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Author: Hugo Albert Rennert Publisher: Forgotten Books ISBN: 9780260638939 Category : Languages : en Pages : 66
Book Description
Excerpt from The Staging of Lope De Vega's Comedias With the establishment of the first two permanent play-houses or corrales in Madrid, that in the Calle de la Cruz, in 1579, and the one in the Calle del Principe, in 1582, we may readily imagine that things were somewhat improved. Here, at all events, was a fixed stage, with seats for the auditors, which was a great step forward. Now, as nearly as we can determine, Spain's greatest dramatist, Lope de Vega, began to write for the public stage about 1585, or very shortly after the establishment of the Corral del Principe, to which theatre we also know that Lope, prior to 1588, was a very frequent visitor. In the absence of any definite information upon the point, it has seemed to me that an examination of the plays of Lope de Vega might throw some light upon the manner in which the comedia was put upon the stage in the latter part of the sixteenth, and the early years of the seventeenth centuries. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Hugo Albert Rennert Publisher: Forgotten Books ISBN: 9780260638939 Category : Languages : en Pages : 66
Book Description
Excerpt from The Staging of Lope De Vega's Comedias With the establishment of the first two permanent play-houses or corrales in Madrid, that in the Calle de la Cruz, in 1579, and the one in the Calle del Principe, in 1582, we may readily imagine that things were somewhat improved. Here, at all events, was a fixed stage, with seats for the auditors, which was a great step forward. Now, as nearly as we can determine, Spain's greatest dramatist, Lope de Vega, began to write for the public stage about 1585, or very shortly after the establishment of the Corral del Principe, to which theatre we also know that Lope, prior to 1588, was a very frequent visitor. In the absence of any definite information upon the point, it has seemed to me that an examination of the plays of Lope de Vega might throw some light upon the manner in which the comedia was put upon the stage in the latter part of the sixteenth, and the early years of the seventeenth centuries. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Hugo Albert Rennert Publisher: Scholar's Choice ISBN: 9781297414282 Category : Languages : en Pages : 40
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Hugo Albert Rennert Publisher: Forgotten Books ISBN: 9780265276914 Category : Drama Languages : en Pages : 656
Book Description
Excerpt from The Spanish Stage: In the Time of Lope De Vega Early religious representations. The festival of Corpus Christi. The secular drama. Lope de Rueda. Torres Naharro. Early secular representations. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Hugo Albert Rennert Publisher: Forgotten Books ISBN: 9780332883922 Category : Drama Languages : en Pages : 606
Book Description
Excerpt from The Life of Lope De Vega: 152-1635 During the many years that I have been reading Lope's miscellaneous productions - by which I mean his non dramatic works, - and his comedias (of which I possess an almost complete collection), it has often occurred to me that I might summarize the chief events in the romantic career of the great poet who had for so long been my favourite author. On the appearance of the Prooe: o I began to revise the notes I had made in the course of m reading, and determined to print them in the present orm. The idea of discussing Lope's works, especially his most important plays, had to be abandoned, as it would have made the book too bulky, or rather would have furnished material enough for several volumes. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Rudolph Schevill Publisher: ISBN: 9781330776384 Category : Drama Languages : en Pages : 358
Book Description
Excerpt from The Dramatic Art of Lope De Vega: Together With La Dama Boba The large amount which Lope de Vega wrote for the stage manifestly demands a voluminous study of his art to do him full justice. The limited essay here presented may consequently be considered inadequate, and many points which could or ought to be included will be missed. Of that I am aware. But within the confined scope of this attempt my object became twofold: first, to indicate by brief hints along what lines a more detailed investigation could be instituted by someone better fitted than myself, and second, to have, at a future date, some justification for continuing an examination of the many items of interest which Lope constantly suggests. I have refrained from comparing the great Spaniard with other master writers for the theatre, for the obvious reason that it seemed to me more important to outline first an objective presentation of the material derived from Lope himself. Comparative studies in literature are futile and unprofitable to the reader who is not well acquainted with all the elements compared. Moreover, comparisons frequently lead to unjust conclusions whenever they attempt to prove that one writer is greater than another instead of analyzing in an unbiased manner how their delineation and interpretation of life are related. The offhand assertion is frequently to be met with that Moliere and Shakespeare are much greater than Lope de Vega, and yet the writers of such statements too often repeat merely a traditional catch phrase; they do not prepare the ground by adding a just and indispensable picture of the economic and social background which accounts for much that is unique in Lope de Vega's art. The most satisfactory studies of Aristophanes, Shakespeare, Moliere and other master playwrights are those based on direct objective analysis of their productions, and the principles or formula of their art. With these before us, a comparison may profitably be instituted which will further illuminate their methods of composition or reveal the extent to which they held a mirror up to the form of society in which they moved. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Hugo Albert Rennert
Author: Hugo Albert Rennert
Author: Hugo Albert Rennert
Author: Hugo A. Rennert
Author: Hugo Albert Rennert
Author: Hugo Albert Rennert
Author: Hugo Albert Rennert
Author: Sylvanus Griswold Morley
Author: Rudolph Schevill
Author: Sylvanus Griswold Morley
Author: Hugo Albert Rennert