Author: E. W. Marasinghe
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 602
Book Description
The Sanskrit Theatre and Stagecraft
Author: E. W. Marasinghe
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 602
Book Description
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 602
Book Description
Sanskrit Drama in Performance
Author: Rachel Van M. Baumer
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120807723
Category : Sanskrit drama
Languages : en
Pages : 362
Book Description
FOR SALE IN SOUTH ASIA ONLY
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120807723
Category : Sanskrit drama
Languages : en
Pages : 362
Book Description
FOR SALE IN SOUTH ASIA ONLY
Theatre and Its Other
Author: Elisa Ganser
Publisher: BRILL
ISBN: 900446705X
Category : Performing Arts
Languages : en
Pages : 425
Book Description
What is Dance? What is Theatre? What is the boundary between enacting a character and narrating a story? When does movement become tinted with meaning? And when does beauty shine alone as if with no object? These universal aesthetic questions find a theoretically vibrant and historically informed set of replies in the oeuvre of the eleventh-century Kashmirian author Abhinavagupta. The present book offers the first critical edition, translation, and study of a crucial and lesser known passage of his commentary on the Nāṭyaśāstra, the seminal work of Sanskrit dramaturgy. The nature of dramatic acting and the mimetic power of dance, emotions, and beauty all play a role in Abhinavagupta’s thorough investigation of performance aesthetics, now presented to the modern reader.
Publisher: BRILL
ISBN: 900446705X
Category : Performing Arts
Languages : en
Pages : 425
Book Description
What is Dance? What is Theatre? What is the boundary between enacting a character and narrating a story? When does movement become tinted with meaning? And when does beauty shine alone as if with no object? These universal aesthetic questions find a theoretically vibrant and historically informed set of replies in the oeuvre of the eleventh-century Kashmirian author Abhinavagupta. The present book offers the first critical edition, translation, and study of a crucial and lesser known passage of his commentary on the Nāṭyaśāstra, the seminal work of Sanskrit dramaturgy. The nature of dramatic acting and the mimetic power of dance, emotions, and beauty all play a role in Abhinavagupta’s thorough investigation of performance aesthetics, now presented to the modern reader.
The Cambridge Guide to Asian Theatre
Author: James R. Brandon
Publisher: Cambridge University Press
ISBN: 9780521588225
Category : Drama
Languages : en
Pages : 266
Book Description
A comprehensive and authoritative single-volume reference work on the theatre arts of Asia-Oceania. Nine expert scholars provide entries on performance in twenty countries from Pakistan in the west, through India and Southeast Asia to China, Japan and Korea in the east. An introductory pan-Asian essay explores basic themes - they include ritual, dance, puppetry, training, performance and masks. The national entries concentrate on the historical development of theatre in each country, followed by entries on the major theatre forms, and articles on playwrights, actors and directors. The entries are accompanied by rare photographs and helpful reading lists.
Publisher: Cambridge University Press
ISBN: 9780521588225
Category : Drama
Languages : en
Pages : 266
Book Description
A comprehensive and authoritative single-volume reference work on the theatre arts of Asia-Oceania. Nine expert scholars provide entries on performance in twenty countries from Pakistan in the west, through India and Southeast Asia to China, Japan and Korea in the east. An introductory pan-Asian essay explores basic themes - they include ritual, dance, puppetry, training, performance and masks. The national entries concentrate on the historical development of theatre in each country, followed by entries on the major theatre forms, and articles on playwrights, actors and directors. The entries are accompanied by rare photographs and helpful reading lists.
Approaches to Acting
Author: Daniel Meyer-Dinkgräfe
Publisher: A&C Black
ISBN: 1441103813
Category : Performing Arts
Languages : en
Pages : 234
Book Description
For centuries the theatre has been one of the major forms of art. How did acting, and its institutionalization in the theatre, begin in the first place? In some cultures complex stories relate the origin of acting and the theatre. And over time, approaches to acting have changed considerably. In the West, until the end of the 19th century, those changes occurred within the realm of acting itself, focusing on the question of whether acting should be 'natural' or 'formal.' Approaches to acting were closely related to the trends in culture at large. Acting became more and more professional and sophisticated as philosophical theories developed and knowledge in the human sciences increased. In the 20th century, the director was established as the most important force in the theater--able to lead actors to pinnacles of their art which they could not have achieved on their own. Approaches to acting in non-Western cultures follow quite different patterns. This book provides a clear overview of different approaches to acting, both historical and contemporary, Western and non-Western, and concludes with a challenge to the future of the art.
Publisher: A&C Black
ISBN: 1441103813
Category : Performing Arts
Languages : en
Pages : 234
Book Description
For centuries the theatre has been one of the major forms of art. How did acting, and its institutionalization in the theatre, begin in the first place? In some cultures complex stories relate the origin of acting and the theatre. And over time, approaches to acting have changed considerably. In the West, until the end of the 19th century, those changes occurred within the realm of acting itself, focusing on the question of whether acting should be 'natural' or 'formal.' Approaches to acting were closely related to the trends in culture at large. Acting became more and more professional and sophisticated as philosophical theories developed and knowledge in the human sciences increased. In the 20th century, the director was established as the most important force in the theater--able to lead actors to pinnacles of their art which they could not have achieved on their own. Approaches to acting in non-Western cultures follow quite different patterns. This book provides a clear overview of different approaches to acting, both historical and contemporary, Western and non-Western, and concludes with a challenge to the future of the art.
The Cambridge Guide to Theatre
Author: Martin Banham
Publisher: Cambridge University Press
ISBN: 9780521434379
Category : Drama
Languages : en
Pages : 1268
Book Description
Provides information on the history and present practice of theater in the world.
Publisher: Cambridge University Press
ISBN: 9780521434379
Category : Drama
Languages : en
Pages : 1268
Book Description
Provides information on the history and present practice of theater in the world.
Krīḍanīyakam
Author: N. K. Geetha
Publisher:
ISBN:
Category : Humor in literature
Languages : en
Pages : 209
Book Description
Publisher:
ISBN:
Category : Humor in literature
Languages : en
Pages : 209
Book Description
Theatre Histories
Author: Phillip B. Zarrilli
Publisher: Routledge
ISBN: 1134042949
Category : Performing Arts
Languages : en
Pages : 656
Book Description
This new edition of the innovative and widely acclaimed Theatre Histories: An Introduction offers overviews of theatre and drama in many world cultures and periods together with case studies demonstrating the methods and interpretive approaches used by today's theatre historians. Completely revised and renewed in color, enhancements and new material include: a full-color text design with added timelines to each opening section a wealth of new color illustrations to help convey the vitality of performances described new case studies on African, Asian, and Western subjects a new chapter on modernism, and updated and expanded chapters and part introductions fuller definitions of terms and concepts throughout in a new glossary a re-designed support website offering links to new audio-visual resources, expanded bibliographies, approaches to teaching theatre and performance history, discussion questions relating to case studies and an online glossary.
Publisher: Routledge
ISBN: 1134042949
Category : Performing Arts
Languages : en
Pages : 656
Book Description
This new edition of the innovative and widely acclaimed Theatre Histories: An Introduction offers overviews of theatre and drama in many world cultures and periods together with case studies demonstrating the methods and interpretive approaches used by today's theatre historians. Completely revised and renewed in color, enhancements and new material include: a full-color text design with added timelines to each opening section a wealth of new color illustrations to help convey the vitality of performances described new case studies on African, Asian, and Western subjects a new chapter on modernism, and updated and expanded chapters and part introductions fuller definitions of terms and concepts throughout in a new glossary a re-designed support website offering links to new audio-visual resources, expanded bibliographies, approaches to teaching theatre and performance history, discussion questions relating to case studies and an online glossary.
Theatric Aspects of Sanskrit Drama
Author: Govind Keshav Bhat
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 168
Book Description
On Sanskrit dramaturgy and histrionics, with special reference to Bharata Muni's Nāṭyaśastra.
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 168
Book Description
On Sanskrit dramaturgy and histrionics, with special reference to Bharata Muni's Nāṭyaśastra.
Exploring Shakespeare
Author: S. Viswanathan
Publisher: Orient Blackswan
ISBN: 9788125026631
Category : Performing Arts
Languages : en
Pages : 320
Book Description
The book is a compilation of different erudite articles already published by the author in various scholarly journals and other edited volumes. The essays are a study and an enquiry into a variety of dramaturgical methods and processes that contribute to the theatrical dynamics of the Shakespeare plays. All the articles are concerned with the art of playmaking, with an examination of the tools and devices used by Shakespeare which contribute to the dramatic life of the play but also articulate the moral and sociocultural ideas of the time. There has not been much critical work in this area before and the book is one of the first of its kind. The book unravels the function and effect of many poetic, rhetorical, topological, visual and theatrical devices which Shakespeare exploits in his plays for a dramatic effect. Together, the essays present an idea of the multidimensional totality of theatre language and communication which Shakespeare achieves through a masterful orchestration of dramatic resources. The book will be of immense value to students, scholars and researchers in the fields of theatre techniques and art, literature in general and drama in particular.
Publisher: Orient Blackswan
ISBN: 9788125026631
Category : Performing Arts
Languages : en
Pages : 320
Book Description
The book is a compilation of different erudite articles already published by the author in various scholarly journals and other edited volumes. The essays are a study and an enquiry into a variety of dramaturgical methods and processes that contribute to the theatrical dynamics of the Shakespeare plays. All the articles are concerned with the art of playmaking, with an examination of the tools and devices used by Shakespeare which contribute to the dramatic life of the play but also articulate the moral and sociocultural ideas of the time. There has not been much critical work in this area before and the book is one of the first of its kind. The book unravels the function and effect of many poetic, rhetorical, topological, visual and theatrical devices which Shakespeare exploits in his plays for a dramatic effect. Together, the essays present an idea of the multidimensional totality of theatre language and communication which Shakespeare achieves through a masterful orchestration of dramatic resources. The book will be of immense value to students, scholars and researchers in the fields of theatre techniques and art, literature in general and drama in particular.