Author: Detroit Institute of ArtsPublisher:
ISBN:
Category : Painting, British
Languages : en
Pages : 56
Book Description
The Second Loan Exhibition of Old Masters
Author: Detroit Institute of ArtsPublisher:
ISBN:
Category : Painting, British
Languages : en
Pages : 56
Book Description
An Illustrated Catalogue of the Second National Loan Exhibition, 1913-1914
Author: London. National loan exhibition, 1913-1914Publisher:
ISBN:
Category : Art
Languages : en
Pages : 330
Book Description
Bulletin of the Detroit Institute of Arts
Author: Detroit Institute of ArtsPublisher:
ISBN:
Category : Art
Languages : en
Pages : 254
Book Description
Bulletin of the Detroit Institute of Arts of the City of Detroit
Author: The Publishers' Circular and Booksellers' Record
Author: Museums in the Second World War
Author: Catherine PearsonPublisher: Taylor & Francis
ISBN: 1351702556
Category : History
Languages : en
Pages : 307
Book Description
Peacetime: return to traditional collections concerns -- The past is intrinsic to museums -- The complexities of peacetime -- Appendix: primary sources -- References -- Index
Fashionability, Exhibition Culture and Gender Politics
Author: Meaghan ClarkePublisher: Routledge
ISBN: 135102776X
Category : Art
Languages : en
Pages : 233
Book Description
Fair Women was the Victorian equivalent of a ‘blockbuster’ exhibition. Organised by a committee of women, it opened to great fanfare in the Grafton Galleries in London, and was comprised of both historical and contemporary portraits of women as well as decorative objects. Meaghan Clarke argues that the exhibition challenged contemporary assumptions about the representation of women and the superficiality of female collectors. The Fair Women phenomenon complicated gender stereotypes and foregrounded women as cultural arbiters. This book uncovers a wide range of texts and images to reveal that Fair Women brought together fashion, modernity and gender politics in new and surprising ways. It shows that, while invariably absent in institutional histories, women were vital to the development of the modern blockbuster exhibition. This book will be of interest to scholars in art and gender studies, museum studies, feminist art history, women artists and art history.
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