Author: Lloyd I. Snodgrass
Publisher:
ISBN:
Category : Photographic chemistry
Languages : en
Pages : 312
Book Description
This work is a handbook on photography printing with emphasis on the science behind the process.
The Science and Practice of Photographic Printing
Author: Lloyd I. Snodgrass
Publisher:
ISBN:
Category : Photographic chemistry
Languages : en
Pages : 312
Book Description
This work is a handbook on photography printing with emphasis on the science behind the process.
Publisher:
ISBN:
Category : Photographic chemistry
Languages : en
Pages : 312
Book Description
This work is a handbook on photography printing with emphasis on the science behind the process.
Cyanotype
Author: Mike Ware
Publisher: NMSI Trading Ltd
ISBN:
Category : Photography
Languages : en
Pages : 192
Book Description
This is the first published monograph on the cyanotype process. It describes the history, chemistry, conservation, aesthetics and practice of photographic printing in Prussian blue. The unpublished experimental memoranda of Sir John Herschel, inventor if the process, are interpreted to unfold his discovery of iron-based photography, including his various formulae for cyanotype. The chemistry of the process is explained for the non-specialist, and many experimental variations on blueprinting are described. This book should interest photohistorians, curators and conservators of photographs, photoscientists concerned with 'non silver' processes and photographic print-makers who wish to use cyanotype today as an expressive artistic medium.
Publisher: NMSI Trading Ltd
ISBN:
Category : Photography
Languages : en
Pages : 192
Book Description
This is the first published monograph on the cyanotype process. It describes the history, chemistry, conservation, aesthetics and practice of photographic printing in Prussian blue. The unpublished experimental memoranda of Sir John Herschel, inventor if the process, are interpreted to unfold his discovery of iron-based photography, including his various formulae for cyanotype. The chemistry of the process is explained for the non-specialist, and many experimental variations on blueprinting are described. This book should interest photohistorians, curators and conservators of photographs, photoscientists concerned with 'non silver' processes and photographic print-makers who wish to use cyanotype today as an expressive artistic medium.
The Albumen & Salted Paper Book
Author: James M. Reilly
Publisher: HP Trade
ISBN:
Category : Photography
Languages : en
Pages : 152
Book Description
Publisher: HP Trade
ISBN:
Category : Photography
Languages : en
Pages : 152
Book Description
Platinum and Palladium Photographs
Author: Constance McCabe
Publisher:
ISBN: 9780997867909
Category : Photographs
Languages : en
Pages : 504
Book Description
The volume presents the results of a four-year inter-institutional, interdisciplinary research initiative led and organized by the National Gallery of Art. Contributions by 47 leading photograph conservators, scientists, and historians provide detailed examinations of the chemical, material, and aesthetic qualities of this important class of rare, beautiful, and technically complex photographs. The volume will help those who care for photograph collections gain a thorough appreciation of the technical and aesthetic characteristics of platinum and palladium prints and scientific basis for their preservation.
Publisher:
ISBN: 9780997867909
Category : Photographs
Languages : en
Pages : 504
Book Description
The volume presents the results of a four-year inter-institutional, interdisciplinary research initiative led and organized by the National Gallery of Art. Contributions by 47 leading photograph conservators, scientists, and historians provide detailed examinations of the chemical, material, and aesthetic qualities of this important class of rare, beautiful, and technically complex photographs. The volume will help those who care for photograph collections gain a thorough appreciation of the technical and aesthetic characteristics of platinum and palladium prints and scientific basis for their preservation.
An Introduction to the Science & Practice of Photography
Author: Henry Chapman Jones
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 348
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 348
Book Description
Coatings on Photographs
Author: Constance McCabe
Publisher: American Institute for Conservation of Historic & Artistic W
ISBN:
Category : Photography
Languages : en
Pages : 392
Book Description
Publisher: American Institute for Conservation of Historic & Artistic W
ISBN:
Category : Photography
Languages : en
Pages : 392
Book Description
Mechanisms of Image Deterioration in Early Photographs
Author: Mike Ware
Publisher: NMSI Trading Ltd
ISBN: 9780901805782
Category : Great Britain
Languages : en
Pages : 98
Book Description
The considerations offered in this analysis of the conditions required for the conservation of early photographs will help inform difficult ethical decision-making by curators faced with the conflicting obligations of access and conservation, and will also be of interest to photohistorians, conservators and collectors.
Publisher: NMSI Trading Ltd
ISBN: 9780901805782
Category : Great Britain
Languages : en
Pages : 98
Book Description
The considerations offered in this analysis of the conditions required for the conservation of early photographs will help inform difficult ethical decision-making by curators faced with the conflicting obligations of access and conservation, and will also be of interest to photohistorians, conservators and collectors.
American Photography
Platinotype
Author: Pradip Malde
Publisher: Routledge
ISBN: 1000281167
Category : Photography
Languages : en
Pages : 423
Book Description
Platinotype: Making Photographs in Platinum and Palladium with the Contemporary Printing-out Process describes the mechanisms and chemistry of platinum/palladium printing in safe and practical ways. Clearly presented formulae allow the printer to work with platinum, palladium, or varying combinations of both. The printed-out image appears fully during exposure, and only requires simple and safe steps for clearing to a stable, archival state. The authors explain what makes the image, how all necessary components are prepared and used, and the kind of paper and negative needed to make prints. More than just a technical manual, the book underscores the authors' belief that printing is a creative, scientific, and philosophic way of working. The book presents an outstanding collection of prints by over 40 artists, all made with this printing-out process. The artists' notes and comments offer insights into their methods and thinking, and a large number of full-page reproductions serve as a valuable reference for the aspiring printer. The book includes: A list of supplies and equipment A detailed chemical glossary A Quick-start section in the Preface Summary sheets and workflows for each step of the process Instructions for making traditional negatives with Pyro PMK and digital negatives Explanation of the chemistry and dynamics of paper, and how to use buffered papers Instructions for controlling hydration processes and humidity Instructions for preparing each chemical solution needed for the process Discussion about the aesthetics of the platinum/palladium print Explanation of the relationships between light, image, and expression A detailed troubleshooting list Recommendations from conservators about processing, handling, and conservation Contemporary artists using the printing-out platinum/palladium process. Learning how to make platinum/palladium prints has been cloaked in a mystique of difficulty. Platinotype presents the process as a set of clearly explained and defined steps. Like other books in the series, Platinotype is a detailed and inspiring manual, accessible to both novices and experts, and illustrative of the contemporary arts.
Publisher: Routledge
ISBN: 1000281167
Category : Photography
Languages : en
Pages : 423
Book Description
Platinotype: Making Photographs in Platinum and Palladium with the Contemporary Printing-out Process describes the mechanisms and chemistry of platinum/palladium printing in safe and practical ways. Clearly presented formulae allow the printer to work with platinum, palladium, or varying combinations of both. The printed-out image appears fully during exposure, and only requires simple and safe steps for clearing to a stable, archival state. The authors explain what makes the image, how all necessary components are prepared and used, and the kind of paper and negative needed to make prints. More than just a technical manual, the book underscores the authors' belief that printing is a creative, scientific, and philosophic way of working. The book presents an outstanding collection of prints by over 40 artists, all made with this printing-out process. The artists' notes and comments offer insights into their methods and thinking, and a large number of full-page reproductions serve as a valuable reference for the aspiring printer. The book includes: A list of supplies and equipment A detailed chemical glossary A Quick-start section in the Preface Summary sheets and workflows for each step of the process Instructions for making traditional negatives with Pyro PMK and digital negatives Explanation of the chemistry and dynamics of paper, and how to use buffered papers Instructions for controlling hydration processes and humidity Instructions for preparing each chemical solution needed for the process Discussion about the aesthetics of the platinum/palladium print Explanation of the relationships between light, image, and expression A detailed troubleshooting list Recommendations from conservators about processing, handling, and conservation Contemporary artists using the printing-out platinum/palladium process. Learning how to make platinum/palladium prints has been cloaked in a mystique of difficulty. Platinotype presents the process as a set of clearly explained and defined steps. Like other books in the series, Platinotype is a detailed and inspiring manual, accessible to both novices and experts, and illustrative of the contemporary arts.