The Sacred Image East and West PDF Download

Author: Robert G. Ousterhout
Publisher: U of Nebraska Press
ISBN: 9780252020964
Category : Art
Languages : en
Pages : 340

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Book Description
The essays cover a full range of images, including panel paintings, altarpieces, manuscripts, and wall paintings, and a rich variety of socioreligious settings, private, monastic, and imperial.

Author: Judson Davis
Publisher: Anchor Academic Publishing (aap_verlag)
ISBN: 3954899302
Category : Religion
Languages : en
Pages : 174

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Book Description
The Swiss psychiatrist Carl Gustav Jung made a number of revolutionary contributions to modern Western psychology, and his pioneering work was greatly enhanced through his contact with Eastern religions, especially Tibetan Buddhism. In these esoteric traditions Jung discovered a holistic approach and a deep affinity for nature, and in the yogic and tantric disciplines he encountered a complex symbolic world that resonated with him deeply. Jung was particularly drawn to the highly articulated and intricate symbolism of Tibetan Tantra, which provided considerable support for his seminal theories on the universal archetypes and the collective unconscious. His cross-cultural and interdisciplinary engagement with Indo-Tibetan spirituality later proved instrumental in establishing the basis of the modern East-West dialogue in which the religions of the East — and in particular Buddhism — have become a central focus. Jung is also widely acknowledged as the father of transpersonal psychology, which, in seeking to integrate the wisdom traditions of East and West, stands at the forefront of contemporary studies in human consciousness and mysticism.

Author: Hans Belting
Publisher: University of Chicago Press
ISBN: 9780226042152
Category : Art
Languages : en
Pages : 692

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Book Description
Before the Renaissance and Reformation, holy images were treated not as "art" but as objects of veneration which possessed the tangible presence of the Holy. the faithful believed that these images served as relics and were able to work miracles, deliver oracles, and bring victory to the battlefield. In this magisterial book, Hans Belting traces the long history of the sacral image and its changing role--from surrogate for the represented image to an original work of art--in European culture. Likeness and Presence looks at the beliefs, superstitions, hopes, and fears that come into play as people handle and respond to sacred images, and presents a compelling interpretation of the place of the image in Western history. -- Back cover

Author: Marcia B. Hall
Publisher:
ISBN: 9780300169676
Category : Art
Languages : en
Pages : 310

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Book Description
Underlying the religious art of the Renaissance is a tension between the needs of the Church and the impulse to create great works. This beautifully illustrated book presents sacred images from the 15th and 16th centuries, leading up to two pivotal events in 1563. The Council of Trent, which signified the beginning of the Counter-Reformation, defined requirements that curtailed the freedom of painters and patrons in creating art for churches, while the founding of the Accademia del Desegno in Florence symbolically acknowledged that artists had achieved the status of creators not craftsmen. The author takes a fresh look at some of the greatest painters of the Italian Renaissance not typically associated with sacred imagery and shows how they navigated their way through the paradox of 'limited freedom' to forge a new kind of religious art. -- from Book Jacket

Author: Oleg Tarasov
Publisher: Reaktion Books
ISBN: 186189550X
Category : Art
Languages : en
Pages : 428

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Book Description
Icon and Devotion offers the first extensive presentation in English of the making and meaning of Russian icons. The craft of icon-making is set into the context of forms of worship that emerged in the Russian Orthodox Church in the mid-seventeenth century. Oleg Tarasov shows how icons have held a special place in Russian consciousness because they represented idealized images of Holy Russia. He also looks closely at how and why icons were made. Wonder-working saints and the leaders of such religious schisms as the Old Believers appear in these pages, which are illustrated in halftones with miniature paintings, lithographs and engravings never before published in the English-speaking world. By tracing the artistic vocabulary, techniques and working methods of icon painters, Tarasov shows how icons have been integral to the history of Russian art, influenced by folk and mainstream currents alike. As well as articulating the specifically Russian piety they invoke, he analyzes the significance of icons in the cultural life of modern Russia in the context of popular prints and poster design.

Author: Jeana Visel
Publisher: Liturgical Press
ISBN: 0814646840
Category : Religion
Languages : en
Pages : 192

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Book Description
Within the Eastern tradition of Christianity, the eikon, or religious image, has long held a place of honor. In the greater part of Western Christianity, however, discomfort with images in worship, both statues and panel icons, has been a relatively common current, particularly since the Reformation. In the Roman Catholic Church, after years of using religious statues, the Second Vatican Council’s call for “noble simplicity” in many cases led to a stripping of images that in some ways helped refocus attention on the eucharistic celebration itself but also led to a starkness that has left many Roman Catholics unsure of how to interact with the saints or with religious images at all. Today, Western interest in panel icons has been rising, yet we lack standards of quality or catechesis on what to do with them. This book makes the case that icons should have a role to play in the Western Church that goes beyond mere decoration. Citing theological and ecumenical reasons, Visel argues that, with regard to use of icons, the post–Vatican II Roman Catholic Church needs to give greater respect to the Eastern tradition. While Roman Catholics may never interact with icons in quite the same way that Eastern Christians do, we do need to come to terms with what icons are and how we should encounter them.

Author: Francesca Dell'Acqua
Publisher: Routledge
ISBN: 135181110X
Category : History
Languages : en
Pages : 505

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Book Description
Between the late seventh and the mid-ninth centuries, a debate about sacred images – conventionally addressed as ‘Byzantine iconoclasm’ – engaged monks, emperors, and popes in the Mediterranean area and on the European continent. The importance of this debate cannot be overstated; it challenged the relation between image, text, and belief. A series of popes staunchly in favour of sacred images acted consistently during this period in displaying a remarkable iconophilia or ‘love for images’. Their multifaceted reaction involved not only council resolutions and diplomatic exchanges, but also public religious festivals, liturgy, preaching, and visual arts – the mass-media of the time. Embracing these tools, the popes especially promoted themes related to the Incarnation of God – which justified the production and veneration of sacred images – and extolled the role and the figure of the Virgin Mary. Despite their profound influence over Byzantine and western cultures of later centuries, the political, theological, and artistic interactions between the East and the West during this period have not yet been investigated in studies combining textual and material evidence. By drawing evidence from texts and material culture – some of which have yet to be discussed against the background of the iconoclastic controversy – and by considering the role of oral exchange, Iconophilia assesses the impact of the debate on sacred images and of coeval theological controversies in Rome and central Italy. By looking at intersecting textual, liturgical, and pictorial images which had at their core the Incarnate God and his human mother Mary, the book demonstrates that between c.680–880, by unremittingly maintaining the importance of the visual for nurturing beliefs and mediating personal and communal salvation, the popes ensured that the status of sacred images would remain unchallenged, at least until the Protestant Reformation in the sixteenth century.

Author: Frithjof Schuon
Publisher: World Wisdom, Inc
ISBN: 1933316357
Category : Art
Languages : en
Pages : 164

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Book Description
This edition of renowned philosopher Frithjof Schuon's writings on the subject of art, selected and edited by his wife Catherine Schuon, contains over 270 photographs-200 color and 70 black and white. He then deals with the spiritual significance of the artistic productions of Christianity, Islam, Hinduism, Buddhism, and the Far-Eastern world, while also covering the subjects of beauty and the sense of the sacred, the crafts, poetry, music, and dance, and dress and ambience.

Author: Sharon E. J. Gerstel
Publisher: Dumbarton Oaks
ISBN: 9780884023111
Category : Architecture
Languages : en
Pages : 264

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Book Description
This collection of essays considers the development and meaning of the iconostasis, the screen used in churches to separate the sanctuary from the nave. The contributors approach the history of the icon screen from a variety of disciplines, including art history, theology, and architecture.

Author: Philip Sherrard
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 184

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Book Description
The concept of a completely profane world -- of a cosmos wholly desacralized -- is a fairly recent invention of the Western mind, and only now are we beginning to realize the appalling consequences of trying to order and mold our social, personal, and creative life in obedience to its dictates. This book attempts to clarify what is demanded of us if we are to have any chance of avoiding the impending catastrophe. It examines the nature and significance of the sacred itself and focuses on the ever-present, timeless qualities of beauty, love, and miracle through which we can be renewed and transformed whatever the condition of the world in which we live.