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Author: William Stephenson Publisher: Bloomsbury Publishing ISBN: 1441110380 Category : Literary Criticism Languages : en Pages : 136
Book Description
John Fowles's 1969 novel The French Lieutenant's Woman has become a modern classic but it is a complex novel and can be daunting to study. This accessible guide offers detailed readings of the text as well as accounts of Fowles's influences and the context of the novel's composition. It also discusses Fowles's manipulation of the story's Victorian setting and source material, and his treatment of key themes such as gender, sexuality and social class. It addresses the reviews and critical reception of the novel, and offers study suggestions and a guide to further reading. A separate section engages with the 1981 film adaptation scripted by Harold Pinter. This introduction to the text is the ideal companion to study, offering guidance on: Literary and historical context Language, style and form Reading The French Lieutenant's Woman Critical reception and publishing history Adaptation and interpretation Further reading
Author: Jack Boozer Publisher: University of Texas Press ISBN: 0292783159 Category : Performing Arts Languages : en Pages : 356
Book Description
Authoring a film adaptation of a literary source not only requires a media conversion but also a transformation as a result of the differing dramatic demands of cinema. The most critical central step in this transformation of a literary source to the screen is the writing of the screenplay. The screenplay usually serves to recruit producers, director, and actors; to attract capital investment; and to give focus to the conception and production of the film project. Often undergoing multiple revisions prior to production, the screenplay represents the crucial decisions of writer and director that will determine how and to what end the film will imitate or depart from its original source. Authorship in Film Adaptation is an accessible, provocative text that opens up new areas of discussion on the central process of adaptation surrounding the screenplay and screenwriter-director collaboration. In contrast to narrow binary comparisons of literary source text and film, the twelve essays in this collection also give attention to the underappreciated role of the screenplay and film pre-production that can signal the primary intention for a film. Divided into four parts, this collection looks first at the role of Hollywood's activist producers and major auteurs such as Hitchcock and Kubrick as they worked with screenwriters to formulate their audio-visual goals. The second part offers case studies of Devil in a Blue Dress and The Sweet Hereafter, for which the directors wrote their own adapted screenplays. Considering the variety of writer-director working relationships that are possible, Part III focuses on adaptations that alter genre, time, and place, and Part IV investigates adaptations that alter stories of romance, sexuality, and ethnicity.