The Sculpture of Africa PDF Download

Author: Eliot Elisofon
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 0

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Author: Alisa LaGamma
Publisher: Metropolitan Museum of Art
ISBN: 1588390748
Category : Art
Languages : en
Pages : 138

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Book Description
The seventy-five masterpieces presented here, drawn from public and private American collections, are among the most celebrated icons of African art, works that are superb artistic creations as well as expressions of a society's most profound conceptions about its beginnings. All are reproduced in color and are accompanied by entries that illuminate the distinctive cultural contexts that inspired their creation and informed their appreciation."--BOOK JACKET.

Author: Ladislas Segy
Publisher: Courier Corporation
ISBN: 9780486203966
Category : Art
Languages : en
Pages : 228

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Book Description
Includes a brief analysis and history of African sculpture followed by a pictorial survey of this art grouped according to region

Author: Grimaldi Forum (Monaco, Monaco)
Publisher:
ISBN:
Category : Art
Languages : it
Pages : 414

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"This beautifully illustrated volume highlights all the rich diversity of African cultures through a meaningful selection of masterpieces of traditional African art."--Global Books in Print.

Author: William Buller Fagg
Publisher: Alfred A. Knopf
ISBN:
Category : Sculpture
Languages : en
Pages : 230

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Author: Alisa LaGamma
Publisher: Metropolitan Museum of Art
ISBN: 1588394328
Category : Art
Languages : en
Pages : 314

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Issued in connection with an exhibition held Sept. 20, 2011-Jan. 29, 2012, Metropolitan Museum of Art, New York, and at the Rietberg Museum, Zeurich, at later dates.

Author: Leonard Kahan
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 546

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Book Description
Explores the power and potency of surfaces in African sculpture

Author: Christopher Spring
Publisher: Harvard University Press
ISBN: 9780674036222
Category : Art
Languages : en
Pages : 152

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Book Description
This book opens with the question, What is African art? The answer is a brilliantly colorful and detailed look at the myriad materials and genres, forms and meanings, cultural contexts and expressions that comprise artistic traditions across this vast and varied continent. Viewing artworks in their contexts--ancient and modern, urban and rural, western and eastern, decorative and functional--the book is nothing less than a virtual tour of African culture. Masks, textiles, royal art, sculpture, ceramics, tools and weapons--in each instance, the book features examples that reveal the most significant aspects of workmanship, materials, and design in objects of wood, stone, ivory, clay, metalwork, featherwork, leather, basketwork, and cloth. Photographs of each piece alongside close-ups of fine details afford new views of these works and allow for intriguing comparisons between seemingly unrelated objects and media. The featured details evoke the hand and eye of the most accomplished craftspeople across Africa, past and present. In sum, these photographs, along with Chris Spring's enlightening commentary, offer an experience of African art that is at once broad and deep, richly informed and intimately felt. They are, at the same time, a kaleidoscopic view of art from prehistory to gestures prefiguring the future.

Author: Christina Hellmich
Publisher: Prestel
ISBN: 9783791354330
Category : Figure sculpture, African
Languages : en
Pages : 0

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Book Description
This volume, on a unique and wide-ranging collection of figural sculptures from sub-Saharan Africa, examines not only each distinctive piece, but also how these works of art express value systems and cultural relationships both inside and outside Africa. The geographical breadth of the collection and the variations in the depictions allow readers to explore both the histories and formal qualities of the genre. Texts by leading scholars enhance the understanding of 122 objects, alongside essays on major sculptures and themes.

Author: Joshua I. Cohen
Publisher: University of California Press
ISBN: 0520309685
Category : Art
Languages : en
Pages : 301

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Book Description
Reading African art’s impact on modernism as an international phenomenon, The “Black Art” Renaissance tracks a series of twentieth-century engagements with canonical African sculpture by European, African American, and sub-Saharan African artists and theorists. Notwithstanding its occurrence during the benighted colonial period, the Paris avant-garde “discovery” of African sculpture—known then as art nègre, or “black art”—eventually came to affect nascent Afro-modernisms, whose artists and critics commandeered visual and rhetorical uses of the same sculptural canon and the same term. Within this trajectory, “black art” evolved as a framework for asserting control over appropriative practices introduced by Europeans, and it helped forge alliances by redefining concepts of humanism, race, and civilization. From the Fauves and Picasso to the Harlem Renaissance, and from the work of South African artist Ernest Mancoba to the imagery of Negritude and the École de Dakar, African sculpture’s influence proved transcontinental in scope and significance. Through this extensively researched study, Joshua I. Cohen argues that art history’s alleged centers and margins must be conceived as interconnected and mutually informing. The “Black Art” Renaissance reveals just how much modern art has owed to African art on a global scale.