The Shakespeare-Cervantes Code PDF Download

Author: David Yuhas
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 82

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Author: Peter Jensen
Publisher: Lulu.com
ISBN: 1430309237
Category : Fiction
Languages : en
Pages : 238

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1. Shakespeare, William, 1564-1616-Shakespeare's Sonnets-Substitution code-1609 Quarto- 2. The Poet William Shakespeare-The Youth Henry Wriothesley-The Dark Lady Aemelia Bessano Lanyer- The Rival Poet Christopher Marlowe-Deciphering- Time and Timeline-Names and Identities.

Author: Roland Greene
Publisher: University of Chicago Press
ISBN: 022600077X
Category : Literary Criticism
Languages : en
Pages : 221

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Book Description
Blood. Invention. Language. Resistance. World. Five ordinary words that do a great deal of conceptual work in everyday life and literature. In this original experiment in critical semantics, Roland Greene considers how these words changed over the course of the sixteenth century and what their changes indicate about broader forces in science, politics, and other disciplines. Rather than analyzing works, careers, or histories, Greene discusses a broad swath of Renaissance and transatlantic literature—including Shakespeare, Cervantes, Camões, and Milton—in terms of the development of these five words. Aiming to shift the conversation around Renaissance literature from current approaches to riskier enterprises, Greene also proposes new methods that take advantage of digital resources like full-text databases, but still depend on the interpreter to fashion ideas out of ordinary language. Five Words is an innovative and accessible book that points the field of literary studies in an exciting new direction.

Author: Leonidas Donskis
Publisher: Peter Lang
ISBN: 9781433101250
Category : Literary Criticism
Languages : en
Pages : 200

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Book Description
Classical and modern literature often reveal more about the organized world's forms of power and authority structures than do works of political philosophy. What are the origins of political consciousness? How does our understanding of political power and its exercise originate in literature? Why do the early manifestations of political and religious tolerance appear in utopian literature, rather than in philosophical treatises? Is it possible to do fictionally what others tend to do academically and theoretically? Exploring these questions allows Leonidas Donskis to analyze the relationship between power and imagination, politics and literature, and the principles of reality and imagination.

Author: Roger Chartier
Publisher: Polity
ISBN: 9780745661841
Category : Literary Criticism
Languages : en
Pages : 0

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How should we read a text that does not exist, or present a play the manuscript of which is lost and the identity of whose author cannot be established for certain? Such is the enigma posed by Cardenio – a play performed in England for the first time in 1612 or 1613 and attributed forty years later to Shakespeare (and Fletcher). Its plot is that of a ‘novella’ inserted into Don Quixote, a work that circulated throughout the major countries of Europe, where it was translated and adapted for the theatre. In England, Cervantes’ novel was known and cited even before it was translated in 1612 and had inspired Cardenio. But there is more at stake in this enigma. This was a time when, thanks mainly to the invention of the printing press, there was a proliferation of discourses. There was often a reaction when it was feared that this proliferation would become excessive, and many writings were weeded out. Not all were destined to survive, in particular plays for the theatre, which, in many cases, were never published. This genre, situated at the bottom of the literary hierarchy, was well suited to the existence of ephemeral works. However, if an author became famous, the desire for an archive of his works prompted the invention of textual relics, the restoration of remainders ruined by the passing of time or, in order to fill in the gaps, in some cases, even the fabrication of forgeries. Such was the fate of Cardenio in the eighteenth century. Retracing the history of this play therefore leads one to wonder about the status, in the past, of works today judged to be canonical. In this book the reader will rediscover the malleability of texts, transformed as they were by translations and adaptations, their migrations from one genre to another, and their changing meanings constructed by their various publics. Thanks to Roger Chartier’s forensic skills, fresh light is cast upon the mystery of a play lacking a text but not an author.

Author: Paul Edmondson
Publisher: Cambridge University Press
ISBN: 1107017599
Category : Drama
Languages : en
Pages : 299

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Book Description
Did Shakespeare write Shakespeare? This authoritative collection of essays brings fresh perspectives to bear on an intriguing cultural phenomenon.

Author: Anna K. Nardo
Publisher: SUNY Press
ISBN: 9780791407226
Category : Literary Criticism
Languages : en
Pages : 284

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Book Description
This book argues that play offered Hamlet, John Donne, George Herbert, Andrew Marvell, Robert Burton, and Sir Thomas Browne a way to live within the contradictions and conflicts of late Renaissance life by providing a new stance for the self. Grounding its argument in recent theories of play and in a historical analysis that sees the seventeenth century as a point of crisis in the formation of the western self, the author demonstrates how play helped mediate this crisis and how central texts of the period enact this mediation.

Author: R. Rawdon Wilson
Publisher: University of Delaware Press
ISBN: 9780874135251
Category : Drama
Languages : en
Pages : 322

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"In Shakespearean Narrative, Rawdon Wilson explores the variety and purposes of narrative in Shakespeare's plays. He does this by placing Shakespeare's use of narrative within a context of Renaissance narrative theory and practice, often citing analogous strategies from such other writers as Spenser and Cervantes, and exploring in depth the fruitfulness of contemporary narrative theory to an understanding of Shakespeare's practice. Thus Shakespearean Narrative undertakes a double task: it tries to understand Shakespeare's narrative strategies, which has never been done before in any comparable depth, and it also attempts to test the usefulness of contemporary narrative theory." "The book also relates Shakespeare's understanding of the narrative in the plays to the brilliant narrative poems that he wrote in the early 1590s. It also examines the narrative conventions that are used in the embedded, or inset, narratives in the plays. Particular attention is paid to the way Shakespeare creates fictional entities, such as worlds and characters, in the plays. A great deal of emphasis is placed on Shakespeare's innovative transformations of traditional narrative conventions."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Author: Susan Byrne
Publisher: University of Toronto Press
ISBN: 144264527X
Category : Literary Criticism
Languages : en
Pages : 257

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Book Description
Law and History in Cervantes' Don Quixote is a deep consideration of the intellectual environment that gave rise to Cervantes' seminal work. Susan Byrne demonstrates how Cervantes synthesized the debates surrounding the two most authoritative discourses of his era – those of law and history – into a new aesthetic product, the modern novel. Byrne uncovers the empirical underpinnings of Don Quixote through a close philological study of Cervantes' sly questioning of and commentary on these fields. As she skilfully demonstrates, while sixteenth-century historiographers and jurists across southern Europe sought the philosophical nexus of their fields, Cervantes created one through the adventures of a protagonist whose history is all about justice. As such, Law and History in Cervantes' Don Quixote illustrates how Cervantes' art highlighted the inconsistencies of juridical-historical texts and practice, as well as anticipated the ultimate resolution of their paradoxes.

Author: Paul Franssen
Publisher: Cambridge University Press
ISBN: 1316473120
Category : Literary Criticism
Languages : en
Pages : 289

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Book Description
This is an entertaining account of Shakespeare's afterlives in fiction. Paul Franssen offers the first sustained analysis of stories and films that involve the character of Shakespeare. Taking a broad international and historical perspective, he shows how fictions about Shakespeare help us understand what he meant to a certain age, nation, or author, and how they have become a vital aspect of the Shakespeare industry. Appearing sometimes as a ghost or time-traveller, fictional Shakespeares have been made to speak to many issues, such as the French Revolution, the Irish conflict, colonialism, the Anglo-American relationship, sexual orientation, race and class. Written in an accessible style, this book will appeal to advanced students as well as academic researchers in Shakespeare studies, film and cultural studies, literary reception and creative writing.