Author: George Grosz
Publisher: Harvard University Press
ISBN:
Category : Art
Languages : en
Pages : 196
Book Description
This book explores surprising sides of Berlin Dada activist George Grosz (1893 -- 1959), known for his acerbic drawings of the teens and twenties that mocked the decadent ruling class and the hypocritical petit bourgeois. His sketchbooks, however, encompass a broader array of themes and styles, childhood drawings, caricature, satire, landscapes, nude studies, teaching instructions, sketches of people, and street scenes. From his early beginnings in his home town of Stolp to his late work in the U.S. where he settled in 1933, the nearly 200 sketchbooks offer new insights into Grosz's development and reveal a scrutinizing, yet witty and humane observer. Includes summary catalogue of all extant sketchbooks.(Harvard University Art Museum)
The Sketchbooks of George Grosz
Author: George Grosz
Publisher: Harvard University Press
ISBN:
Category : Art
Languages : en
Pages : 196
Book Description
This book explores surprising sides of Berlin Dada activist George Grosz (1893 -- 1959), known for his acerbic drawings of the teens and twenties that mocked the decadent ruling class and the hypocritical petit bourgeois. His sketchbooks, however, encompass a broader array of themes and styles, childhood drawings, caricature, satire, landscapes, nude studies, teaching instructions, sketches of people, and street scenes. From his early beginnings in his home town of Stolp to his late work in the U.S. where he settled in 1933, the nearly 200 sketchbooks offer new insights into Grosz's development and reveal a scrutinizing, yet witty and humane observer. Includes summary catalogue of all extant sketchbooks.(Harvard University Art Museum)
Publisher: Harvard University Press
ISBN:
Category : Art
Languages : en
Pages : 196
Book Description
This book explores surprising sides of Berlin Dada activist George Grosz (1893 -- 1959), known for his acerbic drawings of the teens and twenties that mocked the decadent ruling class and the hypocritical petit bourgeois. His sketchbooks, however, encompass a broader array of themes and styles, childhood drawings, caricature, satire, landscapes, nude studies, teaching instructions, sketches of people, and street scenes. From his early beginnings in his home town of Stolp to his late work in the U.S. where he settled in 1933, the nearly 200 sketchbooks offer new insights into Grosz's development and reveal a scrutinizing, yet witty and humane observer. Includes summary catalogue of all extant sketchbooks.(Harvard University Art Museum)
Love Above All, and Other Drawings
Author: George Grosz
Publisher: Courier Corporation
ISBN: 0486226751
Category : Art
Languages : en
Pages : 134
Book Description
This brilliant collection of Expressionist drawings captures the essence of Berlin during the 1920s. Devastating satiric works reveal prostitutes, porcine profiteers, inflation millionaires, and callous nouveau riche in a milieu in which starvation, disease, and desperation are just around the corner. Includes complete English captions.
Publisher: Courier Corporation
ISBN: 0486226751
Category : Art
Languages : en
Pages : 134
Book Description
This brilliant collection of Expressionist drawings captures the essence of Berlin during the 1920s. Devastating satiric works reveal prostitutes, porcine profiteers, inflation millionaires, and callous nouveau riche in a milieu in which starvation, disease, and desperation are just around the corner. Includes complete English captions.
The Sketchbook
Author: Gerd Presler
Publisher: XinXii
ISBN: 3969318122
Category : Art
Languages : en
Pages : 223
Book Description
Sketchbooks are an outstanding feature in more than a few exhibitions: they have a downright prominent place in showcases, above them monitors where all sheets can be seen on touch screens – a visual pleasure and an exciting event. Unfortunately, however, many people continue to be rather baffled by sketchbooks. What goes on there? Most are convinced that the purpose of a sketchbook is to prepare for a work – typically a painting. Its pages contain impressions of a preliminary nature, sketched in a few strokes, which are completed at another time and another place. But things have changed, and this is a development we have to examine at long last in greater depth: sketchbooks can accomplish more; they plough a field other than that of “pre-liminarity”! To date there is no publication that explores their true significance within the creative process. Is it not called for to take a close look at the weight artists attach to the “silent companion in their jacket pocket”? This is the purpose of this book.
Publisher: XinXii
ISBN: 3969318122
Category : Art
Languages : en
Pages : 223
Book Description
Sketchbooks are an outstanding feature in more than a few exhibitions: they have a downright prominent place in showcases, above them monitors where all sheets can be seen on touch screens – a visual pleasure and an exciting event. Unfortunately, however, many people continue to be rather baffled by sketchbooks. What goes on there? Most are convinced that the purpose of a sketchbook is to prepare for a work – typically a painting. Its pages contain impressions of a preliminary nature, sketched in a few strokes, which are completed at another time and another place. But things have changed, and this is a development we have to examine at long last in greater depth: sketchbooks can accomplish more; they plough a field other than that of “pre-liminarity”! To date there is no publication that explores their true significance within the creative process. Is it not called for to take a close look at the weight artists attach to the “silent companion in their jacket pocket”? This is the purpose of this book.
George Grosz
Nothing but the Clouds Unchanged
Author: Gordon Hughes
Publisher: Getty Publications
ISBN: 1606064312
Category : Art
Languages : en
Pages : 212
Book Description
Much of how World War I is understood today is rooted in the artistic depictions of the brutal violence and considerable destruction that marked the conflict. Nothing but the Clouds Unchanged examines how the physical and psychological devastation of the war altered the course of twentieth-century artistic Modernism. Following the lives and works of fourteen artists before, during, and after the war, this book demonstrates how the conflict and the resulting trauma actively shaped artistic production. Featured artists include Georges Braque, Carlo Carrà, Otto Dix, Max Ernst, George Grosz, Ernst Ludwig Kirchner, Oskar Kokoschka, Käthe Kollwitz, Fernand Léger, Wyndham Lewis, André Masson, László Moholy-Nagy, Paul Nash, and Oskar Schlemmer. Materials from the Getty Research Institute’s special collections—including letters, popular journals, posters, sketches, propaganda, books, and photographs—situate the works of the artists within the historical context, both personal and cultural, in which they were created. The volume accompanies a related exhibition on view at the Getty Research Institute Gallery from November 25, 2014, to April 19, 2015.
Publisher: Getty Publications
ISBN: 1606064312
Category : Art
Languages : en
Pages : 212
Book Description
Much of how World War I is understood today is rooted in the artistic depictions of the brutal violence and considerable destruction that marked the conflict. Nothing but the Clouds Unchanged examines how the physical and psychological devastation of the war altered the course of twentieth-century artistic Modernism. Following the lives and works of fourteen artists before, during, and after the war, this book demonstrates how the conflict and the resulting trauma actively shaped artistic production. Featured artists include Georges Braque, Carlo Carrà, Otto Dix, Max Ernst, George Grosz, Ernst Ludwig Kirchner, Oskar Kokoschka, Käthe Kollwitz, Fernand Léger, Wyndham Lewis, André Masson, László Moholy-Nagy, Paul Nash, and Oskar Schlemmer. Materials from the Getty Research Institute’s special collections—including letters, popular journals, posters, sketches, propaganda, books, and photographs—situate the works of the artists within the historical context, both personal and cultural, in which they were created. The volume accompanies a related exhibition on view at the Getty Research Institute Gallery from November 25, 2014, to April 19, 2015.
Ecce Homo
The Berlin of George Grosz
Author: George Grosz
Publisher: Yale University Press
ISBN: 0300072066
Category : Art
Languages : en
Pages : 240
Book Description
Including 150 work on paper as well as several of the artist's key theoretical essays and letters, this text is the catalogue for a 1997 Royal Academy exhibition of the drawings, watercolours and prints of George Grosz.
Publisher: Yale University Press
ISBN: 0300072066
Category : Art
Languages : en
Pages : 240
Book Description
Including 150 work on paper as well as several of the artist's key theoretical essays and letters, this text is the catalogue for a 1997 Royal Academy exhibition of the drawings, watercolours and prints of George Grosz.
The Forgotten Society
Author: Alan E. Cober
Publisher: Courier Corporation
ISBN: 0486483533
Category : Art
Languages : en
Pages : 122
Book Description
A prominent artist ventured behind locked doors to portray three "forgotten" social classes. Alan E. Cober encountered his subjects in retirement homes as well as such notorious institutions as Willowbrook State School and Sing Sing Correctional Facility. His 92 expressive portraits of social outsiders recall the traditions of Albrecht Dürer and George Grosz.
Publisher: Courier Corporation
ISBN: 0486483533
Category : Art
Languages : en
Pages : 122
Book Description
A prominent artist ventured behind locked doors to portray three "forgotten" social classes. Alan E. Cober encountered his subjects in retirement homes as well as such notorious institutions as Willowbrook State School and Sing Sing Correctional Facility. His 92 expressive portraits of social outsiders recall the traditions of Albrecht Dürer and George Grosz.
Artists' Letters
Author: Michael Bird
Publisher: White Lion Publishing
ISBN: 0711241287
Category : Art
Languages : en
Pages : 227
Book Description
Artists’ Letters is a treasure trove of carefully selected letters written by great artists, providing the reader with a unique insight into their characters and a glimpse into their lives. Arranged thematically, it includes writings and musings on love, work, daily life, money, travel and the creative process. On the theme of friendship, for example, letters provide evidence of a creative community between peers, with support and mutual appreciation that helps to dispel the myth of the artist as solitary genius. Letters between Vincent van Gogh and Paul Gauguin show an ongoing conversation and exchange of ideas. We see mutual admiration between Claude Monet and Berthe Morisot, and Picasso’s quick notes to Jean Cocteau illustrate their closeness. Correspondence, some of which includes sketches and drawings, is reproduced with the transcript and some background and contextual information alongside. The book brings together a collection of treasures found in letters, which in our digital age are an increasingly lost art.
Publisher: White Lion Publishing
ISBN: 0711241287
Category : Art
Languages : en
Pages : 227
Book Description
Artists’ Letters is a treasure trove of carefully selected letters written by great artists, providing the reader with a unique insight into their characters and a glimpse into their lives. Arranged thematically, it includes writings and musings on love, work, daily life, money, travel and the creative process. On the theme of friendship, for example, letters provide evidence of a creative community between peers, with support and mutual appreciation that helps to dispel the myth of the artist as solitary genius. Letters between Vincent van Gogh and Paul Gauguin show an ongoing conversation and exchange of ideas. We see mutual admiration between Claude Monet and Berthe Morisot, and Picasso’s quick notes to Jean Cocteau illustrate their closeness. Correspondence, some of which includes sketches and drawings, is reproduced with the transcript and some background and contextual information alongside. The book brings together a collection of treasures found in letters, which in our digital age are an increasingly lost art.
George Grosz
Author: Ralph Jentsch
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 300
Book Description
George Grosz (1893-1959) was a prominent member of the Berlin Dada and New Objectivity group. He was born Georg Ehrenfried Groß in Berlin, but changed his name in 1916 out of a romantic enthusiasm for America. Anti-Nazi, Grosz left Germany in 1932, and in 1933 was invited to teach at the Art Students League of New York, where he would teach intermittently until 1955. Over 500 illustrations, drawings, and paintings in this book document the entire output of the artist's German and American years, including drawings spanning from when the artist was the age of fifteen to his paintings made during his U.S. period. Also included are sketches of stage designs he created between 1919-1954 for theatre pieces by Bernard Shaw, Iwan Goll, Georg Kaiser, Paul Zech, and Jaroslav Kaek, as well as numerous collages. The volume is complete with unpublished photographs from the painter's private life and two essays by Enrico Crispolti and Philippe Dagen.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 300
Book Description
George Grosz (1893-1959) was a prominent member of the Berlin Dada and New Objectivity group. He was born Georg Ehrenfried Groß in Berlin, but changed his name in 1916 out of a romantic enthusiasm for America. Anti-Nazi, Grosz left Germany in 1932, and in 1933 was invited to teach at the Art Students League of New York, where he would teach intermittently until 1955. Over 500 illustrations, drawings, and paintings in this book document the entire output of the artist's German and American years, including drawings spanning from when the artist was the age of fifteen to his paintings made during his U.S. period. Also included are sketches of stage designs he created between 1919-1954 for theatre pieces by Bernard Shaw, Iwan Goll, Georg Kaiser, Paul Zech, and Jaroslav Kaek, as well as numerous collages. The volume is complete with unpublished photographs from the painter's private life and two essays by Enrico Crispolti and Philippe Dagen.