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Author: Irina Sirotkina Publisher: Bloomsbury Publishing ISBN: 135001432X Category : Performing Arts Languages : en Pages : 232
Book Description
The touch and movement senses have a large place in the modern arts. This is widely discussed and celebrated, often enough as if it represents a breakthrough in a primarily visual age. This book turns to history to show just how significant movement and the sense of movement were to pioneers of modernism at the turn of the 20th century. It makes this history vivid through a picture of movement in the lives of an extraordinary generation of Russian artists, writers, theatre people and dancers bridging the last years of the tsars and the Revolution. Readers will gain a new perspective on the relation between art and life in the period 1890-1920 in great innovators like the poets Mayakovsky and Andrei Bely, the theatre director Meyerhold, the dancer Isadora Duncan and the young men and women in Russia inspired by her lead, and esoteric figures like Gurdjieff. Movement, and the turn to the body as a source of natural knowledge, was at the centre of idealistic creativity and hopes for a new age, for a 'new man', and this was true both for those who looked forward to the technology of the future and those who looked back to the harmony of Ancient Greece. The book weaves history and analysis into a colourful, thoughtful affirmation of movement in the expressive life.
Author: Irina Sirotkina Publisher: Bloomsbury Publishing ISBN: 135001432X Category : Performing Arts Languages : en Pages : 232
Book Description
The touch and movement senses have a large place in the modern arts. This is widely discussed and celebrated, often enough as if it represents a breakthrough in a primarily visual age. This book turns to history to show just how significant movement and the sense of movement were to pioneers of modernism at the turn of the 20th century. It makes this history vivid through a picture of movement in the lives of an extraordinary generation of Russian artists, writers, theatre people and dancers bridging the last years of the tsars and the Revolution. Readers will gain a new perspective on the relation between art and life in the period 1890-1920 in great innovators like the poets Mayakovsky and Andrei Bely, the theatre director Meyerhold, the dancer Isadora Duncan and the young men and women in Russia inspired by her lead, and esoteric figures like Gurdjieff. Movement, and the turn to the body as a source of natural knowledge, was at the centre of idealistic creativity and hopes for a new age, for a 'new man', and this was true both for those who looked forward to the technology of the future and those who looked back to the harmony of Ancient Greece. The book weaves history and analysis into a colourful, thoughtful affirmation of movement in the expressive life.
Author: Konrad Bayer Publisher: Atlas ISBN: 9781900565417 Category : Experimental fiction, German Languages : en Pages : 159
Book Description
Konrad Bayer and his fellow members of The Vienna Group took as their mission the reinvention of the post-war avant-garde in Austria after the destruction wrought by National Socialism. One of the finest flowerings of this impassioned quest is The Sixth Sense, the novel Bayer had all but finished at the time of his suicide. He creates a metaphysical theatre of the word that wryly undermines the very language from which it is constructed. The drawings by Gunter Brus were made especially for this edition.
Author: Philip Rahv Publisher: Boston : Houghton Mifflin ISBN: Category : Literature, Modern Languages : en Pages : 472
Book Description
Includes essays on Nathaniel Hawthorne (Scarlet letter), Henry Miller, Henry James, Arthur Koestler, Leo Tolstoy, Sigmund Freud, Franz Kafka, Gogol, Anton Chekhov, Fyodor Dostoevsky, D.H. Lawrence, Virginia Woolf, Herman Melville, T.S. Eliot, Ernest Hemingway, Thomas Mann, Arthur Miller, Saul Bellow, and others.
Author: Richard Kostelanetz Publisher: Buffalo, N.Y. : Prometheus Books ISBN: Category : Fiction Languages : en Pages : 444
Book Description
This paradoxical title not only mocks the pretensions of Avant-garde movements that claim to be entirely new, but it also gives them the legitimacy of belonging to a long tradition of modernism. The wide variety of essays collected here range from Northrop Frye on archetypes to Bob Cobbing on concrete poetry.
Author: James M. Harding Publisher: University of Michigan Press ISBN: 0472036106 Category : Art Languages : en Pages : 247
Book Description
Pronouncements such as “the avant-garde is dead,” argues James M. Harding, have suggested a unified history or theory of the avant-garde. His book examines the diversity and plurality of avant-garde gestures and expressions to suggest “avant-garde pluralities” and how an appreciation of these pluralities enables a more dynamic and increasingly global understanding of vanguardism in the performing arts. In pursuing this goal, the book not only surveys a wide variety of canonical and noncanonical examples of avant-garde performance, but also develops a range of theoretical paradigms that defend the haunting cultural and political significance of avant-garde expressions beyond what critics have presumed to be the death of the avant-garde. The Ghosts of the Avant-Garde(s) offers a strikingly new perspective not only on key controversies and debates within avant-garde studies but also on contemporary forms of avant-garde expression within a global political economy.
Author: Paul Wood Publisher: Yale University Press ISBN: 9780300077629 Category : Art Languages : en Pages : 292
Book Description
The Challenge of the Avant-Garde is the fourth of six books in the series Art and its Histories, which form the main texts of an Open University course. The course has been designed for students who are new to the discipline but will also appeal to those who have undertaken some study in this area. This volume traces the challenge posed to the academic canon by the emergent avant-garde of the early and mid-nineteenth century.It looks at significant shifts in the development of the concept, both in moves away from the sense of social leadership to a desire for artistic autonomy in the later nineteenth century and then a reverse movement to bridge the gap between art and life in the revolutionary avant-gardes of the early twentieth century. The book closes with an examination of the eventual incorporation of the avant-garde as a form of modern canon by the eve of World War II. Throughout, it seeks to relate the discourse of artistic avant-gardism in all its forms to contemporary social and political histories.
Author: Irina Sirotkina
Author: Irina Sirotkina
Author: Konrad Bayer
Author: Philip Rahv
Author: Freia Hardt
Author: Richard Kostelanetz
Author: Steve Anker
Author: James M. Harding
Author: Francisco Aranda
Author: James Lincoln Cowan
Author: Paul Wood