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Author: Marty Lang Publisher: Taylor & Francis ISBN: 1040045022 Category : Performing Arts Languages : en Pages : 162
Book Description
This book provides guidance on how to build an independent, financially sustainable filmmaking career through channels such as crowdsourcing, crowdfunding, and community filmmaking concepts. Through real-life experiences, Marty Lang provides insight on how to use these key concepts through every stage of a film’s lifecycle – from distribution (the stage that should be figured out first), through development, screenwriting, prep, production and post, all the way through marketing and the film’s release. By thinking of filmmaking as a start-up company, and looking at how businesses make money, Lang creates a completely independent financial model for films, turning filmmakers into businesspeople, conscious of the needs of their audiences, and empowered to use their creative work to make their living. Using interviews with leaders in the field, case studies, and practical experience gained from 20 years of community filmmaking, this book unveils an exciting, new way to make films that prioritizes a collaborative, entrepreneurial mindset at every stage. This is an essential guide for aspiring and seasoned filmmakers alike looking to understand and apply crowdsourcing as an effective tool in their career.
Author: Marty Lang Publisher: Taylor & Francis ISBN: 1040045022 Category : Performing Arts Languages : en Pages : 162
Book Description
This book provides guidance on how to build an independent, financially sustainable filmmaking career through channels such as crowdsourcing, crowdfunding, and community filmmaking concepts. Through real-life experiences, Marty Lang provides insight on how to use these key concepts through every stage of a film’s lifecycle – from distribution (the stage that should be figured out first), through development, screenwriting, prep, production and post, all the way through marketing and the film’s release. By thinking of filmmaking as a start-up company, and looking at how businesses make money, Lang creates a completely independent financial model for films, turning filmmakers into businesspeople, conscious of the needs of their audiences, and empowered to use their creative work to make their living. Using interviews with leaders in the field, case studies, and practical experience gained from 20 years of community filmmaking, this book unveils an exciting, new way to make films that prioritizes a collaborative, entrepreneurial mindset at every stage. This is an essential guide for aspiring and seasoned filmmakers alike looking to understand and apply crowdsourcing as an effective tool in their career.
Author: Steven Ascher Publisher: Penguin ISBN: 0452297281 Category : Performing Arts Languages : en Pages : 898
Book Description
The authoritative guide to producing, directing, shooting, editing, and distributing your video or film. Whether you aspire to be a great filmmaker yourself or are looking for movie gifts, this comprehensive guide to filmmaking is the first step in turning a hobby into a career. Widely acknowledged as the “bible” of video and film production, and used in courses around the world, The Filmmaker’s Handbook is now updated with the latest advances in HD and digital formats. For students and teachers, professionals and novices, this indispensable handbook covers all aspects of movie making. • Techniques for making dramatic features, documentaries, corporate, broadcast, and experimental videos and films • Shooting with DSLRs, video, film, and digital cinema cameras • In-depth coverage of lenses, lighting, sound recording, editing, and mixing • Understanding HDR, RAW, Log, 4K, UHD, and other formats • The business aspects of funding and producing your project • Getting your movie shown in theaters, on television, streaming services, and online
Author: Gary Yamasaki Publisher: Fortress Press ISBN: 1506401171 Category : Religion Languages : en Pages : 170
Book Description
In this volume, Gary Yamasaki develops an innovative approach to biblical narrative, exploring the way stories are treated in filmmaking, and using that as a model for analyzing biblical stories. In our culture, the voluminous exposure we have to movies has resulted in our being conditioned to experience cinematic stories in a particular manner: for example, seeing them as events rather than objects, and the story worlds of movies as distinct from the real world. However, biblical stories are not typically viewed through this cinematic-story lens, making our analysis of biblical narrative out of step with what has become our natural mode of experiencing stories. This book demonstrates how fresh interpretive insights emerge when we read biblical stories like we watch movies. Each volume in the new Insights series discusses discoveries and insights gained into biblical texts from a particular approach or perspective in current scholarship. Accessible and appealing to today’s students, each Insight volume will discuss (1) how this method, approach, or strategy was first developed and how its application has changed over time; (2) what current questions arise from its use; (3) what enduring insights it has produced; and (4) what questions remain for future scholarship.
Author: Anthony R. Ferraro Publisher: ISBN: Category : Languages : en Pages : 0
Book Description
"The Outsider Filmmaker: Start Your Film Without Funding" recognizes the overwhelming challenges faced by independent filmmakers and offers practical and organic solutions based on everyday logic and understanding. With inspiring stories, Anthony Ferraro empowers readers to embrace their creative autonomy and passion for filmmaking, regardless of budget limitations. Through the innovative Momentum Budget method, this book provides a realistic and sustainable alternative to traditional financing, granting independent filmmakers the freedom to bring their creative visions to life. Drawing from personal experiences, Anthony shares valuable anecdotes, providing insights into the rewards and challenges of low-budget filmmaking and the transformative power of creative collaborations. Whether you're a seasoned filmmaker or a passionate beginner, this book equips you to embark on your filmmaking dreams and craft impactful films that leave a lasting impression on audiences.
Author: Jason Sperb Publisher: Rutgers University Press ISBN: 0813576032 Category : Performing Arts Languages : en Pages : 166
Book Description
Whether paying tribute to silent films in Hugo and The Artist or celebrating arcade games in Tron: Legacy and Wreck-It-Ralph, Hollywood suddenly seems to be experiencing a wave of intense nostalgia for outmoded technologies. To what extent is that a sincere lament for modes of artistic production that have nearly vanished in an all-digital era? And to what extent is it simply a cynical marketing ploy, built on the notion that nostalgia has always been one of Hollywood’s top-selling products? In Flickers of Film, Jason Sperb offers nuanced and unexpected answers to these questions, examining the benefits of certain types of film nostalgia, while also critiquing how Hollywood’s nostalgic representations of old technologies obscure important aspects of their histories. He interprets this affection for the prehistory and infancy of digital technologies in relation to an industry-wide anxiety about how the digital has grown to dominate Hollywood, pushing it into an uncertain creative and economic future. Yet he also suggests that Hollywood’s nostalgia for old technologies ignores the professionals who once employed them, as well as the labor opportunities that have been lost through the computerization and outsourcing of film industry jobs. Though it deals with nostalgia, Flickers of Film is strikingly cutting-edge, one of the first studies to critically examine Pixar’s role in the film industry, cinematic representations of videogames, and the economic effects of participatory culture. As he takes in everything from Terminator: Salvation to The Lego Movie, Sperb helps us see what’s distinct about this recent wave of self-aware nostalgic films—how Hollywood nostalgia today isn’t what it used to be.
Author: Ying Zhu Publisher: The New Press ISBN: 1620972190 Category : Social Science Languages : en Pages : 201
Book Description
China surpassed North America to become the world ’s largest movie market in 2020. Formerly the focus of exotic fascination in the golden age of Hollywood, today the Chinese are a make-or-break audience for Hollywood’s biggest blockbusters. And movies are now an essential part of China’s global “soft power” strategy: a Chinese real estate tycoon, who until recently was the major shareholder of the AMC theater chain, built the world’s largest film production facility. Behind the curtains, as this brilliant new book reveals, movies have become one of the biggest areas of competition between the world’s two remaining superpowers. Will Hollywood be eclipsed by its Chinese counterpart? No author is better positioned to untangle this riddle than Ying Zhu, a leading expert on Chinese film and media. In fascinating vignettes, Hollywood in China unravels the century-long relationship between Hollywood and China for the first time. Blending cultural history, business, and international relations, Hollywood in China charts multiple power dynamics and teases out how competing political and economic interests as well as cultural values are manifested in the art and artifice of filmmaking on a global scale, and with global ramifications. The book is an inside look at the intense business and political maneuvering that is shaping the movies and the U.S.-China relationship itself—revealing a headlines-grabbing conflict that is playing out not only on the high seas, but on the silver screen.
Author: Kelley Baker Publisher: ISBN: 9781439232736 Category : Independent films Languages : en Pages : 0
Book Description
The Angry Filmmaker's Survival Guide Part One: Making the Extreme No Budget Film "When it comes to independent filmmaking Kelley Baker is the real thing. His experience, observations and practical advice reveals the raw truth about an important art form that has been hijacked, over-romanticized and betrayed by everyone from the mainstream media to its very own champions. This book is about real filmmaking. If you are thinking about making an independent film, you must read this book." Brian Johnson, author, screenwriter, and director "Angry or not, Kelley Baker knows his stuff, and he tells it all in this book that's part indie film war story, part instructional manual for true independents, and part furious rant. It's always entertaining, and it might just tick you off, but - most important - the advice contained within these pages will help you get your film made. Anyone reading this book can tell Baker truly wants to help passionate wannabe filmmakers realize their creative visions without going bankrupt or making the kinds of mistakes they can't afford to make." Chris Hansen, Writer/Director The Proper Care and Feeding of an American Messiah. & Endings. Kelley Baker is the Angry Filmmaker. But his independent films are not angry, they're honest. He's angry at the state of independent film. For Baker, it's about telling the story, not what actors are starring in it. From making award winning short films to the trials and tribulations of making three independent features with tiny budgets and no financial backing. Kelley lays it all out. Dealing with the "Independent Film World" and the lies they tell. His films have been seen all over the world and no one has ever guessed his budgets or the struggles of making them look as good as they do. This book takes you step by step through making films on very little money, interspersed with tales of how the business really operates and the frustrations of being a Real Independent Filmmaker. Like any good survivalist, Kelley Baker doesn't beat around the bush - he gets right down to the nitty-gritty heart of the matter right way. His 12 chapter Survival Guide is a compact, no-holds-barred 12-step program to creating what Baker calls "The Extreme No-Budget Film." Baker is on fire about making films. You will be too after reading this brutally honest compilation of personal stories and practical advice from the front lines of independent filmmaking. Morrie Warshawski, Consultant and Author (Shaking the Money Tree: The Art of Getting Grants and Donations for Film and Video - 3rd Edition) Read this book and you will not only SURVIVE but you will SUCCEED. One of the best books on making your way through the independent filmmaking jungle with justifiably-angry filmmaker Kelley Baker as your top-notch guide: Funny, profane and committed to telling the unblemished truth. Don't make your next movie until you've read this terrific book. John Gaspard, Author, Digital Filmmaking 101, Fast, Cheap and Under Control, and Fast, Cheap and Written That Way. This is a killer book. It tells you what your teachers can't, because they haven't done it. It tells you what your friends can't, for the same reason. Jammed with tons of useful advice, Baker's book is an invaluable "think before you shoot" guide for beginning filmmakers, as well as people who've been around the block, but need a refresher course. William M. Akers, author of Your Screenplay Sucks! 100 Ways To Make It Great Finally, a film resource that tells it like it is! As a film festival director, I watch hundreds (if not thousands) of films a year - some good, many flawed. I wish I could afford to send copies of "Survival Guide: Part 1" to every director I encounter, to help them identify and correct potential issues before they roll the camera. Jon Gann, Director, DC Shorts Film Festival Here, with all his attitude, is the wisdom of an Angry Filmmaker, gained the hard way, through experience.
Author: M. Hjort Publisher: Springer ISBN: 1137032693 Category : Education Languages : en Pages : 304
Book Description
Using case studies from Nigeria, Qatar, the United States, the West Indies, and others, the contributors to this volume examine aspects such as audience response, film education for children, and the impact on crime in the various studios, clubs, film festivals, NGOs, peripatetic workshops, and alternative film schools where filmmaking is taught.