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Author: Edmée Kingsmill Publisher: OUP Oxford ISBN: 0191573590 Category : Religion Languages : en Pages : 344
Book Description
Modern biblical scholarship interprets the Song as a collection of love lyrics. For Edmée Kingsmill, on the contrary, the essence of the Song is mystical. A principal concern of this study, however, is to uncover the relationship between the 117 verses of the Song and those biblical books to which they point. Beneath the metaphors a network of allusions is being woven, conveying a picture opposite to that we find in the prophets who, confronted with the continual 'adultery' of Israel, poured forth their condemnations with unwearying passion. In dramatic contrast, the Song presents a paradisal picture: 'For, lo, the winter is past, the rain is over and gone. The flowers appear in the land, and the time of singing is come' (Song 2: 11-12). Thus, in presenting the ideal, the intention of the Song's author is shown to be encouragement. The inclusion of this poem in the biblical canon is understood, therefore, to be central to the purpose of the biblical literature: to bring all people to love the God of love. The book is in two parts. The first and longer part is concerned with themes, including the relationship of the Song to the early Jewish mystical literature. The second part is a short commentary intended for the reader interested in the text as much as in the related questions to which the text gives rise.
Author: Edmée Kingsmill Publisher: OUP Oxford ISBN: 0191573590 Category : Religion Languages : en Pages : 344
Book Description
Modern biblical scholarship interprets the Song as a collection of love lyrics. For Edmée Kingsmill, on the contrary, the essence of the Song is mystical. A principal concern of this study, however, is to uncover the relationship between the 117 verses of the Song and those biblical books to which they point. Beneath the metaphors a network of allusions is being woven, conveying a picture opposite to that we find in the prophets who, confronted with the continual 'adultery' of Israel, poured forth their condemnations with unwearying passion. In dramatic contrast, the Song presents a paradisal picture: 'For, lo, the winter is past, the rain is over and gone. The flowers appear in the land, and the time of singing is come' (Song 2: 11-12). Thus, in presenting the ideal, the intention of the Song's author is shown to be encouragement. The inclusion of this poem in the biblical canon is understood, therefore, to be central to the purpose of the biblical literature: to bring all people to love the God of love. The book is in two parts. The first and longer part is concerned with themes, including the relationship of the Song to the early Jewish mystical literature. The second part is a short commentary intended for the reader interested in the text as much as in the related questions to which the text gives rise.
Author: Edmée Kingsmill Publisher: Oxford University Press on Demand ISBN: 0199577242 Category : Religion Languages : en Pages : 344
Book Description
A close biblical study that re-examines the Hebrew text of the Song of Songs and considers its mystical meaning. Kingsmill seeks to demonstrate that a careful network of intertextual allusions has been deliberately used by the writer of the Song to refer metaphorically to the love of God for his people.
Author: Denys Turner Publisher: Liturgical Press ISBN: Category : Religion Languages : en Pages : 488
Book Description
Monks and priests - male celibates - have for centuries described, expressed, and celebrated their love for God in the language of sex, most prolifically and characteristically in a thousand-year tradition of theological commentaries on the scriptural Song of Songs. As their allegory for the intimate love between God and man, they chose the most intense human model available - erotic love. After analyzing the tradition, its logic, and its imagery, Denys Turner provides translations of a dozen medieval commentaries never before available in English. From Gregory the Great in the sixth century to John of the Cross in the sixteenth, lovers of God speak in their own words across a thousand years a message as compelling today as it was in the Middle Ages.
Author: Michael Bryson Publisher: Open Book Publishers ISBN: 1783743514 Category : Literary Criticism Languages : en Pages : 380
Book Description
This book is a history of love and the challenge love offers to the laws and customs of its times and places, as told through poetry from the Song of Songs to John Milton’s Paradise Lost. It is also an account of the critical reception afforded to such literature, and the ways in which criticism has attempted to stifle this challenge. Bryson and Movsesian argue that the poetry they explore celebrates and reinvents the love the troubadour poets of the eleventh and twelfth centuries called fin’amor: love as an end in itself, mutual and freely chosen even in the face of social, religious, or political retribution. Neither eros nor agape, neither exclusively of the body, nor solely of the spirit, this love is a middle path. Alongside this tradition has grown a critical movement that employs a 'hermeneutics of suspicion', in Paul Ricoeur’s phrase, to claim that passionate love poetry is not what it seems, and should be properly understood as worship of God, subordination to Empire, or an entanglement with the structures of language itself – in short, the very things it resists. The book engages with some of the seminal literature of the Western canon, including the Bible, the poetry of Ovid, and works by English authors such as William Shakespeare and John Donne, and with criticism that stretches from the earliest readings of the Song of Songs to contemporary academic literature. Lively and enjoyable in its style, it attempts to restore a sense of pleasure to the reading of poetry, and to puncture critical insistence that literature must be outwitted. It will be of value to professional, graduate, and advanced undergraduate scholars of literature, and to the educated general reader interested in treatments of love in poetry throughout history.
Author: Peter S. Hawkins Publisher: Fordham Univ Press ISBN: 0823225712 Category : Art Languages : en Pages : 406
Book Description
Respectful of traditional biblical scholarship, this collection of essays aims to move beyond it. It brings together two communities that have read their Bibles in isolation from one another, in ignorance of the richness of the other's traditions.
Author: Gianni Barbiero Publisher: BRILL ISBN: 9004203702 Category : Religion Languages : en Pages : 560
Book Description
This book puts forward an interpretation of the Canticle which is alert to the literal sense of the poem. The author thus distances himself both from the allegorical interpretation and from an interpretation that is purely secular. According to the author, the Song offers a theological vision of human love. Barbiero sees the Song as composed in the third century BC, in the Hellenistic epoch, but also as hugely dependent on the love poetry of the Ancient Near East, particularly that of Egypt. Above all, however, the Song was composed in dialogue with the other books of the Old Testament, especially in contrast with the negative view of sexuality which they represent. The study pays particular attention to the structure of the poem and of the individual cantos: for Barbiero, the Song is a closely unitary work and is only to be understood as a whole.
Author: Ilana Pardes Publisher: Princeton University Press ISBN: 0691194246 Category : Religion Languages : en Pages : 294
Book Description
An essential history of the greatest love poem ever written The Song of Songs has been embraced for centuries as the ultimate song of love. But the kind of love readers have found in this ancient poem is strikingly varied. Ilana Pardes invites us to explore the dramatic shift from readings of the Song as a poem on divine love to celebrations of its exuberant account of human love. With a refreshingly nuanced approach, she reveals how allegorical and literal interpretations are inextricably intertwined in the Song's tumultuous life. The body in all its aspects—pleasure and pain, even erotic fervor—is key to many allegorical commentaries. And although the literal, sensual Song thrives in modernity, allegory has not disappeared. New modes of allegory have emerged in modern settings, from the literary and the scholarly to the communal. Offering rare insights into the story of this remarkable poem, Pardes traces a diverse line of passionate readers. She looks at Jewish and Christian interpreters of late antiquity who were engaged in disputes over the Song's allegorical meaning, at medieval Hebrew poets who introduced it into the opulent world of courtly banquets, and at kabbalists who used it as a springboard to the celestial spheres. She shows how feminist critics have marveled at the Song's egalitarian representation of courtship, and how it became a song of America for Walt Whitman, Herman Melville, and Toni Morrison. Throughout these explorations of the Song's reception, Pardes highlights the unparalleled beauty of its audacious language of love.
Author: John Romer Publisher: ISBN: 9781854796530 Category : Bible Languages : en Pages : 480
Book Description
In telling the story of the Bible's birth and journey from ancient East to modern West, Romer explores legendary characters of the Old and New Testaments and depicts biblical sites whose names have resounded throughout history. (A) panorama worth viewing.--New York Times Book Review. Illustrations.
Author: Timothy Robinson Publisher: BRILL ISBN: 9004209506 Category : Music Languages : en Pages : 433
Book Description
A survey of the history of one of the most important biblical texts in the history of Christian spirituality while exploring original pathways for research.
Author: Edmée Kingsmill
Author: Edmée Kingsmill
Author: Edmée Kingsmill
Author: Denys Turner
Author: Michael Bryson
Author: Chrēstos Giannaras
Author: Peter S. Hawkins
Author: Gianni Barbiero
Author: Ilana Pardes
Author: John Romer
Author: Timothy Robinson