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Author: Erik Ehn Publisher: ISBN: Category : Drama Languages : en Pages : 224
Book Description
This collection of fifteen plays by Erik Ehn is part of an ongoing cycle of plays loosely based on the lives of saints and biblical characters ranging from John the Baptist to Joan of Arc. Placing the protagonists and their suffering in a modern context, Ehn produces what he calls "contemporary fairy tales for the stage." The subject matter, he explains in the Preface, is "exploded biography," or "the means by which the self is overmastered by acts of the imagination, by acts of faith." An important contribution to current explorations of the poetic and spiritual in the theater, these surprising dramas create their own language, interrogating the limits of empathy and faith. "The plays grow out of [Ehn's] deep Catholic faith which reveals a specifically Franciscan spiritual energy in its community-based ethos and hallowed desire to infuse contemporary life with a feeling for the divine... Ehn's saint plays partake of the century-long Judeo-Christian tradition of modern writers dramatizing the great themes of faith, evil, spiritual longing and soul states in plays that include saints, angels or biblical characters... His joyful drama sings the praises of the poetic voice and image in portraits of people crafted like beautiful holy cards."--Bonnie Marranca, Plays for the End of the Century
Author: Erik Ehn Publisher: ISBN: Category : Drama Languages : en Pages : 224
Book Description
This collection of fifteen plays by Erik Ehn is part of an ongoing cycle of plays loosely based on the lives of saints and biblical characters ranging from John the Baptist to Joan of Arc. Placing the protagonists and their suffering in a modern context, Ehn produces what he calls "contemporary fairy tales for the stage." The subject matter, he explains in the Preface, is "exploded biography," or "the means by which the self is overmastered by acts of the imagination, by acts of faith." An important contribution to current explorations of the poetic and spiritual in the theater, these surprising dramas create their own language, interrogating the limits of empathy and faith. "The plays grow out of [Ehn's] deep Catholic faith which reveals a specifically Franciscan spiritual energy in its community-based ethos and hallowed desire to infuse contemporary life with a feeling for the divine... Ehn's saint plays partake of the century-long Judeo-Christian tradition of modern writers dramatizing the great themes of faith, evil, spiritual longing and soul states in plays that include saints, angels or biblical characters... His joyful drama sings the praises of the poetic voice and image in portraits of people crafted like beautiful holy cards."--Bonnie Marranca, Plays for the End of the Century
Author: Saint Thérèse of Lisieux Publisher: ICS Publications ISBN: 0935216472 Category : Performing Arts Languages : en Pages : 378
Book Description
Over a period of about three years toward the end of her life, St. Therese of Lisieux (1873-1897) was asked by her Carmelite superiors to compose eight theatrical pieces for special occasions in her convent. She did not consider them mere trivial amusements. On the contrary, Therese invested herself wholeheartedly in the writing and performance of these little dramas, which provided a welcome opportunity to articulate her growing spiritual insights and share them with her religious community. Here we find echoes of her great themes, some where developed at greater length than anywhere else in her writings: Mary of Nazareth and Joan of Arc, humility and the little way, confidence and love, and so much more. In the present volume, for the first time, all eight of her plays (or pious recreations, as they are sometimes called in the French) are published together in their entirety for English-speaking readers. They open a new window onto the message of the church's youngest Doctor. Also included is a masterful general introduction by the noted Theresian expert, Bishop Guy Gaucher, O.C.D., as well as individual introductions to each play explaining it in context and significance. Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin;} Normal 0 false false false MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman"; mso-ansi-language:#0400; mso-fareast-language:#0400; mso-bidi-language:#0400;}
Author: Kate Fodor Publisher: Dramatists Play Service, Inc. ISBN: 9780822222705 Category : Faith Languages : en Pages : 68
Book Description
THE STORY: Theresa is estranged from her family and working as a cleaning woman when she finds herself surprised by the unexpected desire to learn how to pray. Matthew, the priest whose rectory she cleans, is stunned and heartbroken by the realizat
Author: Gina M. Di Salvo Publisher: Oxford University Press ISBN: 0192865919 Category : Languages : en Pages : 273
Book Description
The age of miracles was not yet past on the Shakespearean stage. In the first book-length study of the English saint play across the Reformation divide, The Renaissance of the Saints after Reform recovers the surprisingly long theatrical life of the saints from a tenth-century monastery to the Restoration stage. Through a reassessment of archival records of performance and religious change, this book challenges the established history of the saint play as a product of medieval devotional culture that ended with the national conversion to Protestantism during the Reformation. Not only did saints in performance frequently diverge from the narratives of devotional literature during the Middle Ages but also saints made a spectacular reappearance in the theatre of the early modern era. In the rupture between those two eras, the English church separated itself from the Cult of the Saints, and saints disappeared from public view until sainthood transformed from a matter of theology into a matter of theatricality. Early modern saint plays document a post-Reformation culture committed to saints-but not all saints. Certain ancient martyrs and British saints returned to the liturgical calendar in the Elizabethan Book of Common Prayer. This limited inventory performed an initial de-Catholicization of these saints, but it did not recover their lives. Instead, the theatre produced new lives of the saints for the English public. A period of experimentation with saints and devils in the 1590s was followed by unprecedented innovation throughout the Stuart era. This book traces the transformation of sainthood in early modern drama from ambiguous supernatural association and negotiated patronage to a renaissance of miraculous theatricality and sacred place-making. By excavating saints in plays by Shakespeare, Heywood, Dekker, Massinger, and Rowley as well as plays authored by relatively unknown dramatists, this book reconfigures how we think about the legacy of late medieval religious culture, the impact of Reformation change on literary texts and social practices, and the development of English theatre and drama.
Author: Kevin Birmingham Publisher: Penguin ISBN: 1594206309 Category : History Languages : en Pages : 433
Book Description
*A New York Times Book Review Editors' Choice * One of The East Hampton Star's 10 Best Books of the Year* From the New York Times bestselling author of The Most Dangerous Book, the true story behind the creation of another masterpiece of world literature, Fyodor Dostoevsky's Crime and Punishment. The Sinner and the Saint is the deeply researched and immersive tale of how Dostoevsky came to write this great murder story—and why it changed the world. As a young man, Dostoevsky was a celebrated writer, but his involvement with the radical politics of his day condemned him to a long Siberian exile. There, he spent years studying the criminals that were his companions. Upon his return to St. Petersburg in the 1860s, he fought his way through gambling addiction, debilitating debt, epilepsy, the deaths of those closest to him, and literary banishment to craft an enduring classic. The germ of Crime and Punishment came from the sensational story of Pierre François Lacenaire, a notorious murderer who charmed and outraged Paris in the 1830s. Lacenaire was a glamorous egoist who embodied the instincts that lie beneath nihilism, a western-influenced philosophy inspiring a new generation of Russian revolutionaries. Dostoevsky began creating a Russian incarnation of Lacenaire, a character who could demonstrate the errors of radical politics and ideas. His name would be Raskolnikov. Lacenaire shaped Raskolnikov in profound ways, but the deeper insight, as Birmingham shows, is that Raskolnikov began to merge with Dostoevsky. Dostoevsky was determined to tell a murder story from the murderer's perspective, but his character couldn't be a monster. No. The murderer would be chilling because he wants so desperately to be good. The writing consumed Dostoevsky. As his debts and the predatory terms of his contract caught up with him, he hired a stenographer to dictate the final chapters in time. Anna Grigorievna became Dostoevsky's first reader and chief critic and changed the way he wrote forever. By the time Dostoevsky finished his great novel, he had fallen in love. Dostoevsky's great subject was self-consciousness. Crime and Punishment advanced a revolution in artistic thinking and began the greatest phase of Dostoevsky's career. The Sinner and the Saint now gives us the thrilling and definitive story of that triumph.
Author: Tiffany Reisz Publisher: MIRA ISBN: 1488098379 Category : Fiction Languages : en Pages : 288
Book Description
A notorious dominatrix tells how she met the two men in her life in this prequel to the favorite dark erotic romance series by a USA Today bestseller. Rebellious, green-eyed Eleanor never met a rule she didn’t want to break. She’s sick of her mother’s zealotry and the confines of Catholic school, and declares she’ll never go to church again. But her first glimpse of beautiful, magnetic Father Marcus Stearns—Søren to her and only her—and his lust-worthy Italian motorcycle is an epiphany. Eleanor is consumed—yet even she knows being in love with a priest can’t be right. But when one desperate mistake nearly costs Eleanor everything, it is Søren who steps in to save her. When she vows to repay him with complete obedience, a whole world opens before her as he reveals to her his deepest secrets that will change everything. Danger can be managed—pain, welcomed. Everything is about to begin. Praise for the Original Sinners series “I loved the Original Sinners series . . . Her prose is quite beautiful, and she can weave a wonderful tight story.” —New York Times– and USA Today–bestseller Jennifer Probst “Tiffany Reisz’s The Original Sinners series is painful, prideful, brilliant, beautiful, hopeful, and heart-breaking. And that’s just the first hundred pages.” —New York Times–bestselling author Courtney Milan “Required reading . . . . Stunning . . . . Transcends genres and will leave readers absolutely breathless.” —RT Book Reviews “I worship at the altar of Tiffany Reisz! Whip smart, sexy as hell—The Original Sinners series knocked me to my knees.” —New York Times–bestselling author Lorelei James
Author: Amy Welborn Publisher: Loyola Press ISBN: 0829430202 Category : Juvenile Nonfiction Languages : en Pages : 315
Book Description
Book of SaintsWho are the saints, why are the lives of saints important for children, and what can children learn from lives and actions? In Loyola Kids Book of Saints, the first in the Loyola Kids series, best-selling author Amy Welborn answers these questions with exciting and inspiring stories, real-life applications, and important information about these heroes of the church. This inspiring collection of saints’ stories explains how saints become saints, why we honor them, and how they help us even today. Featuring more than sixty saints from throughout history and from all over the world, Loyola Kids Book of Saints introduces children to these wonderful role models and heroes of the church. Ages 8-12.
Author: Theresa Coletti Publisher: University of Pennsylvania Press ISBN: 0812201647 Category : Literary Criticism Languages : en Pages : 359
Book Description
A sinner-saint who embraced then renounced sexual and worldly pleasures; a woman who, through her attachment to Jesus, embodied both erotic and sacred power; a symbol of penance and an exemplar of contemplative and passionate devotion: perhaps no figure stood closer to the center of late medieval debates about the sources of spiritual authority and women's contribution to salvation history than did Mary Magdalene, and perhaps nowhere in later medieval England was cultural preoccupation with the Magdalene stronger than in fifteenth-century East Anglia. Looking to East Anglian texts including the N-Town Plays, The Book of Margery Kempe, The Revelations of Julian of Norwich, and Bokenham's Legend of Holy Women, Theresa Coletti explores how the gendered symbol of Mary Magdalene mediates tensions between masculine and feminine spiritual power, institutional and individual modes of religious expression, and authorized and unauthorized forms of revelation and sacred speech. Using the Digby play Mary Magdalene as her touchstone, Coletti engages a wide variety of textual and visual resources to make evident the discursive and material ties of East Anglian dramatic texts and feminine religion to broader traditions of cultural commentary and representation. In bringing the disciplinary perspectives of literary history and criticism, gender studies, and social and religious history to bear on specific local instances of dramatic practice, Mary Magdalene and the Drama of Saints highlights the relevance of Middle English dramatic discourse to the dynamic religious climate of late medieval England. In doing so, the book decisively challenges the marginalization of drama within medieval English studies, elucidates vernacular theater's kinship with influential late medieval religious texts and institutions, and articulates the changing possibilities for sacred representation in the decades before the Reformation.
Author: Christopher D. Gascón Publisher: Bucknell University Press ISBN: 9780838756478 Category : Literary Criticism Languages : en Pages : 212
Book Description
Some writers present her as a representative of the symbolic order: invested with sacred powers and ultimate authority, she rebukes transgressors and negotiates their return to God's grace and lawful society."--Jacket.
Author: Matthew Steggle Publisher: Routledge ISBN: 1317150791 Category : Performing Arts Languages : en Pages : 213
Book Description
This book establishes new information about the likely content of ten lost plays from the period 1580-1642. These plays’ authors include Nashe, Heywood, and Dekker; and the plays themselves connect in direct ways to some of the most canonical dramas of English literature, including Hamlet, King Lear, The Changeling, and The Duchess of Malfi. The lost plays in question are: Terminus & Non Terminus (1586-8); Richard the Confessor (1593); Cutlack (1594); Bellendon (1594); Truth's Supplication to Candlelight (1600); Albere Galles (1602); Henry the Una (c. 1619); The Angel King (1624); The Duchess of Fernandina (c. 1630-42); and The Cardinal's Conspiracy (bef. 1639). From this list of bare titles, it is argued, can be reconstructed comedies, tragedies, and histories, whose leading characters included a saint, a robber, a Medici duchess, an impotent king, at least one pope, and an angel. In each case, newly-available digital research resources make it possible to interrogate the title and to identify the play's subject-matter, analogues, and likely genre. But these concrete examples raise wider theoretical problems: What is a lost play? What can, and cannot, be said about objects in this problematic category? Known lost plays from the early modern commercial theatre outnumber extant plays from that theatre: but how, in practice, can one investigate them? This book offers an innovative theoretical and practical frame for such work, putting digital humanities into action in the emerging field of lost play studies.
Author: Erik Ehn
Author: Erik Ehn
Author: Saint Thérèse of Lisieux
Author: Kate Fodor
Author: Gina M. Di Salvo
Author: Kevin Birmingham
Author: Tiffany Reisz
Author: Amy Welborn
Author: Theresa Coletti
Author: Christopher D. Gascón
Author: Matthew Steggle