique Orthodox Christian composer’s language, the shared aims and methods of African-American preaching and gospel music, and the affective didactic power of American evangelical “praise and worship” music. New material on several key composers, including Jacob Obrecht, J.S. Bach, George Philipp Telemann, C.P.E. Bach, Zoltan Kodály, and Arvo Pärt, appears within the book. Taken together, these essays embrace a stimulating variety of interdisciplinary analytical and methodological approaches, drawing on cultural, literary critical, theological, ritual, ethnographical, and media studies. The collection contributes to discussions of spirituality in music and, in particular, to the unifying aspects of Christian sacred music across time, space, and faith traditions. This collection celebrates the fifteenth anniversary of the Society for Christian Scholarship in Music.

Author: Henry Louis Gates, Jr.
Publisher: Penguin
ISBN: 1984880330
Category : History
Languages : en
Pages : 338

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Book Description
The instant New York Times bestseller and companion book to the PBS series. “Absolutely brilliant . . . A necessary and moving work.” —Eddie S. Glaude, Jr., author of Begin Again “Engaging. . . . In Gates’s telling, the Black church shines bright even as the nation itself moves uncertainly through the gloaming, seeking justice on earth—as it is in heaven.” —Jon Meacham, New York Times Book Review From the New York Times bestselling author of Stony the Road and The Black Box, and one of our most important voices on the African American experience, comes a powerful new history of the Black church as a foundation of Black life and a driving force in the larger freedom struggle in America. For the young Henry Louis Gates, Jr., growing up in a small, residentially segregated West Virginia town, the church was a center of gravity—an intimate place where voices rose up in song and neighbors gathered to celebrate life's blessings and offer comfort amid its trials and tribulations. In this tender and expansive reckoning with the meaning of the Black Church in America, Gates takes us on a journey spanning more than five centuries, from the intersection of Christianity and the transatlantic slave trade to today’s political landscape. At road’s end, and after Gates’s distinctive meditation on the churches of his childhood, we emerge with a new understanding of the importance of African American religion to the larger national narrative—as a center of resistance to slavery and white supremacy, as a magnet for political mobilization, as an incubator of musical and oratorical talent that would transform the culture, and as a crucible for working through the Black community’s most critical personal and social issues. In a country that has historically afforded its citizens from the African diaspora tragically few safe spaces, the Black Church has always been more than a sanctuary. This fact was never lost on white supremacists: from the earliest days of slavery, when enslaved people were allowed to worship at all, their meetinghouses were subject to surveillance and destruction. Long after slavery’s formal eradication, church burnings and bombings by anti-Black racists continued, a hallmark of the violent effort to suppress the African American struggle for equality. The past often isn’t even past—Dylann Roof committed his slaughter in the Mother Emanuel AME Church 193 years after it was first burned down by white citizens of Charleston, South Carolina, following a thwarted slave rebellion. But as Gates brilliantly shows, the Black church has never been only one thing. Its story lies at the heart of the Black political struggle, and it has produced many of the Black community’s most notable leaders. At the same time, some churches and denominations have eschewed political engagement and exemplified practices of exclusion and intolerance that have caused polarization and pain. Those tensions remain today, as a rising generation demands freedom and dignity for all within and beyond their communities, regardless of race, sex, or gender. Still, as a source of faith and refuge, spiritual sustenance and struggle against society’s darkest forces, the Black Church has been central, as this enthralling history makes vividly clear.