Author: Jean Claude VeilhanPublisher:
ISBN:
Category : Music
Languages : en
Pages : 120
Book Description
The Rules of Musical Interpretation in the Baroque Era (17th-18th Centuries), Common to All Instruments
Author: Jean Claude VeilhanPublisher:
ISBN:
Category : Music
Languages : en
Pages : 120
Book Description
The Simple Flute
Author: Michel DebostPublisher: Oxford University Press
ISBN: 019539965X
Category : Music
Languages : en
Pages : 289
Book Description
A practical, concise, and comprehensive guide for flutists.
Dance Rhythms of the French Baroque
Author: Betty Bang MatherPublisher: Music: Scholarship and Perform
ISBN:
Category : Music
Languages : en
Pages : 360
Book Description
Dance Music of the French Baroque brings together information on rhythm from the interrelated fields of music, dance, poetry, rhetoric, and philosophy. Part I is devoted to the various factors involved in dance rhythms, including tempos, rhythmic feet, dance steps, declamation of lyrics, instrumental articulation, and performance of ornaments. Part II describes in alphabetic order the fifteen most frequently encountered dances of the period and identifies the most typical performance of each in relation to the factors discussed in Part I. With reference to numerous illustrations and musical examples, it clearly conveys the manner in which the allemandes, bourées, chaconnes, gigues, etc., may be executed. This practical book presents a myriad of information in a form that is easy to use yet as graceful as the dances it describes.
Baroque Music
Author: John H. BaronPublisher: Garland Publishing
ISBN:
Category : Music
Languages : en
Pages : 618
Book Description
Music, Books on Music, and Sound Recordings
Author: The rules of musical interpretation in the Baroque era
Author: Jean Claude VeilhanPublisher:
ISBN:
Category : Music
Languages : en
Pages : 100
Book Description
NU Quarter Notes
Author: Performing Baroque Music
Author: Mary CyrPublisher: Routledge
ISBN: 1351554654
Category : Music
Languages : en
Pages : 255
Book Description
Listeners, performers, students and teachers will find here the analytical tools they need to understand and interpret musical evidence from the baroque era. Scores for eleven works, many reproduced in facsimile to illustrate the conventions of 17th and 18th century notation, are included for close study. Readers will find new material on continuo playing, as well as extensive treatment of singing and French music. The book is also a concise guide to reference materials in the field of baroque performance practice with extensive annotated bibliographies of modern and baroque sources that guide the reader toward further study. First published by Ashgate (at that time known as Scolar Press) in 1992 and having been out of print for some years, this title is now available as a print on demand title.
Jean-Philippe Rameau
Author: Donald H. FosterPublisher: New York : Garland Pub.
ISBN:
Category : Reference
Languages : en
Pages : 334
Book Description
Author: Wendy Ann Mehne