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Author: Charlotte Perkins Gilman Publisher: Studies in American Literary R ISBN: Category : Biography & Autobiography Languages : en Pages : 408
Book Description
"The Selected Letters of Charlotte Perkins Gilman makes accessible the many intricate narratives created by Gilman's correspondences. The editors have grouped the letters according to the significant events in Gilman's life and the important people to whom she wrote, including her friends and family members."--Inside jacket.
Author: Charlotte Perkins Gilman Publisher: Studies in American Literary R ISBN: Category : Biography & Autobiography Languages : en Pages : 408
Book Description
"The Selected Letters of Charlotte Perkins Gilman makes accessible the many intricate narratives created by Gilman's correspondences. The editors have grouped the letters according to the significant events in Gilman's life and the important people to whom she wrote, including her friends and family members."--Inside jacket.
Author: Charlotte Perkins Gilman Publisher: University of Alabama Press ISBN: 0817361502 Category : Literary Collections Languages : en Pages : 272
Book Description
The first collection of lectures and sermons that Charlotte Perkins Gilman delivered in the first four years of her career The last decades have seen a resurgence of interest in Charlotte Perkins Gilman, now considered among the most important thinkers in US history. She is best known for fiction—such as the classic short story “The Yellow Wall-Paper” (1892)—and nonfiction, including her manifesto Women and Economics (1898), a work of intersectional sociology avant la lettre. Nevertheless, as a young writer, Gilman made her living delivering lectures. One cannot know Gilman without some knowledge of this body of lectures; this book fills that critical gap in Gilman scholarship. Since the recovery of Charlotte Perkins Gilman began in the late 1960s and continued with the republication of “The Yellow Wall-Paper” in the 1970s, her image in cultural memory has been increasingly celebrated. Andrew J. Ball presents here fifty previously unpublished texts. They trace the development of Gilman’s thoughts on diverse subjects like gender, education, labor, science, theology, and politics—forming an intellectual diary of her growth. These lectures are not just a testament to Gilman’s personal evolution, but also a crucial contribution to the foundations of American sociology and philosophy. The Essential Lectures of Charlotte Perkins Gilman, 1890–1894 marks a historic moment, unveiling the hidden genius of Gilman's oratory legacy.
Author: Charlotte Perkins Gilman Publisher: ISBN: 9780838752968 Category : Authors, American Languages : en Pages : 427
Book Description
Hill puts the letters into biographical and historical context in an introductory essay that also explains their theoretical and historical importance. The edited and annotated letters then follow in chapters, each preceded by an introductory essay. The book concludes with a biographical sketch of the remaining thirty-five years of Gilman's life, together with an assessment of the letters' historical and biographical significance.
Author: Catherine J. Golden Publisher: Routledge ISBN: 1134503547 Category : Literary Criticism Languages : en Pages : 200
Book Description
This sourcebook combines extracts from contemporary documents and critical reviews, providing an introduction, a publishing and critical history, a chronology of key events, a guide to further reading and original pictures.
Author: Charlotte Perkins Gilman Publisher: ISBN: Category : Languages : en Pages : 28
Book Description
"The Yellow Wallpaper" is a short story by American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine.
Author: Charlotte Perkins Gilman Publisher: Leamington Books ISBN: 1914090357 Category : Fiction Languages : en Pages : 99
Book Description
Edited with a new introduction by Aimee McLaughlin "The Yellow Wallpaper" by American writer Charlotte Perkins Gilman, first published in January 1892, is regarded as an important early work of American feminist literature for its illustration of the attitudes towards mental and physical health of women in the 19th century. What happens when a woman is pushed too far? Is she able to express her thoughts and feelings, or is she forced towards the expectation of behaving 'normally' again soon? A woman travels with her husband to an old colonial mansion after a nervous breakdown triggered by the birth of their child. Confined to the nursery and allowed only to breathe fresh air, eat well and rest in line with a regimented 'cure', she slowly begins to unravel at the seams. Her only distraction is writing in secret – that, and the woman she begins to see trapped inside the yellow wallpaper of the room itself. Isolated and breaking apart, she sets herself a task: to free the woman, and to become one with her temporary confinement. Charlotte Perkins-Gilman's 'The Yellow Wallpaper' presents a harrowing, disturbing account of mental stress, confinement and female turmoil - within which the only available solace can be found inside four peeling, sickly yellow walls ... Our new edition also features the sequence of poems "Woman" by Charlotte Perkins Gilman. "The gothic genre offers Gilman an effective mode of diagnosing contemporary culture whilst in tandem expressing her ensuing fears and anxieties. Gilman within this novella, gothicises the domestic setting, inverting the pillars of domesticity: family, security and understanding, in turn unveiling the dangers lurking behind the familiarity of gender roles within marital relations. The intimate first-person narration of the narrative serves to enhance Gilman's exposure of the oppressive forces of a male-dominated society, as she deplores her protagonist's inferior position in her domestic arrangement. The female narrator is encumbered by masculine superiority, undoubtedly dwelling in the middle of patriarchy. Embedded within her characterisation is the subjugated role bestowed upon Victorian women. Gilman projects derangement onto a familiar literary figure ― the middle−class wife and mother ― placing the source of this madness in the inviolate sphere for dutiful women ― the home." from the new introduction to The Yellow Wallpaper by Aimee McLaughlin
Author: Carol Farley Kessler Publisher: Syracuse University Press ISBN: 9780815626442 Category : Literary Criticism Languages : en Pages : 334
Book Description
The focus of Carol Farley Kessler's work is how Charlotte Perkins Gilman developed as a writer and how she imagined a full-blown utopia for women. This book, which offers a fresh reading of Gilman's fiction, fills a void in Gilman scholarship, in feminist utopian scholarship, and in American literary studies. Kessler provides three journeys through Gilman's life: "A Biographical Exploration'' discusses facets of her life having a substantial impact upon her utopian writing. Four themes influence this development: the legacy of ancestral expectations; her relationships to father, mother, and daughter; the experience of two marriages and a divorce; and her friendships with women. Gilman and her "Prancing Young Utopia" presents three stages in the development of Gilman's utopian writing. First, she imagined neighborhoods-writing alternately fiction and nonfiction. Second, she tested in fiction the expression of utopian principles explained in her nonfiction. Finally, she created the whole society in her 1915 satire Herland. All of the foregoing writing represents Gilman's effort to imagine in fiction solutions that she recommended in her 1898 feminist treatise, Women and Economics. "Writing to Empower Living'' connects Gilman's biography to her utopian writing as both personal expression and public activism. The writing can be understood as "equipment for living." Ten hard-to-locate utopian short stories and chapters from four novels conclude the volume.
Author: Michael Robertson Publisher: Princeton University Press ISBN: 0691202869 Category : Biography & Autobiography Languages : en Pages : 330
Book Description
The Last Utopians delves into the biographies of four key figures--Edward Bellamy, William Morris, Edward Carpenter, and Charlotte Perkins Gilman--who lived during an extraordinary period of literary and social experimentation. The publication of Bellamy's Looking Backward in 1888 opened the floodgates of an unprecedented wave of utopian writing. Morris, the Arts and Crafts pioneer, was a committed socialist whose News from Nowhere envisions a workers' Arcadia. Carpenter boldly argued that homosexuals constitute a utopian vanguard. Gilman, a women's rights activist and the author of "The Yellow Wallpaper," wrote numerous utopian fictions, including Herland, a visionary tale of an all-female society. These writers, Robertson shows, shared a belief in radical equality, imagining an end to class and gender hierarchies and envisioning new forms of familial and romantic relationships. They held liberal religious beliefs about a universal spirit uniting humanity. They believed in social transformation through nonviolent means and were committed to living a simple life rooted in a restored natural world. And their legacy remains with us today, as Robertson describes in entertaining firsthand accounts of contemporary utopianism, ranging from Occupy Wall Street to a Radical Faerie retreat.
Author: Jill Bergman Publisher: University of Alabama Press ISBN: 0817319360 Category : Literary Criticism Languages : en Pages : 241
Book Description
Charlotte Perkins Gilman and a Woman's Place in America probes how depictions of space, confinement, and liberation establish both the difficulty and necessity of female empowerment. Turning Victorian notions of propriety and a woman's place on its ear, this essay collection studies Gilman's writings and the manner in which they push back against societal norms and reject male-dominated confines of space. The contributors present readings of some of Gilman's most significant works. By examining the settings in "The Yellow Wallpaper" and Herland, for example, the volume analyzes Gilman's construction of place, her representations of male dominance and female subjugation, and her analysis of the rules and obligations that women feel in conforming to their assigned place: the home. Additionally, this volume delineates female resistance to this conformity. Contributors highlight how Gilman's narrators often choose resistance over obedient captivity, breaking free of the spaces imposed upon them in order to seek or create their own habitats. Through biographical interpretations of Gilman's work that focus on the author's own renouncement of her "natural" role of wife and mother, contributors trace her relocation to the American West in an attempt to appropriate the masculinized spaces of work and social organization. --
Author: Charlotte Perkins Gilman
Author: Charlotte Perkins Gilman
Author: Charlotte Perkins Gilman
Author: Charlotte Perkins Gilman
Author: Catherine J. Golden
Author: Charlotte Perkins Gilman
Author: Charlotte Perkins Gilman
Author: Carol Farley Kessler
Author: Michael Robertson
Author: Julie Bates Dock
Author: Jill Bergman