Saint-Martial-Mehrstimmigkeit : Saint-Martial Polyphony. PDF Download

Author: Bryan Gillingham
Publisher:
ISBN:
Category :
Languages : en
Pages : 200

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Author: Jens Bonderup
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 180

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Author: Theodore Karp
Publisher:
ISBN: 9780520047440
Category : Music
Languages : en
Pages :

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Author: Jens Bonderup
Publisher:
ISBN: 9788787099226
Category :
Languages : en
Pages : 172

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Book Description

Author: Theodore Karp
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 256

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Author: Theodore Karp
Publisher:
ISBN:
Category : History
Languages : en
Pages : 268

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Book Description
Theodore Karp proposes a fundamental reinterpretation of two major repertories of twelfth-century sacred music, that associated with the long-destroyed abbey of Saint Martial de Limoges and the manuscript preserved in the Cathedral Archive of Santiago de Compostela. Together, these comprise the most important collection of polyphonic music before the celebrated School of Notre Dame. Scholars have disagreed about the rules for transcribing this early medieval music. Karp's commentary in Volume One, along with an edition of the music in Volume Two, offers a new set principles for the understanding of its harmony, rhythm, notation, and text underlay. Professor Karp's interpretation, though likely to prove controversial, is scrupulously and convincingly defended. The transcriptions themselves will be welcomed by performing musicians, to whom an important repertory now becomes readily available.

Author: Theodore Karp
Publisher:
ISBN:
Category :
Languages : en
Pages : 230

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Author: Ross W. Duffin
Publisher: Indiana University Press
ISBN: 9780253215338
Category : Music
Languages : en
Pages : 618

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Book Description
A Performer's Guide to Medieval Music is an essential compilation of essays on all aspects of medieval music performance, with 40 essays by experts on everything from repertoire, voices, and instruments to basic theory. This concise, readable guide has proven indispensable to performers and scholars of medieval music.

Author: Lincoln Bunce Spiess
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 2

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Author: Manuel Pedro Ferreira
Publisher: Taylor & Francis
ISBN: 1000949141
Category : Music
Languages : en
Pages : 228

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Book Description
This book presents together a number of path-breaking essays on different aspects of medieval music in France written by Manuel Pedro Ferreira, who is well known for his work on the medieval cantigas and Iberian liturgical sources. The first essay is a tour-de-force of detective work: an odd E-flat in two 16th-century antiphoners leads to the identification of a Gregorian responsory as a Gallican version of a seventh-century Hispanic melody. The second rediscovers a long-forgotten hypothesis concerning the microtonal character of some French 11th-century neumes. In the paper "Is it polyphony?" an even riskier hypothesis is arrived at: Do the origins of Aquitanian free organum lie on the instrumental accompaniment of newly composed devotional versus? The Cistercian attitude towards polyphonic singing, mirrored in musical sources kept in peripheral nunneries, is the subject of the following essay. The intellectual and sociological nature of the Parisian motet is the central concern of the following two essays, which, after a survey of concepts of temporality in the trouvère and polyphonic repertories, establish it as the conceptual foundation of subsequent European schools of composition. It is possible then to assess the real originality of Philippe de Vitry and his Ars nova, which is dealt with in the following chapter. A century later, the role of Guillaume Dufay in establishing a chord-based alternative to contrapuntal writing is laboriously put into evidence. Finally, an informative synthesis is offered concerning the mathematical underpinnings of musical composition in the Middle Ages.