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Author: Victor Ieronim Stoichiță Publisher: ISBN: 9780521433938 Category : Art Languages : en Pages : 345
Book Description
In The Self-Aware Image, Victor Stoichita challenges the received ideas about the linear progression of Western painting, from the Renaissance to the Baroque. Eschewing questions of style, he focuses instead on the painting as a framed, transportable and marketable object that is a specifically modern artistic medium. Arguing that panel painting, from its origins in the Early Renaissance, was a "self-aware image," Stoichita demonstrates that the artist and his art were often the theme of the painting. Stoichita offers a new and unexpected view of a period and the art it produced, once considered to have been definitively classified.
Author: Victor Ieronim Stoichiță Publisher: ISBN: 9780521433938 Category : Art Languages : en Pages : 345
Book Description
In The Self-Aware Image, Victor Stoichita challenges the received ideas about the linear progression of Western painting, from the Renaissance to the Baroque. Eschewing questions of style, he focuses instead on the painting as a framed, transportable and marketable object that is a specifically modern artistic medium. Arguing that panel painting, from its origins in the Early Renaissance, was a "self-aware image," Stoichita demonstrates that the artist and his art were often the theme of the painting. Stoichita offers a new and unexpected view of a period and the art it produced, once considered to have been definitively classified.
Author: Victor I. Stoichita Publisher: Harvey Miller Pub ISBN: 9781909400115 Category : Art Languages : en Pages : 250
Book Description
The notion of the painting as an art object is a relatively recent invention. The Self-Aware Image offers an impressive and complex account of the origins and development of this invention from the late Renaissance through the end of the baroque age. In comparison to the old image characterized by its preeminently liturgical function and its display in a predetermined space, the painting as the new image is increasingly autonomous and movable. As a modern art object, the painting becomes the focus of an aesthetic contemplation through its insertion into a gallery or a collection. As a result of the Protestant iconoclasm and the advancement of scientific knowledge, the essence and role of the image is put into question and thematized not only by theologians and scholars, but especially by artists. The painting thus becomes a field of visual experimentation in which art reflects on itself, its potential, its limits, its truth, and its nothingness. The representation of windows, doors, niches, mirrors, and paintings enable artists to embed the image within the image, to frame the fictiveness of the image in order to deceive, puzzle, and challenge the beholder. The pictorial devices through which artists introduce their authorial self into the image and stage the making of the image itself form the foundation of a new poetics: the poetics of metapainting. First published in French in 1993, Victor Stoichita's Self-Aware Image has become a classic of the history of art. This new, updated, and improved English edition marks the twentieth anniversary of a work that radically changed the perception of seventeenth-century art and that constitutes an ever-valid reference for contemporary scholarship. An introduction by Lorenzo Pericolo illustrates the great importance of the book for our comprehension of baroque painting.
Author: Harvard Business Review Publisher: Harvard Business Press ISBN: 1633696626 Category : Business & Economics Languages : en Pages : 103
Book Description
Self-awareness is the bedrock of emotional intelligence that enables you to see your talents, shortcomings, and potential. But you won't be able to achieve true self-awareness with the usual quarterly feedback and self-reflection alone. This book will teach you how to understand your thoughts and emotions, how to persuade your colleagues to share what they really think of you, and why self-awareness will spark more productive and rewarding relationships with your employees and bosses. This volume includes the work of: Daniel Goleman Robert Steven Kaplan Susan David HOW TO BE HUMAN AT WORK. The HBR Emotional Intelligence Series features smart, essential reading on the human side of professional life from the pages of Harvard Business Review. Each book in the series offers proven research showing how our emotions impact our work lives, practical advice for managing difficult people and situations, and inspiring essays on what it means to tend to our emotional well-being at work. Uplifting and practical, these books describe the social skills that are critical for ambitious professionals to master.
Author: Péter Bokody Publisher: Harvey Miller ISBN: 9781912554263 Category : Metacognition Languages : en Pages : 348
Book Description
The volume offers an overview of meta-pictorial tendencies in book illumination, mural and panel painting during the Italian and Northern Renaissance. It examines visual forms of self-awareness in the changing context of Latin Christianity and claims the central role of the Renaissance in the establishment of the modern condition of art. Meta-painting refers to the ways in which artworks playfully reveal or critically expose their own fictiveness, and is considered a constitutive aspect of Western art. Its rise was connected to changes in the consumption of religious imagery in the sixteenth century and to the advent of the portable framed canvas, the single most important medium of modernity. While the key initial contributions of some Renaissance painters from Jan van Eyck to Andrea Mantegna have always been acknowledged, in the principal narrative the Renaissance has largely remained the naïve moment of realistic experimentation to be ultimately superseded by the complex reflexive developments in Early Modern art, following the Reformation.
Author: Peter M. Kalellis Publisher: Thomas More Association ISBN: 9780895050762 Category : Psychology Languages : en Pages : 196
Book Description
Abstract: An inward journey explores the personality examining habits, patterns, character traits, and strengths. Fear and self-doubt can sap energies. Procrastination paralyzes and makes one passive and pessimistic. Instead choose lofty thoughts that can carry the mind away from painful and obsessive worrying. To be without pain, fill the mind with painless ideas. Learn to smile, act well; walk tall; and face the world with confidence. Personal image is never finished or static; it is always evolving. Humans possess their own healing powers (physical and psychological) and can restore themselves by refraining from habits that interfere with health. (kbc).
Author: Amit Goswami Publisher: Penguin ISBN: 1440674272 Category : Science Languages : en Pages : 337
Book Description
In this stimulating and timely book, Amit Goswami, PhD, shatters the widely popular belief held by Western science that matter is the primary "stuff" of creation and proposes instead that consciousness is the true foundation of all we know and perceive. His explanation of quantum physics for lay readers, called "a model of clarity" by Kirkus Reviews, sets the stage for a voyage of discovery through the common ground of science and religion, the entwined nature of mind and body, and our interconnectedness with all of creation.
Author: Gregory Minissale Publisher: Rodopi ISBN: 9042025816 Category : Art Languages : en Pages : 391
Book Description
Framing Consciousness in Art examines how the conscious mind enacts and processes the frame that both surrounds the work of art yet is also shown as an element inside its space. These `frames-in-frames¿ may be seen in works by Teniers, Velázquez, Vermeer, Degas, Rodin, and Cartier-Bresson and in the films of Alfred Hitchcock and Buñuel. The book also deals with framing in a variety of cultural contexts: Indian, Chinese and African, going beyond Euro-American formalist and aesthetic concerns which dominate critical theories of the frame.
Author: Susan Merriam Publisher: Routledge ISBN: 1351549073 Category : Art Languages : en Pages : 214
Book Description
Focusing on three celebrated northern European still life painters?Jan Brueghel, Daniel Seghers, and Jan Davidsz. de Heem?this book examines the emergence of the first garland painting in 1607-1608, and its subsequent transformation into a widely collected type of devotional image, curiosity, and decorative form. The first sustained study of the garland paintings, the book uses contextual and formal analysis to achieve two goals. One, it demonstrates how and why the paintings flourished in a number of contexts, ranging from an ecclesiastical center in Milan, to a Jesuit chapter house and private collections in Antwerp, to the Habsburg court in Vienna. Two, the book shows that when viewed over the course of the century, the images produced by Brueghel, Seghers and de Heem share important similarities, including an interest in self-referentiality and the exploration of pictorial form and materials. Using a range of evidence (inventories, period response, the paintings themselves), Susan Merriam shows how the pictures reconfigured the terms in which the devotional image was understood, and asked the viewer to consider in new ways how pictures are made and experienced.
Author: Susan Bello Ph. D. Publisher: Balboa Press ISBN: 1452553335 Category : Psychology Languages : en Pages : 163
Book Description
"The new scientific paradigm based on the primacy of consciousness is here and the question in everybody's mind is how we access quantum consciousness and its causal power. The artist/author Susan Bello gives us a wonderful and powerful method: spontaneous painting. It is really very enjoyable and is a suitable vehicle for all people who are young at heart and like to play. I recommend this method and this book very highly." Amit Goswami, quantum physicist and author of The Self-Aware Universe; God Is Not Dead; and the upcoming Quantum Creativity: Think Quantum, Be Creative "This is a truly brilliant and significant book - merits joyful reading and treasuring." Prof. Dr. Ervin LAszlO, Founder of Club Budapest; Chancellor-Designate of the newly formed GlobalShift University; author of over 80 books, including The Creative Cosmos: A Unified Science of Matter, Life and Mind The symbol is a universal resource which nature has bestowed upon us to evolve human consciousness. It embodies energy of pure potentiality that lives in a dormant state in our Unconscious. The process of Spontaneous Painting unleashes this powerful life force within. Each person's unique potential, Authentic and Higher Self, life direction and Innate Authentic Multiple Intelligences flow forth through the brushstroke onto the paper. No artistic training is necessary. Once our symbols are expressed, a transformative process is activated that initiates behavioral change. Our symbols begin to direct us from within. Our Authentic Self is a core energetic configuration that is like no one else's. Each one of us is a unique individual with special gifts, passions and a life purpose. Our Higher Self embodies such states as love, inner wisdom, centeredness, joy and compassion. The key to creating a new paradigm is to develop these constructive expressions of consciousness in each planetary citizen for personal and social transformation. Symbols express in the form of images. Why are images used to transmit this energy? Images are the primal universal language of humankind. The fact that the ability to make images has been with us since the beginning of time suggests it may possess an important survival function of which we are not yet aware. The name The I.am.I TM Method of Spontaneous Painting was chosen to honor our Innate Authentic Multiple Intelligences, hence the acronym I.am.ITM. These intelligences include our: emotional, creative, intuitive, imaginative, symbolic, spiritual, visual and kinesthetic ways of knowing. All of these intelligences are developed during The I.am.I Method. Although we are born with these intelligences and the ability to paint spontaneously, education has focused mainly on the rational intellect and on how to paint the external and not the internal landscape, a vast resource of inner wisdom. Part One of this book is an autobiographical summary of the experiences that led the author to develop The I.am.ITM Method of Spontaneous Painting. The paintings in Part Two document her empirical experimentation with Spontaneous Painting, sourced from the authority of her soul. Part Three is an academic exploration and a theoretical and scholarly documentation of the psychological and quantum states of mind that can be experienced during the Spontaneous Painting Process.
Author: Victor Ieronim Stoichiță
Author: Victor Ieronim Stoichiță
Author: Victor I. Stoichita
Author: Harvard Business Review
Author: Péter Bokody
Author: Peter M. Kalellis
Author: Amit Goswami
Author: Gregory Minissale
Author: Delaware Art Museum
Author: Susan Merriam
Author: Susan Bello Ph. D.