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Author: Anthony Geraghty Publisher: Paul Mellon Centre ISBN: 9780300195040 Category : Languages : en Pages : 0
Book Description
A jewel of the University of Oxford, the Sheldonian Theatre stands out among the groundbreaking designs by the great British architect Sir Christopher Wren. Published to coincide with the 350th anniversary of the building's construction, this meticulously researched book takes a fresh look at the historical influences that shaped the Sheldonian's development, including the Restoration of the English monarchy and the university's commitment to episcopal religion. The book explains just how novel Wren's design was in its day, in part because the academic theater was a building type without precedent in England, and in part because the Sheldonian's classical style stood apart in its university context. The author also points to a shift in the guiding motivation behind the architecture at Oxford: from a tradition that largely perpetuated medieval forms to one that conceived classical architecture in relation to late Renaissance learning. Newly commissioned photographs showcase the theater's recently restored interior. Published for the Paul Mellon Centre for Studies in British Art
Author: Anthony Geraghty Publisher: Paul Mellon Centre ISBN: 9780300195040 Category : Languages : en Pages : 0
Book Description
A jewel of the University of Oxford, the Sheldonian Theatre stands out among the groundbreaking designs by the great British architect Sir Christopher Wren. Published to coincide with the 350th anniversary of the building's construction, this meticulously researched book takes a fresh look at the historical influences that shaped the Sheldonian's development, including the Restoration of the English monarchy and the university's commitment to episcopal religion. The book explains just how novel Wren's design was in its day, in part because the academic theater was a building type without precedent in England, and in part because the Sheldonian's classical style stood apart in its university context. The author also points to a shift in the guiding motivation behind the architecture at Oxford: from a tradition that largely perpetuated medieval forms to one that conceived classical architecture in relation to late Renaissance learning. Newly commissioned photographs showcase the theater's recently restored interior. Published for the Paul Mellon Centre for Studies in British Art
Author: David Loggan Publisher: Nabu Press ISBN: 9781293695890 Category : Languages : nl Pages : 104
Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Oxonia Illustrata: Of Het Verheerlykt Oxford, Vervattende De Gezichten Der Zelve Stad, Met Haare Gebouwen, Lust-huizen, En Andere Omleggende Plaatzen. In 48. Zeer Naauwkeurige Prenten Afgebeeld.. David Loggan, James Beeverell By Gerrit Tielenburg, boekverkooper in de Gasthuis-Moolensteeg., 1734 History; Europe; Great Britain; Education / Higher; History / Europe / Great Britain; Oxford (England); Oxfordshire (England)
Author: Amartya Sen Publisher: Farrar, Straus and Giroux ISBN: 1466854294 Category : Social Science Languages : en Pages : 436
Book Description
A Nobel Laureate offers a dazzling new book about his native country India is a country with many distinct traditions, widely divergent customs, vastly different convictions, and a veritable feast of viewpoints. In The Argumentative Indian, Amartya Sen draws on a lifetime study of his country's history and culture to suggest the ways we must understand India today in the light of its rich, long argumentative tradition. The millenia-old texts and interpretations of Hindu, Buddhist, Jain, Muslim, agnostic, and atheistic Indian thought demonstrate, Sen reminds us, ancient and well-respected rules for conducting debates and disputations, and for appreciating not only the richness of India's diversity but its need for toleration. Though Westerners have often perceived India as a place of endless spirituality and unreasoning mysticism, he underlines its long tradition of skepticism and reasoning, not to mention its secular contributions to mathematics, astronomy, linguistics, medicine, and political economy. Sen discusses many aspects of India's rich intellectual and political heritage, including philosophies of governance from Kautilya's and Ashoka's in the fourth and third centuries BCE to Akbar's in the 1590s; the history and continuing relevance of India's relations with China more than a millennium ago; its old and well-organized calendars; the films of Satyajit Ray and the debates between Gandhi and the visionary poet Tagore about India's past, present, and future. The success of India's democracy and defense of its secular politics depend, Sen argues, on understanding and using this rich argumentative tradition. It is also essential to removing the inequalities (whether of caste, gender, class, or community) that mar Indian life, to stabilizing the now precarious conditions of a nuclear-armed subcontinent, and to correcting what Sen calls the politics of deprivation. His invaluable book concludes with his meditations on pluralism, on dialogue and dialectics in the pursuit of social justice, and on the nature of the Indian identity.
Author: E. J. Bates Publisher: ISBN: Category : Languages : en Pages : 100
Book Description
The Sheldonian Theatre, located in Oxford, England, was built from 1664 to 1669 after a design by Christopher Wren for the University of Oxford. The building is named after Gilbert Sheldon, chancellor of the University at the time and the project's main financial backer. It is used for music concerts, lectures and University ceremonies, but not for drama until 2015 when the Christ Church Dramatic Society staged a production of The Crucible by Arthur Miller.
Author: Anthony Geraghty
Author: Anthony Geraghty
Author: Marilyn Yurdan
Author: David Loggan
Author: Howard Montagu Colvin
Author: 
Author: Bowyer Nichols
Author: Howard Colvin
Author: Amartya Sen
Author: E. J. Bates
Author: John Ligertwood