Author: Anna Maude BowenPublisher:
ISBN:
Category :
Languages : en
Pages : 104
Book Description
The Sources and Text of Richard Wagner's Opera "Die Meistersinger Von Nürnberg".
Author: Anna Maude BowenThe Sources and Text of Richard Wagner's Opera
Author: Anna Maude BowerPublisher:
ISBN: 9783337386658
Category :
Languages : en
Pages : 104
Book Description
The Sources and Text of Richard Wagner's Opera is an unchanged, high-quality reprint of the original edition of 1897. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
The Sources and Text of Richard Wagner's Opera "Die Meistersinger Von Nürnberg"
Author: Anna Maude BowenPublisher:
ISBN:
Category : Music
Languages : en
Pages : 112
Book Description
The Sources and Text of Richard Wagner's Opera Die Meistersinger Von Nu Rnburg . .
Author: Bower MaudePublisher: Hardpress Publishing
ISBN: 9781290982764
Category :
Languages : en
Pages : 106
Book Description
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
The Sources and Text of Richard Wagner's Opera "Die Meistersinger Von Nürnberg"
Author: Anna BowenThe Wagner Operas
Author: Ernest NewmanPublisher: Princeton University Press
ISBN: 9780691027166
Category : Music
Languages : en
Pages : 748
Book Description
In this classic guide, the foremost Wagner expert of our century discusses ten of Wagner's most beloved operas, illuminates their key themes and the myths and literary sources behind the librettos, and demonstrates how the composer's style changed from work to work. Acclaimed as the most complete and intellectually satisfying analysis of the Wagner operas, the book has met with unreserved enthusiasm from specialist and casual music lover alike. Here, available for the first time in a single paperback volume, is the perfect companion for listening to, or attending, The Flying Dutchman, Tannhäuser, Lohengrin, Tristan and Isolde, Die Meistersinger, the four operas of the Ring Cycle, and Parsifal. Newman enriches his treatment of the stories, texts, and music of the operas with biographical and historical materials from the store of knowledge that he acquired while completing his numerous books on Wagner, including the magisterial Life of Richard Wagner. The text of The Wagner Operas is filled with hundreds of musical examples from the scores, and all the important leitmotifs and their interrelationships are made clear in Newman's lucid prose. "This is as fine an introduction as any ever written about a major composer's masterpieces. Newman outlines with unfailing clarity and astuteness each opera's dramatic sources, and he takes the student through the completed opera, step by step, with all manner of incidental insight along the way."--Robert Bailey, New York University
The Sources and Text of Richard Wagner's Opera Die Meistersinger Von Nürnberg
Author: Anna Maude BowenPublisher: Rarebooksclub.com
ISBN: 9781230185712
Category :
Languages : en
Pages : 28
Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1897 edition. Excerpt: ... alle jar auf sanct thomas tag oder die nechst schuel darfor sol man die Festlider verhoren und die fest singer verornern (verordnen) wie solen singen." This was evidently to prepare for a festival on St. John Evangelist's Day (December 27). According to Schnorr von Carolsf eld 4) there was a festal gathering of the Mastersingers at Wohrd, a suburb of Nuremberg, on the Feast of Trinity. Now Wagner has either mistaken the festival of St. John Evangelist for that of St. John Baptist (June 24) or has arbitrarily changed the festival of Trinity to that of St. John. His reasons for choosing this spring-day, so beautifully celebrated in southern Germany, are obvious. 1) Wagenseil, 546. 2) Uhland: Schriften," II, 297.; 3) Genee, 4i2. 4) Mey, 44, Ranisch, 28, says that the Nuremberg Mastersingers had a festival a week after Pentecostal Sunday at Wohrd--but this was because the expenses of meeting in the church were too great. Wagner has also arbitrarily assumed that there were two Critic's Seats (Gemerke), a smaller and a larger, the first to be used at the Open Singing, the second in the Singing-school (VII, 164). This is a gratuitous invention of his, as is also the marking of the song by Beckmesser as the only critic, instead of the customary three or four. This latter device was however necessary, since only Walther's rival would have criticized his song so severely. Poor Walther is marked, too, according to rules that he has never heard, for from the Leges Tabulaturas have been read to him only the introductory part, and David's glib enumeration of errors contains no real information. There is a curious slip in Hans Sachs' speech immediately after his reception by the apprentices and people in the third act. Sachs informs...
The Sources and Text of Richard Wagner's Opera Die Meistersinger Von Nürnberg . - Primary Source Edition
Author: Anna Maude BowenPublisher: Nabu Press
ISBN: 9781294735274
Category :
Languages : en
Pages : 98
Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
The Sources and Text of Richard Wagner's Opera Die Meistersinger We Nürnberg (Classic Reprint)
Author: Anna Maude BowenPublisher: Forgotten Books
ISBN: 9780483163447
Category : Music
Languages : en
Pages : 98
Book Description
Excerpt from The Sources and d104 of Richard Wagner's Opera Die Meistersinger We Nurnberg The later Minnesingers indulge in extravagant vagaries of both content and verse. It is a significant fact that Frauenlob, to whom the Mastersingers referred the foundation of their first School, was one those singers who played with artificial verse forms to the havoc of his subject. 1) But in the middle of the fifteenth century torpid Europe twas aroused. Through the capture of Constantinople by the Turks and the almost simultaneous invention of printing came, for Germany at least, the era of Humanism and the Reformation. 2) The imperial cities had been steadily growing in importance, and soon became the centers of all culture. Who but the honest burghers began now to flirt with the shy Muse, as they looked about for recreation after their day's labor? And although they clipped the wings of their Pegasus, and trained him to amble along in harness withal, yet they had taken him out of pound, and they cherished him fondly until he was ready for a new flight. From the fifteenth century on, the time of court-life and wandering for this poetry was past. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Opera and Drama
Author: Richard WagnerPublisher: U of Nebraska Press
ISBN: 9780803297654
Category : Music
Languages : en
Pages : 444
Book Description
With Richard Wagner, opera reached the apex of German Romanticism. Originally published in 1851, when Wagner was in political exile, Opera and Drama outlines a new, revolutionary type of musical stage work, which would finally materialize as The Ring of the Nibelung. Wagner's music drama, as he called it, aimed at a union of poetry, drama, music, and stagecraft. ø In a rare book-length study, the composer discusses the enhancement of dramas by operatic treatment and the subjects that make the best dramas. The expected Wagnerian voltage is here: in his thinking about myths such as Oedipus, his theories about operatic goals and musical possibilities, his contempt for musical politics, his exaltation of feeling and fantasy, his reflections about genius, and his recasting of Schopenhauer. ø This edition includes the full text of volume 2 of William Ashton Ellis's 1893 translation commissioned by the London Wagner Society.