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Author: Douglas Brode Publisher: Oxford University Press ISBN: 019972802X Category : Performing Arts Languages : en Pages : 268
Book Description
Shakespeare is now enjoying perhaps his most glorious--certainly his most popular--filmic incarnation. Indeed, the Bard has been splashed across the big screen to great effect in recent adaptations of Hamlet, Henry V, Othello, Twelfth Night, Romeo and Juliet, Much Ado About Nothing, Richard II, A Midsummer Night's Dream, and of course in the hugely successful Shakespeare in Love. Unlike previous studies of Shakespeare's cinematic history, Shakespeare in the Movies proceeds chronologically, in the order that plays were written, allowing the reader to trace the development of Shakespeare as an author--and an auteur--and to see how the changing cultural climate of the Elizabethans flowered into film centuries later. Prolific film writer Douglas Brode provides historical background, production details, contemporary critical reactions, and his own incisive analysis, covering everything from the acting of Marlon Brando, Laurence Olivier, Richard Burton, and Gwyneth Paltrow, to the direction of Orson Welles, Kenneth Branagh, and others. Brode also considers the many films which, though not strict adaptations, contain significant Shakespearean content, such as West Side Story and Kurosawa's Ran and Throne of Blood. Nor does Brode ignore the ignoble treatment the master has sometimes received. We learn, for instance, that the 1929 version of The Taming of the Shrew (which featured the eyebrow-raising writing credit: "By William Shakespeare, with additional dialogue by Sam Taylor"), opens not so trippingly on the tongue--PETRUCHIO: "Howdy Kate." KATE: "Katherine to you, mug." For anyone wishing to cast a backward glance over the poet's film career and to better understand his current big-screen popularity, Shakespeare in the Movies is a delightful and definitive guide.
Author: Douglas Brode Publisher: Oxford University Press ISBN: 019972802X Category : Performing Arts Languages : en Pages : 268
Book Description
Shakespeare is now enjoying perhaps his most glorious--certainly his most popular--filmic incarnation. Indeed, the Bard has been splashed across the big screen to great effect in recent adaptations of Hamlet, Henry V, Othello, Twelfth Night, Romeo and Juliet, Much Ado About Nothing, Richard II, A Midsummer Night's Dream, and of course in the hugely successful Shakespeare in Love. Unlike previous studies of Shakespeare's cinematic history, Shakespeare in the Movies proceeds chronologically, in the order that plays were written, allowing the reader to trace the development of Shakespeare as an author--and an auteur--and to see how the changing cultural climate of the Elizabethans flowered into film centuries later. Prolific film writer Douglas Brode provides historical background, production details, contemporary critical reactions, and his own incisive analysis, covering everything from the acting of Marlon Brando, Laurence Olivier, Richard Burton, and Gwyneth Paltrow, to the direction of Orson Welles, Kenneth Branagh, and others. Brode also considers the many films which, though not strict adaptations, contain significant Shakespearean content, such as West Side Story and Kurosawa's Ran and Throne of Blood. Nor does Brode ignore the ignoble treatment the master has sometimes received. We learn, for instance, that the 1929 version of The Taming of the Shrew (which featured the eyebrow-raising writing credit: "By William Shakespeare, with additional dialogue by Sam Taylor"), opens not so trippingly on the tongue--PETRUCHIO: "Howdy Kate." KATE: "Katherine to you, mug." For anyone wishing to cast a backward glance over the poet's film career and to better understand his current big-screen popularity, Shakespeare in the Movies is a delightful and definitive guide.
Author: Robert Hamilton Ball Publisher: Routledge ISBN: 1134980981 Category : Performing Arts Languages : en Pages : 499
Book Description
In 1899, when film projection was barely three years old, Herbert Beerbohm Tree was filmed as King John. In his highly entertaining history, Robert Hamilton Ball traces in detail the fate of Shakespeare on silent films from Tree’s first effort until the establishment of sound in 1929. The silent films brought Shakespeare to a wide public who had never had the chance to see his plays in the theatre. And Shakespeare gave the film makers an air of respectability that was badly needed by a medium with a reputation for frivolity. This work, first published in 1968, brings history to life with excerpts from scenarios, from reviews and from contemporary film journals, and with reproduction of stills and frames from the films themselves, including unusual shots of leading screen actors. This is a valuable source book for film experts, enhanced by full notes, bibliography and indexes; a fresh approach for Shakespeareans; and a vivid sketch of a world that has passed for all.
Author: Robert Hamilton Ball Publisher: Routledge ISBN: 1134980841 Category : Performing Arts Languages : en Pages : 436
Book Description
In 1899, when film projection was barely three years old, Herbert Beerbohm Tree was filmed as King John. In his highly entertaining history, Robert Hamilton Ball traces in detail the fate of Shakespeare on silent films from Tree’s first effort until the establishment of sound in 1929. The silent films brought Shakespeare to a wide public who had never had the chance to see his plays in the theatre. And Shakespeare gave the film makers an air of respectability that was badly needed by a medium with a reputation for frivolity. This work, first published in 1968, brings history to life with excerpts from scenarios, from reviews and from contemporary film journals, and with reproduction of stills and frames from the films themselves, including unusual shots of leading screen actors. This is a valuable source book for film experts, enhanced by full notes, bibliography and indexes; a fresh approach for Shakespeareans; and a vivid sketch of a world that has passed for all.
Author: Robert Frazer Publisher: Legare Street Press ISBN: 9781021988959 Category : Languages : en Pages : 0
Book Description
In 'The Silent Shakespeare', film historian Robert Frazer examines the artistry and influence of silent film adaptations of Shakespeare's plays. Focusing on silent era classics such as 'The Tempest' (1908) and 'A Midsummer Night's Dream' (1909), Frazer illuminates the ways in which these early films contributed to the development of cinema as an art form. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Judith R. Buchanan Publisher: Routledge ISBN: 1317874978 Category : Performing Arts Languages : en Pages : 301
Book Description
From the earliest days of the cinema to the present, Shakespeare has offered a tempting bank of source material than the film industry has been happy to plunder. Shakespeare on Film deftly examines an extensive range of films that have emerged from the curious union of an iconic dramatist with a medium of mass appeal. The many films Buchanan studies are shown to be telling indicators of trends in Shakespearean performance interpretation, illuminating markers of developments in the film industry and culturally revealing about broader influences in the world beyond the movie theatre. As with other titles from the Inside Film series, the book is illustrated throughout with stills. Each chapter concludes with a list of suggested further reading in the field.
Author: Daniel Rosenthal Publisher: Bloomsbury Publishing ISBN: 1838714081 Category : Performing Arts Languages : en Pages : 477
Book Description
From Oscar-winning British classics to Hollywood musicals and Westerns, from Soviet epics to Bollywood thrillers, Shakespeare has inspired an almost infinite variety of films. Directors as diverse as Orson Welles, Akira Kurosawa, Franco Zeffirelli, Kenneth Branagh, Baz Luhrmann and Julie Taymor have transferred Shakespeare's plays from stage to screen with unforgettable results. Spanning a century of cinema, from a silent short of 'The Tempest' (1907) to Kenneth Branagh's 'As You Like It' (2006), Daniel Rosenthal's up-to-date selection takes in the most important, inventive and unusual Shakespeare films ever made. Half are British and American productions that retain Shakespeare's language, including key works such as Olivier's 'Henry V' and 'Hamlet', Welles' 'Othello' and 'Chimes at Midnight', Branagh's 'Henry V' and 'Hamlet', Luhrmann's 'Romeo + Juliet' and Taymor's 'Titus'. Alongside these original-text films are more than 30 genre adaptations: titles that aim for a wider audience by using modernized dialogue and settings and customizing Shakespeare's plots and characters, transforming 'Macbeth' into a pistol-packing gangster ('Joe Macbeth' and 'Maqbool') or reimagining 'Othello' as a jazz musician ('All Night Long'). There are Shakesepeare-based Westerns ('Broken Lance', 'King of Texas'), musicals ('West Side Story', 'Kiss Me Kate'), high-school comedies ('10 Things I Hate About You', 'She's the Man'), even a sci-fi adventure ('Forbidden Planet'). There are also films dominated by the performance of a Shakespearean play ('In the Bleak Midwinter', 'Shakespeare in Love'). Rosenthal emphasises the global nature of Shakespearean cinema, with entries on more than 20 foreign-language titles, including Kurosawa's 'Throne of Blood and Ran', Grigori Kozintsev's 'Russian Hamlet' and 'King Lear', and little-known features from as far afield as 'Madagascar' and 'Venezuela', some never released in Britain or the US. He considers the films' production and box-office history and examines the film-makers' key interpretive decisions in comparison to their Shakespearean sources, focusing on cinematography, landscape, music, performance, production design, textual alterations and omissions. As cinema plays an increasingly important role in the study of Shakespeare at schools and universities, this is a wide-ranging, entertaining and accessible guide for Shakespeare teachers, students and enthusiasts.
Author: Robert Frazer Publisher: Theclassics.Us ISBN: 9781230245980 Category : Languages : en Pages : 32
Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1915 edition. Excerpt: ... CHAPTER II WILL SHAKSPERE. The material that we possess for a life of Shakspere consists of municipal records and of records of the theatrical company to which he belonged. We have no account of his literary or social life; and if we were to draw the usual conclusions from the absence of his name in the memoirs and correspondence of the day, we should have to believe that Shakspere had no part in the great social world, and no friendships outside of the narrow circle of his fellow-actors, and of his fellow-townsmen. A number of late and untrustworthy anecdotes have been collected which represent him as having been a butcher's boy of theatrical tendencies; as a deer stealer; as beginning in London by holding horses in front of a theatre; as seducing an inn-keeper's wife at Oxford, and as dying in consequence of a drunken spree. It is regrettable that all of the traditions should be of this character, and that none should survive to relate some act or word of kindness, some elevated thought or poetical saying to preserve a worthy memory of the personality of the greatest genius. One tale there is of a favor done to Jonson, which we shall see later to be apochryphal. Shakespeareans attribute to him the qualities which they conceive must have formed the equipment of one whom they lovingly call "The Master." They assume that he was dignified and cultured; a lawyer, a traveler, a soldier and a courtier. On the other hand, Baconians are prone to conceive of him as an ignorant, drunken boor, and a mere vulgar impostor. Neither of these extreme positions is justified by the facts. Shakspere appears to have been a shrewd, virile Englishman, with a taste for wine and for women, and a fondness for low company which remained with him to the end of...
Author: Robert [From Old Catalog] Frazer Publisher: Palala Press ISBN: 9781359553768 Category : Languages : en Pages : 222
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Douglas Brode
Author: Douglas Brode
Author: Robert Hamilton Ball
Author: Robert Hamilton Ball
Author: Robert Frazer
Author: Robert Frazer
Author: Robert Frazer
Author: Judith R. Buchanan
Author: Daniel Rosenthal
Author: Robert Frazer
Author: Robert [From Old Catalog] Frazer