The Scuole Grandi and Venetian Art, 1260-c. 1500 PDF Download

Author: William B. Wurthmann
Publisher:
ISBN:
Category : Art patronage
Languages : en
Pages : 676

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Author: Wurthmann
Publisher:
ISBN:
Category :
Languages : en
Pages : 338

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Author: Norbert Huse
Publisher: University of Chicago Press
ISBN: 9780226361093
Category : Architecture
Languages : en
Pages : 430

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Norbert Huse and Wolfgang Wolters provide the first contemporary single-volume survey of the three arts of Venice -- painting, sculpture, and architecture. They offer an important counterbalance to the traditional orientation toward painting as the city's preeminent art by focusing on architecture as the essential Venetian artistic medium. In the process, they define the distinctly Venetian terms by which the city and culture should be understood. Huse and Wolters begin their study with 1460, when Venice was one of the key powers of Italy, and end their discussion with the death of Tintoretto in 1594, a period of waning international power. Wolfgang Wolters outlines the city's development and present a typological survey of Venetian architecture. A review of sculptors and their works follows. Norbert Huse opens the next section, on painting, by describing the changed situation of painters at the end of the fifteenth century. He explores the different forms and functions of Venetian paintings in three distinct periods. With over three hundred illustrations and an exhaustive bibliography, this volume successfully fills a gap in art historical scholarship. -- From publisher's description.

Author: Christopher F. Black
Publisher: Cambridge University Press
ISBN: 9780521531139
Category : History
Languages : en
Pages : 340

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Confraternities were - and are - religious brotherhoods for lay people to promote their religious life in common. Though designed to prepare for the afterlife, they were fully involved in the social, political and cultural life of the community and could affect all men and women, as members or as the recipients of charity. Confraternities organised a great range of devotional, cultural and indeed artistic activities in addition to other functions such as the provision of dowries and the escort of condemned men to the scaffold. Other works have studied the local activities of specific confraternities, but this is the first to attempt a broad survey of such organisations across the breadth of early modern Italy. Christopher Black demonstrates clearly the extent, diversity and influence of confraternal behaviour, and shows how such brotherhoods adapted to the religious and social crises of the sixteenth century - thus illuminating current debates about Catholic Reform, the Counter-Reformation, poverty, philanthropy and social control.

Author: Patricia Fortini Brown
Publisher:
ISBN:
Category :
Languages : en
Pages : 546

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Author: Philip Lindsay Sohm
Publisher: Garland Publishing
ISBN:
Category : Architecture
Languages : en
Pages : 512

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Author: Rona Goffen
Publisher: Yale University Press
ISBN: 0300043341
Category : Art
Languages : en
Pages : 366

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Leven en werk van de Italiaanse Venetiaanse schilder (1430-1516)

Author: Kiril Petkov
Publisher: BRILL
ISBN: 9004259813
Category : History
Languages : en
Pages : 297

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In The Anxieties of a Citizen Class: The Miracles of the True Cross of San Giovanni Evangelista, Venice 1370-1480 Kiril Petkov identifies the socio-psychological preoccupations accompanying the formation of the leading commoner group of early Renaissance Venice, the cittadini originarii, as revealed in a cycle of miracles performed by a fragment of the True Cross owned by the brotherhood of San Giovanni Evangelista. The study’s principal contention is that the miracles trace the evolution of the citizen elite from members of a large, fluid group of men of affairs to community managers to state servants. Each miracle highlights a stage of that process and the social anxieties engendered in the acquisition of a specific social identity.

Author: David Rosand
Publisher: Univ of North Carolina Press
ISBN: 0807872792
Category : Art
Languages : en
Pages : 232

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Over the course of several centuries, Venice fashioned and refined a portrait of itself that responded to and exploited historical circumstance. Never conquered and taking its enduring independence as a sign of divine favor, free of civil strife and proud of its internal stability, Venice broadcast the image of itself as the Most Serene Republic, an ideal state whose ruling patriciate were selflessly devoted to the commonweal. All this has come to be known as the "myth of Venice." Exploring the imagery developed in Venice to represent the legends of its origins and legitimacy, David Rosand reveals how artists such as Gentile and Giovanni Bellini, Carpaccio, Titian, Jacopo Sansovino, Tintoretto, and Veronese gave enduring visual form to the myths of Venice. He argues that Venice, more than any other political entity of the early modern period, shaped the visual imagination of political thought. This visualization of political ideals, and its reciprocal effect on the civic imagination, is the larger theme of the book.

Author: Daniel E. Bornstein
Publisher: Cornell University Press
ISBN: 150173346X
Category : History
Languages : en
Pages : 253

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In the summer of 1399 a wave of popular devotion swept through Italy from the Alps to Rome. Men, women, and children from city and countryside joined in pious processions lasting nine days. Dubbed "Bianchi" because of their white robes, they listened to sermons, sang hymns, observed dietary restrictions, and prayed for "peace and mercy." Daniel E. Bornstein reconstructs the history of the Bianchi in unparalleled detail, and his conclusions offer new insight into the character of late medieval Christianity. Drawing on a wide range of sources including diaries, hymns, and government reports, Bornstein offers nuanced analyses of both the spiritual and the political dimensions of the movement. After describing the origins of the Bianchi as a movement concerned with the conflict and violence of the age, he traces its spread through Italy, paying particular attention to local variations. Focusing on the relationship between lay participants and ecclesiastical authorities, Bornstein demonstrates that the Bianchi represent what might be called a popular orthodoxy—a spontaneous and deeply sincere rallying to the approved beliefs and traditional practices of the church. In conclusion, he argues that scholars who have assumed a sharp division between lay and clerical religion in the late Middle Ages have misconstrued the development of Christianity in fundamental ways.