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Author: Michael Hirst Publisher: National Gallery Publications Limited ISBN: 9780300061352 Category : Art Languages : en Pages : 144
Book Description
Michael Hirst's chapters are followed by Jill Dunkerton's survey of Michelangelo's technique as a painter on panel, using both egg tempera and oil paint, based on the investigation of his paintings in the National Gallery. Included in the discussion is Michelangelo's slightly later Doni Tondo in the Uffizi, Florence, his only completed panel painting and one of the most perfect of his works. Dunkerton also looks back to the paintings by Ghirlandaio and his workshop in which Michelangelo was trained. Her illuminating text helps us to understand how Michelangelo executed these two familiar but relatively little-studied paintings and also to envisage the startling finished appearance probably conceived by the artist.
Author: Michael Hirst Publisher: National Gallery Publications Limited ISBN: 9780300061352 Category : Art Languages : en Pages : 144
Book Description
Michael Hirst's chapters are followed by Jill Dunkerton's survey of Michelangelo's technique as a painter on panel, using both egg tempera and oil paint, based on the investigation of his paintings in the National Gallery. Included in the discussion is Michelangelo's slightly later Doni Tondo in the Uffizi, Florence, his only completed panel painting and one of the most perfect of his works. Dunkerton also looks back to the paintings by Ghirlandaio and his workshop in which Michelangelo was trained. Her illuminating text helps us to understand how Michelangelo executed these two familiar but relatively little-studied paintings and also to envisage the startling finished appearance probably conceived by the artist.
Author: Leo Steinberg Publisher: University of Chicago Press ISBN: 022648257X Category : Art Languages : en Pages : 241
Book Description
Leo Steinberg was one of the most original and daring art historians of the twentieth century, known for taking interpretative risks that challenged the profession by overturning reigning orthodoxies. In essays and lectures that ranged from old masters to contemporary art, he combined scholarly erudition with an eloquent prose that illuminated his subject and a credo that privileged the visual evidence of the image over the literature written about it. His works, sometimes provocative and controversial, remain vital and influential reading. For half a century, Steinberg delved into Michelangelo’s work, revealing the symbolic structures underlying the artist’s highly charged idiom. This volume of essays and unpublished lectures explicates many of Michelangelo’s most celebrated sculptures, applying principles gleaned from long, hard looking. Almost everything Steinberg wrote included passages of old-fashioned formal analysis, but here put to the service of interpretation. He understood that Michelangelo’s rendering of figures as well as their gestures and interrelations conveys an emblematic significance masquerading under the guise of naturalism. Michelangelo pushed Renaissance naturalism into the furthest reaches of metaphor, using the language of the body and its actions to express fundamental Christian tenets once expressible only by poets and preachers—or, as Steinberg put it, in Michelangelo’s art, “anatomy becomes theology.” Michelangelo’s Sculpture is the first in a series of volumes of Steinberg’s selected writings and unpublished lectures, edited by his longtime associate Sheila Schwartz. The volume also includes a book review debunking psychoanalytic interpretation of the master’s work, a light-hearted look at Michelangelo and the medical profession and, finally, the shortest piece Steinberg ever published.
Author: Carmen C. Bambach Publisher: Metropolitan Museum of Art ISBN: 1588396371 Category : Art Languages : en Pages : 395
Book Description
Consummate painter, draftsman, sculptor, and architect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was considered in the Renaissance to be the foundation of all artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts. Beautifully illustrated with more than 350 drawings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work. Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome, beginning with his training under the painter Domenico Ghirlandaio and the sculptor Bertoldo and ending with his seventeen-year appointment as chief architect of Saint Peter’s Basilica at the Vatican. The chapters relate Michelangelo’s compositional drawings, sketches, life studies, and full-scale cartoons to his major commissions—such as the ceiling frescoes and the Last Judgment in the Sistine Chapel, the church of San Lorenzo and its New Sacristy (Medici Chapel) in Florence, and Saint Peter’s—offering fresh insights into his creative process. Also explored are Michelangelo’s influential role as a master and teacher of disegno, his literary and spiritual interests, and the virtuoso drawings he made as gifts for intimate friends, such as the nobleman Tommaso de’ Cavalieri and Vittoria Colonna, the marchesa of Pescara. Complementing Bambach’s text are thematic essays by leading authorities on the art of Michelangelo. Meticulously researched, compellingly argued, and richly illustrated, this book is a major contribution to our understanding of this timeless artist.
Author: Frank Zöllner Publisher: Taschen ISBN: 9783836586122 Category : Languages : en Pages : 480
Book Description
Michelangelo was a genius of unrivaled virtuosity. This XL edition traces the extraordinary depth and breadth of his work and his ascent to the elite of the Renaissance and art history with ten richly illustrated chapters covering the artist's paintings, sculptures, and architecture with special focus on the tour de force frescoes of the...
Author: Arnold Victor Coonin Publisher: Florentine Press ISBN: 9788897696025 Category : Art Languages : en Pages : 272
Book Description
About the author. A. Victor Coonin is James F. Ruffin Chair of Art at Rhodes College. He has received fellowships and grants from the Mellon, Kress, and Fullbright foundations and has served on committees for the Fullbright, National Endowment for the Humanities, and College Art Association. Author of numerous articles and editor of 2 books, this is his first monograph. -- Publisher's website.
Author: Joachim Poeschke Publisher: ABRAMS ISBN: 9780810942769 Category : Art Languages : en Pages : 272
Book Description
This new volume is the most comprehensive examination of Italian Renaissance sculpture from 1490 to 1560 ever published. Central to the whole study is the sculpture of Michelangelo, which is illustrated in its entirety in the documentation section. Nineteen of Michelangelo's contemporaries are also treated in detail, with full individual biographies and representative examples of their work. Special attention is paid to Jacopo Sansovino, Benvenuto Cellini, Baccio Bandinelli, and Bartolomeo Ammannati. In his introductory essays, Joachim Poeschke, professor of art history at the University of Dusseldorf and the author of numerous publications on Italian art of the Middle Ages and the Renaissance, places the sculpture of the sixteenth century in its intellectual and cultural context. He discusses the shift in its subject matter and function and examines the theoretical notions that motivated the artists of the period. Poeschke's broad overview of the period makes this volume an invaluable addition to Renaissance literature. The works are presented in masterful new photographs taken especially for this book by Albert Hirmer and Irmgard Ernstmeier-Hirmer. The illustrations, which include fifty-two full-page colorplates, afford an opportunity to see these works in extraordinary detail and often from several viewpoints. With an extensive and up-to-date bibliography, Michelangelo and His World is an invaluable reference for scholars, students, and aficionados of Italian Renaissance art.
Author: Jennifer Dasal Publisher: Penguin ISBN: 0143134590 Category : Art Languages : en Pages : 289
Book Description
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
Author: Ascanio Condivi Publisher: Wentworth Press ISBN: 9781010718154 Category : History Languages : en Pages : 108
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Michael Hirst
Author: Michael Hirst
Author: Leo Steinberg
Author: Carmen C. Bambach
Author: C. Buniolo
Author: Frank Zöllner
Author: Giorgio Vasari
Author: Arnold Victor Coonin
Author: Joachim Poeschke
Author: Jennifer Dasal
Author: Ascanio Condivi