Author: Frances N. Teague
Publisher: Bucknell University Press
ISBN: 9780838752081
Category : Literary Criticism
Languages : en
Pages : 236
Book Description
This book is the first attempt to discuss systematically the properties in Shakespeare's plays, and analyzes the properties that Shakespeare specifies either explicitly in stage directions or implicitly in speeches. Property lists for all of Shakespeare's plays and frequency tables for various categories of property are included.
Shakespeare's Speaking Properties
Author: Frances N. Teague
Publisher: Bucknell University Press
ISBN: 9780838752081
Category : Literary Criticism
Languages : en
Pages : 236
Book Description
This book is the first attempt to discuss systematically the properties in Shakespeare's plays, and analyzes the properties that Shakespeare specifies either explicitly in stage directions or implicitly in speeches. Property lists for all of Shakespeare's plays and frequency tables for various categories of property are included.
Publisher: Bucknell University Press
ISBN: 9780838752081
Category : Literary Criticism
Languages : en
Pages : 236
Book Description
This book is the first attempt to discuss systematically the properties in Shakespeare's plays, and analyzes the properties that Shakespeare specifies either explicitly in stage directions or implicitly in speeches. Property lists for all of Shakespeare's plays and frequency tables for various categories of property are included.
Owning William Shakespeare
Author: James J. Marino
Publisher: University of Pennsylvania Press
ISBN: 0812205774
Category : Literary Criticism
Languages : en
Pages : 212
Book Description
Copyright is by no means the only device for asserting ownership of a work. Some writers, including playwrights in the early modern period, did not even view print copyright as the most important of their authorial rights. A rich vein of recent scholarship has examined the interaction between royal monopolies, which have been identified with later notions of intrinsic authorial ownership, and the internal copy registration practices of the English book trades. Yet this dialogue was but one part of a still more complicated conversation in early modern England, James J. Marino argues; other customs and other sets of professional demands were at least as important, most strikingly in the exercise of the performance rights of plays. In Owning William Shakespeare James Marino explores the actors' system of intellectual property as something fundamentally different from the property regimes exercised by the London printers or the royal monopolists. Focusing on Hamlet, The Taming of the Shrew, King Lear, and other works, he demonstrates how Shakespeare's acting company asserted ownership of its plays through intense rewriting combined with progressively insistent attribution to Shakespeare. The familiar versions of these plays were created through ongoing revision in the theater, a process that did not necessarily begin with Shakespeare's original manuscript or end when he died. An ascription by the company of any play to "Shakespeare" did not imply that it was following a fixed, authorial text; rather, Marino writes, it indicates an attempt to maintain exclusive control over a set of open-ended, theatrically revised scripts. Combining theater history, textual studies, and literary theory, Owning William Shakespeare rethinks both the way Shakespeare's plays were created and the way they came to be known as his. It overturns a century of scholarship aimed at re-creating the playwright's lost manuscripts, focusing instead on the way the plays continued to live and grow onstage.
Publisher: University of Pennsylvania Press
ISBN: 0812205774
Category : Literary Criticism
Languages : en
Pages : 212
Book Description
Copyright is by no means the only device for asserting ownership of a work. Some writers, including playwrights in the early modern period, did not even view print copyright as the most important of their authorial rights. A rich vein of recent scholarship has examined the interaction between royal monopolies, which have been identified with later notions of intrinsic authorial ownership, and the internal copy registration practices of the English book trades. Yet this dialogue was but one part of a still more complicated conversation in early modern England, James J. Marino argues; other customs and other sets of professional demands were at least as important, most strikingly in the exercise of the performance rights of plays. In Owning William Shakespeare James Marino explores the actors' system of intellectual property as something fundamentally different from the property regimes exercised by the London printers or the royal monopolists. Focusing on Hamlet, The Taming of the Shrew, King Lear, and other works, he demonstrates how Shakespeare's acting company asserted ownership of its plays through intense rewriting combined with progressively insistent attribution to Shakespeare. The familiar versions of these plays were created through ongoing revision in the theater, a process that did not necessarily begin with Shakespeare's original manuscript or end when he died. An ascription by the company of any play to "Shakespeare" did not imply that it was following a fixed, authorial text; rather, Marino writes, it indicates an attempt to maintain exclusive control over a set of open-ended, theatrically revised scripts. Combining theater history, textual studies, and literary theory, Owning William Shakespeare rethinks both the way Shakespeare's plays were created and the way they came to be known as his. It overturns a century of scholarship aimed at re-creating the playwright's lost manuscripts, focusing instead on the way the plays continued to live and grow onstage.
The Shakespeare Houses
Author: Levi Fox
Publisher:
ISBN: 9780711709744
Category :
Languages : en
Pages : 32
Book Description
Publisher:
ISBN: 9780711709744
Category :
Languages : en
Pages : 32
Book Description
As You Like it
The Comedy of Errors
Shakespeare's Memory Theatre
Author: Lina Perkins Wilder
Publisher: Cambridge University Press
ISBN: 0521764556
Category : Drama
Languages : en
Pages : 231
Book Description
Wilder examines the excessive remembering of figures such as Romeo, Falstaff, and Hamlet as a way of defining Shakespeare's theatricality.
Publisher: Cambridge University Press
ISBN: 0521764556
Category : Drama
Languages : en
Pages : 231
Book Description
Wilder examines the excessive remembering of figures such as Romeo, Falstaff, and Hamlet as a way of defining Shakespeare's theatricality.
One Lucky Summer
Author: Jenny Oliver
Publisher: HarperCollins UK
ISBN: 0008297568
Category : Fiction
Languages : en
Pages : 320
Book Description
The best kept secrets are waiting to be found... ‘A lovely read ... leaving you with a warm glow and a smile your face’ Jo Thomas ‘The perfect summer read ... I loved everything about it!’ Bella Osborne ‘Fresh and original, haunting and evocative’ Jules Wake ‘A delicious ice-cream of a book’ Josie Lloyd
Publisher: HarperCollins UK
ISBN: 0008297568
Category : Fiction
Languages : en
Pages : 320
Book Description
The best kept secrets are waiting to be found... ‘A lovely read ... leaving you with a warm glow and a smile your face’ Jo Thomas ‘The perfect summer read ... I loved everything about it!’ Bella Osborne ‘Fresh and original, haunting and evocative’ Jules Wake ‘A delicious ice-cream of a book’ Josie Lloyd
Will in the World: How Shakespeare Became Shakespeare (Anniversary Edition)
Author: Stephen Greenblatt
Publisher: W. W. Norton & Company
ISBN: 0393079848
Category : Biography & Autobiography
Languages : en
Pages : 441
Book Description
Named One of Esquire's 50 Best Biographies of All Time The Pulitzer Prize and National Book Award finalist, reissued with a new afterword for the 400th anniversary of Shakespeare’s death. A young man from a small provincial town moves to London in the late 1580s and, in a remarkably short time, becomes the greatest playwright not of his age alone but of all time. How is an achievement of this magnitude to be explained? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world’s greatest playwright.
Publisher: W. W. Norton & Company
ISBN: 0393079848
Category : Biography & Autobiography
Languages : en
Pages : 441
Book Description
Named One of Esquire's 50 Best Biographies of All Time The Pulitzer Prize and National Book Award finalist, reissued with a new afterword for the 400th anniversary of Shakespeare’s death. A young man from a small provincial town moves to London in the late 1580s and, in a remarkably short time, becomes the greatest playwright not of his age alone but of all time. How is an achievement of this magnitude to be explained? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world’s greatest playwright.
Shakespeare and the Arts of Language
Author: Russ McDonald
Publisher:
ISBN: 0198711719
Category : English language
Languages : en
Pages : 222
Book Description
'Russ McDonald... offers an initiation into Shakespeares English.... Like a good musician leading us beyond merely humming the tunes, he helps us hear Shakespearean unclarity, revealing just how expression in late Shakespeare sometimes transcends ordinary verbal meaning.... particularly recommendable.' -Ruth Morse, Times Literary Supplement 'Oxford University Press offer a mix of engagingly written introductions to a variety of Topics intended largely for undergraduates. Each author has clearly been reading and listening to the most recent scholarship, but they wear their learning lightly.' -Ruth Morse, Times Literary SupplementOxford Shakespeare Topics (General Editors Peter Holland and Stanley Wells) provide students and teachers with short books on important aspects of Shakespeare criticism and scholarship. Each book is written by an authority in its field, and combines accessible style with original discussion of its subject. Notes and a critical guide to further reading equip the interested reader with the means to broaden research. For the modern reader or playgoer, English as Shakespeare used it - especially in verse drama - can seem alien. Shakespeare and the Arts of Language offers practical help with linguistic and poetic obstacles. Written in a lucid, nontechnical style, the book defines Shakespeare's artistic tools, including imagery, rhetoric, and wordplay, and illustrates their effects. Throughout, the reader is encouraged to find delight in the physical properties of the words: their colour, weight, and texture, the appeal of verbal patterns, and the irresistible affective power of intensified language.
Publisher:
ISBN: 0198711719
Category : English language
Languages : en
Pages : 222
Book Description
'Russ McDonald... offers an initiation into Shakespeares English.... Like a good musician leading us beyond merely humming the tunes, he helps us hear Shakespearean unclarity, revealing just how expression in late Shakespeare sometimes transcends ordinary verbal meaning.... particularly recommendable.' -Ruth Morse, Times Literary Supplement 'Oxford University Press offer a mix of engagingly written introductions to a variety of Topics intended largely for undergraduates. Each author has clearly been reading and listening to the most recent scholarship, but they wear their learning lightly.' -Ruth Morse, Times Literary SupplementOxford Shakespeare Topics (General Editors Peter Holland and Stanley Wells) provide students and teachers with short books on important aspects of Shakespeare criticism and scholarship. Each book is written by an authority in its field, and combines accessible style with original discussion of its subject. Notes and a critical guide to further reading equip the interested reader with the means to broaden research. For the modern reader or playgoer, English as Shakespeare used it - especially in verse drama - can seem alien. Shakespeare and the Arts of Language offers practical help with linguistic and poetic obstacles. Written in a lucid, nontechnical style, the book defines Shakespeare's artistic tools, including imagery, rhetoric, and wordplay, and illustrates their effects. Throughout, the reader is encouraged to find delight in the physical properties of the words: their colour, weight, and texture, the appeal of verbal patterns, and the irresistible affective power of intensified language.
Shakespeare's Money
Author: Robert Bearman
Publisher: Oxford University Press
ISBN: 019875924X
Category : Biography & Autobiography
Languages : en
Pages : 209
Book Description
Shakespeare's Money explores what archival records can reveal about Shakespeare's economic and social success, shedding light on how he elevated his family from lowly status to minor gentry and how economic concerns were ever present in his daily life.
Publisher: Oxford University Press
ISBN: 019875924X
Category : Biography & Autobiography
Languages : en
Pages : 209
Book Description
Shakespeare's Money explores what archival records can reveal about Shakespeare's economic and social success, shedding light on how he elevated his family from lowly status to minor gentry and how economic concerns were ever present in his daily life.