Author: C. Hugh Holman
Publisher: University of Georgia Press
ISBN: 082033359X
Category : Literary Criticism
Languages : en
Pages : 254
Book Description
At the heart of the southern riddle you will find a union of opposites, a condition of instability, a paradox. Calm grace and raw hatred. Polished manners and violence. An intense individualism and intense group pressures toward conformity. A reverence to the point of idolatry of self-determining action and a caste and class structure presupposing an aristocratic hierarchy. A passion for political action and a willingness to surrender to the enslavement of demagogues. A love of the nation intense enough to make the South's fighting men notorious in our wars and the advocacy of interposition and of the public defiance of national law. A region breeding both Thomas Jefferson and John C. Calhoun. If these contradictions are to be brought in focus, if these ambiguities are to be resolved, it must be through the 'reconciliation of opposites.' And the reconciliation of opposites, as Coleridge has told us, is the function of the poet. So begins the first of these seventeen penetrating essays drawn from long and fruitful reflection of southern life and art by C. Hugh Holman. Professor Holman maintains that there is a congeries of characteristics identifiably present in much southern writing, and he astutely defines them in this collection. William Gilmore Simms, Ellen Glasgow, Thomas Wolfe, William Faulkner, and Flannery O'Connor are treated at length. Among the other authors considered in terms of their roles in the making of the southern mind are James Branch Cabell, T.S. Stribling, Erskine Caldwell, and Robert Penn Warren. The essays strike a fine balance between general overview and specific analysis, and they are so arranged as to make a unified study which forms a significant chapter in the intellectual history of the South. Professor Holman asserts that "out of the cauldron of the South's experience, the southern writer has fashioned tragic grandeur and given it as a gift to his fellow Americans. It is possible that no other southern accomplishment will equal it in enduring importance. As urbanization and industrialism conspire to write an 'Epitaph for Dixie,' its greatest contribution to mankind may well be the lesson of its history and the drama of its suffering." In these superb essays the author makes a convincing argument for that position.
The Roots of Southern Writing
Author: C. Hugh Holman
Publisher: University of Georgia Press
ISBN: 082033359X
Category : Literary Criticism
Languages : en
Pages : 254
Book Description
At the heart of the southern riddle you will find a union of opposites, a condition of instability, a paradox. Calm grace and raw hatred. Polished manners and violence. An intense individualism and intense group pressures toward conformity. A reverence to the point of idolatry of self-determining action and a caste and class structure presupposing an aristocratic hierarchy. A passion for political action and a willingness to surrender to the enslavement of demagogues. A love of the nation intense enough to make the South's fighting men notorious in our wars and the advocacy of interposition and of the public defiance of national law. A region breeding both Thomas Jefferson and John C. Calhoun. If these contradictions are to be brought in focus, if these ambiguities are to be resolved, it must be through the 'reconciliation of opposites.' And the reconciliation of opposites, as Coleridge has told us, is the function of the poet. So begins the first of these seventeen penetrating essays drawn from long and fruitful reflection of southern life and art by C. Hugh Holman. Professor Holman maintains that there is a congeries of characteristics identifiably present in much southern writing, and he astutely defines them in this collection. William Gilmore Simms, Ellen Glasgow, Thomas Wolfe, William Faulkner, and Flannery O'Connor are treated at length. Among the other authors considered in terms of their roles in the making of the southern mind are James Branch Cabell, T.S. Stribling, Erskine Caldwell, and Robert Penn Warren. The essays strike a fine balance between general overview and specific analysis, and they are so arranged as to make a unified study which forms a significant chapter in the intellectual history of the South. Professor Holman asserts that "out of the cauldron of the South's experience, the southern writer has fashioned tragic grandeur and given it as a gift to his fellow Americans. It is possible that no other southern accomplishment will equal it in enduring importance. As urbanization and industrialism conspire to write an 'Epitaph for Dixie,' its greatest contribution to mankind may well be the lesson of its history and the drama of its suffering." In these superb essays the author makes a convincing argument for that position.
Publisher: University of Georgia Press
ISBN: 082033359X
Category : Literary Criticism
Languages : en
Pages : 254
Book Description
At the heart of the southern riddle you will find a union of opposites, a condition of instability, a paradox. Calm grace and raw hatred. Polished manners and violence. An intense individualism and intense group pressures toward conformity. A reverence to the point of idolatry of self-determining action and a caste and class structure presupposing an aristocratic hierarchy. A passion for political action and a willingness to surrender to the enslavement of demagogues. A love of the nation intense enough to make the South's fighting men notorious in our wars and the advocacy of interposition and of the public defiance of national law. A region breeding both Thomas Jefferson and John C. Calhoun. If these contradictions are to be brought in focus, if these ambiguities are to be resolved, it must be through the 'reconciliation of opposites.' And the reconciliation of opposites, as Coleridge has told us, is the function of the poet. So begins the first of these seventeen penetrating essays drawn from long and fruitful reflection of southern life and art by C. Hugh Holman. Professor Holman maintains that there is a congeries of characteristics identifiably present in much southern writing, and he astutely defines them in this collection. William Gilmore Simms, Ellen Glasgow, Thomas Wolfe, William Faulkner, and Flannery O'Connor are treated at length. Among the other authors considered in terms of their roles in the making of the southern mind are James Branch Cabell, T.S. Stribling, Erskine Caldwell, and Robert Penn Warren. The essays strike a fine balance between general overview and specific analysis, and they are so arranged as to make a unified study which forms a significant chapter in the intellectual history of the South. Professor Holman asserts that "out of the cauldron of the South's experience, the southern writer has fashioned tragic grandeur and given it as a gift to his fellow Americans. It is possible that no other southern accomplishment will equal it in enduring importance. As urbanization and industrialism conspire to write an 'Epitaph for Dixie,' its greatest contribution to mankind may well be the lesson of its history and the drama of its suffering." In these superb essays the author makes a convincing argument for that position.
Henry Adams and the Southern Question
Author: Michael O'Brien
Publisher: University of Georgia Press
ISBN: 9780820327112
Category : History
Languages : en
Pages : 224
Book Description
A lively introduction to a New England observer of southern thought and custom.
Publisher: University of Georgia Press
ISBN: 9780820327112
Category : History
Languages : en
Pages : 224
Book Description
A lively introduction to a New England observer of southern thought and custom.
Tomorrow is Another Day
Author: Anne Goodwyn Jones
Publisher: LSU Press
ISBN: 0807153273
Category : Literary Criticism
Languages : en
Pages : 542
Book Description
From the mid-nineteenth century through at least the first half of the twentieth, the southern code of appropriate feminine behavior required that women depend on sources outside themselves for sustenance, direction, and expression. The chivalric ideal that placed the southern lady on a pedestal often created within her gracious and gentle exterior a turmoil of frustration, confusion, and resentment. This concept of upper middle-class, white southern womanhood forms an important part of the imaginative expression of the southern women writers whose works and lives form the subject matter of this book. All seven—Augusta Jane Evans, Grace King, Kate Chopin, Mary Johnston, Ellen Glasgow, Frances Newman, and Margaret Mitchell—were themselves products of this genteel tradition. Anne Goodwyn Jones explains that her aim is not to link biography and art but to seek, in the lives and works of these seven southern women writers, common patterns that can lead to ways to discern the mind of the southern lady. Tomorrow Is Another Day shows that, by writing themselves and their characters into being, by expressing their voices—however variant in tone—“these seven writers wrote themselves into another day.”
Publisher: LSU Press
ISBN: 0807153273
Category : Literary Criticism
Languages : en
Pages : 542
Book Description
From the mid-nineteenth century through at least the first half of the twentieth, the southern code of appropriate feminine behavior required that women depend on sources outside themselves for sustenance, direction, and expression. The chivalric ideal that placed the southern lady on a pedestal often created within her gracious and gentle exterior a turmoil of frustration, confusion, and resentment. This concept of upper middle-class, white southern womanhood forms an important part of the imaginative expression of the southern women writers whose works and lives form the subject matter of this book. All seven—Augusta Jane Evans, Grace King, Kate Chopin, Mary Johnston, Ellen Glasgow, Frances Newman, and Margaret Mitchell—were themselves products of this genteel tradition. Anne Goodwyn Jones explains that her aim is not to link biography and art but to seek, in the lives and works of these seven southern women writers, common patterns that can lead to ways to discern the mind of the southern lady. Tomorrow Is Another Day shows that, by writing themselves and their characters into being, by expressing their voices—however variant in tone—“these seven writers wrote themselves into another day.”
The American South
Author: William J. Cooper Jr.
Publisher: Rowman & Littlefield Publishers
ISBN: 0742563995
Category : History
Languages : en
Pages : 504
Book Description
In The American South: A History, Fourth Edition, William J. Cooper, Jr. and Thomas E. Terrill demonstrate their belief that it is impossible to divorce the history of the South from the history of the United States. The authors' analysis underscores the complex interaction between the South as a distinct region and the South as an inescapable part of America. Cooper and Terrill show how the resulting tension has often propelled section and nation toward collision. In supporting their thesis, the authors draw on the tremendous amount of profoundly new scholarship in Southern history. Each volume includes a substantial biographical essay—completely updated for this edition—which provides the reader with a guide to literature on the history of the South. Coverage now includes the devastation of Hurricane Katrina in 2005, up-to-date analysis of the persistent racial divisions in the region, and the South's unanticipated role in the 2008 presidential primaries.
Publisher: Rowman & Littlefield Publishers
ISBN: 0742563995
Category : History
Languages : en
Pages : 504
Book Description
In The American South: A History, Fourth Edition, William J. Cooper, Jr. and Thomas E. Terrill demonstrate their belief that it is impossible to divorce the history of the South from the history of the United States. The authors' analysis underscores the complex interaction between the South as a distinct region and the South as an inescapable part of America. Cooper and Terrill show how the resulting tension has often propelled section and nation toward collision. In supporting their thesis, the authors draw on the tremendous amount of profoundly new scholarship in Southern history. Each volume includes a substantial biographical essay—completely updated for this edition—which provides the reader with a guide to literature on the history of the South. Coverage now includes the devastation of Hurricane Katrina in 2005, up-to-date analysis of the persistent racial divisions in the region, and the South's unanticipated role in the 2008 presidential primaries.
The Edge of the Swamp
Author: Louis D. Rubin, Jr.
Publisher: LSU Press
ISBN: 0807153648
Category : Literary Criticism
Languages : en
Pages : 269
Book Description
The flowering of literary imagination known as the American Renaissance had few roots in the South. While Hawthorne, Emerson, Melville, Thoreau, and Whitman were creating a body of work that would endure, the only southern writer making a lasting contribution was Edgar Allan Poe. This failure on the part of antebellum southern writers has long been a subject of debate among students of southern history and literature. Now one of the region's most distinguished men of letters offers a cogently argued and gracefully written account of the circumstances that prevented early southern writers from creating transcendent works of art. Louis D. Rubin, Jr., brings forty years of critical integrity and imaginative involvement with the history and literature of the South to his informal inquiry into the foundations of the southern literary imagination. His exploration centers on the lives and works of three of the most important writers of the pre-Civil War South: Poe, William Gilmore Simms, and Henry Timrod. In a close and highly original reading of Poe's poetry and fiction, Rubin shows just how profoundly growing up in Richmond, Virginia, influenced that writer. The sole author of the Old South whose work has endured did not use southern settings or concern himself with his region's history or politics. Poe was, according to Rubin, in active rebellion against the middle-class community of Richmond and its materialistic values. Simms, on the other hand, aspired to the plantation society ideal of his native Charleston, South Carolina. He was not the most devoted and energetic of southern writers and one of the country's best-known and most respected literary figures before the Civil War. Rubin finds an explanation for much of the lost promise of antebellum southern literature in Simms's career. Here was a talented man who got caught up in the politically obsessed plantation community of Charleston, becoming an apologist for the system and an ardent defender of slavery. Timrod, also a Charlestonian native, was a highly gifted poet whose work attained the stature of literature when the Civil War gave him a theme. He was known as the poet laureate of the Confederacy. Only when his region was locked in a desperate military struggle for the right to exist did he suddenly find his enduring voice. Anyone interested in southern life and literature will welcome his provocative and engaging new look at southern writing from one of the region's most perceptive critics.
Publisher: LSU Press
ISBN: 0807153648
Category : Literary Criticism
Languages : en
Pages : 269
Book Description
The flowering of literary imagination known as the American Renaissance had few roots in the South. While Hawthorne, Emerson, Melville, Thoreau, and Whitman were creating a body of work that would endure, the only southern writer making a lasting contribution was Edgar Allan Poe. This failure on the part of antebellum southern writers has long been a subject of debate among students of southern history and literature. Now one of the region's most distinguished men of letters offers a cogently argued and gracefully written account of the circumstances that prevented early southern writers from creating transcendent works of art. Louis D. Rubin, Jr., brings forty years of critical integrity and imaginative involvement with the history and literature of the South to his informal inquiry into the foundations of the southern literary imagination. His exploration centers on the lives and works of three of the most important writers of the pre-Civil War South: Poe, William Gilmore Simms, and Henry Timrod. In a close and highly original reading of Poe's poetry and fiction, Rubin shows just how profoundly growing up in Richmond, Virginia, influenced that writer. The sole author of the Old South whose work has endured did not use southern settings or concern himself with his region's history or politics. Poe was, according to Rubin, in active rebellion against the middle-class community of Richmond and its materialistic values. Simms, on the other hand, aspired to the plantation society ideal of his native Charleston, South Carolina. He was not the most devoted and energetic of southern writers and one of the country's best-known and most respected literary figures before the Civil War. Rubin finds an explanation for much of the lost promise of antebellum southern literature in Simms's career. Here was a talented man who got caught up in the politically obsessed plantation community of Charleston, becoming an apologist for the system and an ardent defender of slavery. Timrod, also a Charlestonian native, was a highly gifted poet whose work attained the stature of literature when the Civil War gave him a theme. He was known as the poet laureate of the Confederacy. Only when his region was locked in a desperate military struggle for the right to exist did he suddenly find his enduring voice. Anyone interested in southern life and literature will welcome his provocative and engaging new look at southern writing from one of the region's most perceptive critics.
The New South, 1945-1980
Author: Numan V. Bartley
Publisher: LSU Press
ISBN: 9780807119440
Category : History
Languages : en
Pages : 576
Book Description
First published in 1955 to wide acclaim, T. Harry Williams' P.G.T. Beauregard is universally regarded as "the first authoritative portrait of the Confederacy's always dramatic, often perplexing" general (Chicago Tribune). Chivalric, arrogant, and of exotic Creole Louisiana origin, Beauregard participated in every phase of the Civil War from its beginning to its end. He rigidly adhered to principles of war derived from his studies of Jomini and Napoleon, and yet many of his battle plans were rejected by his superiors, who regarded him as excitable, unreliable, and contentious. After the war, Beauregard was almost the only prominent Confederate general who adapted successfully to the New South, running railroads and later supervising the notorious Louisiana Lottery. This paradox of a man who fought gallantly to defend the Old South and then helped industrialize it is the fascinating subject of Williams' superb biography.
Publisher: LSU Press
ISBN: 9780807119440
Category : History
Languages : en
Pages : 576
Book Description
First published in 1955 to wide acclaim, T. Harry Williams' P.G.T. Beauregard is universally regarded as "the first authoritative portrait of the Confederacy's always dramatic, often perplexing" general (Chicago Tribune). Chivalric, arrogant, and of exotic Creole Louisiana origin, Beauregard participated in every phase of the Civil War from its beginning to its end. He rigidly adhered to principles of war derived from his studies of Jomini and Napoleon, and yet many of his battle plans were rejected by his superiors, who regarded him as excitable, unreliable, and contentious. After the war, Beauregard was almost the only prominent Confederate general who adapted successfully to the New South, running railroads and later supervising the notorious Louisiana Lottery. This paradox of a man who fought gallantly to defend the Old South and then helped industrialize it is the fascinating subject of Williams' superb biography.
The American Civil War
Author: Ethan S. Rafuse
Publisher: Routledge
ISBN: 1351147781
Category : History
Languages : en
Pages : 653
Book Description
The largest and most destructive military conflict between the Napoleonic Wars and the First World War, the American Civil War has inspired some of the best and most intriguing scholarship in the field of United States history. This volume offers some of the most important work on the war to appear in the past few decades and offers compelling information and insights into subjects ranging from the organization of armies, historiography, the use of intelligence and the challenges faced by civil and military leaders in the course of America‘s bloodiest war.
Publisher: Routledge
ISBN: 1351147781
Category : History
Languages : en
Pages : 653
Book Description
The largest and most destructive military conflict between the Napoleonic Wars and the First World War, the American Civil War has inspired some of the best and most intriguing scholarship in the field of United States history. This volume offers some of the most important work on the war to appear in the past few decades and offers compelling information and insights into subjects ranging from the organization of armies, historiography, the use of intelligence and the challenges faced by civil and military leaders in the course of America‘s bloodiest war.
Major Fiction of William Gilmore Simms
Author: Mary Ann Wimsatt
Publisher: LSU Press
ISBN: 9780807125267
Category : Literary Criticism
Languages : en
Pages : 328
Book Description
William Gilmore Simms (1806–1870) was the preeminent southern man of letters in the antebellum period, a prolific, talented writer in many genres and an eloquent intellectual spokesman of r his region. During his long career, he wrote plays, poetry, literary criticism, biography and history; but he is best remembered for his numerous novels and tales. Many Ann Wimsatt provides the first significant full-length evaluation of Simms’s achievement in his long fiction, selected poetry, essays, and short fiction. Wimsatt’s chief emphasis is on the thirty-odd novels that Simms published from the mid-1830s until after the Civil War. In bringing his impressive body of work to life, she makes use of biographical and historical information and also of twentieth-century literary theories of the romance, Simm’s principal genre. Through analyses of such seminal works as Guy Rivers, The Yemassee, The Cassique of Kiawah, and Woodcraft, Wimsatt illuminates Simm’s contributions to the romance tradition—contributions misunderstood by previous critics—and suggests how to view his novels within the light of recent literary criticism. She also demonstrates how Simms used the historical conditions of southern culture as well as events of his own life to flesh out literary patterns, and she analyzes his use of low-country, frontier and mountain settings. Although critics praised Simms early in his career as “the first American novelist of the day,” the panic of 1837 and the changes in the book market that it helped foster severely damaged his prospects for wealth and fame. The financial recession, Wimsatt finds, together with shifts in literary taste, contributed to the decline of Simms’s reputation. Simms attempted to adjust to the changing climate for fiction by incorporating two modes of nineteenth-century realism, the satiric portrayal of southern manners and southern backwoods humor, into the framework of his long romances; but his accomplishments in these areas have been undervalued or misunderstood by critics since is time. Wimsatt’s book is the first to survey Simms’s fiction and much of his other writing against the background of his life and literary career and the first to make extensive use of his immense correspondence. It is an important study of a neglected author who once served as the leafing symbol of literary activity in the South. It fills what has heretofore been a serious gap in southern literary studies.
Publisher: LSU Press
ISBN: 9780807125267
Category : Literary Criticism
Languages : en
Pages : 328
Book Description
William Gilmore Simms (1806–1870) was the preeminent southern man of letters in the antebellum period, a prolific, talented writer in many genres and an eloquent intellectual spokesman of r his region. During his long career, he wrote plays, poetry, literary criticism, biography and history; but he is best remembered for his numerous novels and tales. Many Ann Wimsatt provides the first significant full-length evaluation of Simms’s achievement in his long fiction, selected poetry, essays, and short fiction. Wimsatt’s chief emphasis is on the thirty-odd novels that Simms published from the mid-1830s until after the Civil War. In bringing his impressive body of work to life, she makes use of biographical and historical information and also of twentieth-century literary theories of the romance, Simm’s principal genre. Through analyses of such seminal works as Guy Rivers, The Yemassee, The Cassique of Kiawah, and Woodcraft, Wimsatt illuminates Simm’s contributions to the romance tradition—contributions misunderstood by previous critics—and suggests how to view his novels within the light of recent literary criticism. She also demonstrates how Simms used the historical conditions of southern culture as well as events of his own life to flesh out literary patterns, and she analyzes his use of low-country, frontier and mountain settings. Although critics praised Simms early in his career as “the first American novelist of the day,” the panic of 1837 and the changes in the book market that it helped foster severely damaged his prospects for wealth and fame. The financial recession, Wimsatt finds, together with shifts in literary taste, contributed to the decline of Simms’s reputation. Simms attempted to adjust to the changing climate for fiction by incorporating two modes of nineteenth-century realism, the satiric portrayal of southern manners and southern backwoods humor, into the framework of his long romances; but his accomplishments in these areas have been undervalued or misunderstood by critics since is time. Wimsatt’s book is the first to survey Simms’s fiction and much of his other writing against the background of his life and literary career and the first to make extensive use of his immense correspondence. It is an important study of a neglected author who once served as the leafing symbol of literary activity in the South. It fills what has heretofore been a serious gap in southern literary studies.
A Disturbing and Alien Memory
Author: Douglas L. Mitchell
Publisher: LSU Press
ISBN: 0807133736
Category : Literary Criticism
Languages : en
Pages : 274
Book Description
In the late nineteenth century, as the study of history shifted from the domain of letters into the social sciences, novelists in the North and the West generally turned away from writing history. Many southern novelists and poets, however, continued to undertake historical writing as an extension of their art form. What made southern literary figures differ from their northern and western counterparts? In A Disturbing and Alien Memory, Douglas L. Mitchell addresses this intriguing question by tracing a line of southern writers from the early nineteenth century to the mid-twentieth, finding that an obsessive need to defend the South and the oft-noted "rage to explain" drove some creative writers to continue to make forays into history and biography in an effort to enter a more public sphere where they could more decisively influence interpretations of the past. In the Romantic history of the nineteenth century, Mitchell explains, men of letters saw themselves as keepers of memory whose renderings of the past could help shape the future of the nation. He explores the historical writing of William Gilmore Simms to trace the failure of Romantic nationalism in the growing split between North and South, then turns to Thomas Nelson Page's effort to resurrect the South as a "spiritual nation" with a redeemed history after the Civil War. Mitchell juxtaposes their work with that of William Wells Brown, the pioneering African American historian and novelist who used the authority of history to write blacks into the American story. Moving into the twentieth century, Mitchell analyzes the historical component of the Southern Agrarian project, focusing on the tension between modernist aesthetics and polemical aims in Allen Tate's Civil War biographies. He then traces a path toward a viable historical vision, Robert Penn Warren's recovery of a tragic understanding, and the creation of a compelling historical art in the work of Shelby Foote. Throughout, Mitchell examines the peculiar dilemma of southern writers, the changing nature of history and its relation to the realm of letters, and the question of public authority, shedding light on several neglected texts in the process -- including Simms's The Sack and Destruction of Columbia, S.C., Brown's The Negro in the American Rebellion, Tate's Jefferson Davis, and Warren's John Brown. Offering a new perspective on a perennial debate in southern letters, A Disturbing and Alien Memory provides a critical framework for a neglected genre in the southern literary canon.
Publisher: LSU Press
ISBN: 0807133736
Category : Literary Criticism
Languages : en
Pages : 274
Book Description
In the late nineteenth century, as the study of history shifted from the domain of letters into the social sciences, novelists in the North and the West generally turned away from writing history. Many southern novelists and poets, however, continued to undertake historical writing as an extension of their art form. What made southern literary figures differ from their northern and western counterparts? In A Disturbing and Alien Memory, Douglas L. Mitchell addresses this intriguing question by tracing a line of southern writers from the early nineteenth century to the mid-twentieth, finding that an obsessive need to defend the South and the oft-noted "rage to explain" drove some creative writers to continue to make forays into history and biography in an effort to enter a more public sphere where they could more decisively influence interpretations of the past. In the Romantic history of the nineteenth century, Mitchell explains, men of letters saw themselves as keepers of memory whose renderings of the past could help shape the future of the nation. He explores the historical writing of William Gilmore Simms to trace the failure of Romantic nationalism in the growing split between North and South, then turns to Thomas Nelson Page's effort to resurrect the South as a "spiritual nation" with a redeemed history after the Civil War. Mitchell juxtaposes their work with that of William Wells Brown, the pioneering African American historian and novelist who used the authority of history to write blacks into the American story. Moving into the twentieth century, Mitchell analyzes the historical component of the Southern Agrarian project, focusing on the tension between modernist aesthetics and polemical aims in Allen Tate's Civil War biographies. He then traces a path toward a viable historical vision, Robert Penn Warren's recovery of a tragic understanding, and the creation of a compelling historical art in the work of Shelby Foote. Throughout, Mitchell examines the peculiar dilemma of southern writers, the changing nature of history and its relation to the realm of letters, and the question of public authority, shedding light on several neglected texts in the process -- including Simms's The Sack and Destruction of Columbia, S.C., Brown's The Negro in the American Rebellion, Tate's Jefferson Davis, and Warren's John Brown. Offering a new perspective on a perennial debate in southern letters, A Disturbing and Alien Memory provides a critical framework for a neglected genre in the southern literary canon.
The Oxford History of the Novel in English
Author: J. Gerald Kennedy
Publisher: Oxford University Press
ISBN: 0199908397
Category : Literary Criticism
Languages : en
Pages : 655
Book Description
The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the "literary" novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, traditions, and tendencies. In thirty-four essays, this volume reconstructs the emergence and early cultivation of the novel in the United States. Contributors discuss precursors to the U.S. novel that appeared as colonial histories, autobiographies, diaries, and narratives of Indian captivity, religious conversion, and slavery, while paying attention to the entangled literary relations that gave way to a distinctly American cultural identity. The Puritan past, more than two centuries of Indian wars, the American Revolution, and the exploration of the West all inspired fictions of American struggle and self-discovery. A fragmented national publishing landscape comprised of small, local presses often disseminating odd, experimental forms eventually gave rise to major houses in Boston, New York, and Philadelphia and a consequently robust culture of letters. "Dime novels", literary magazines, innovative print technology, and even favorable postal rates contributed to the burgeoning domestic book trade in place by the time of the Missouri Compromise. Contributors weigh novelists of this period alongside their most enduring fictional works to reveal how even the most "American" of novels sometimes confronted the inhuman practices upon which the promise of the new republic had been made to depend. Similarly, the volume also looks at efforts made to extend American interests into the wider world beyond the nation's borders, and it thoroughly documents the emergence of novels projecting those imperial aspirations.
Publisher: Oxford University Press
ISBN: 0199908397
Category : Literary Criticism
Languages : en
Pages : 655
Book Description
The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the "literary" novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, traditions, and tendencies. In thirty-four essays, this volume reconstructs the emergence and early cultivation of the novel in the United States. Contributors discuss precursors to the U.S. novel that appeared as colonial histories, autobiographies, diaries, and narratives of Indian captivity, religious conversion, and slavery, while paying attention to the entangled literary relations that gave way to a distinctly American cultural identity. The Puritan past, more than two centuries of Indian wars, the American Revolution, and the exploration of the West all inspired fictions of American struggle and self-discovery. A fragmented national publishing landscape comprised of small, local presses often disseminating odd, experimental forms eventually gave rise to major houses in Boston, New York, and Philadelphia and a consequently robust culture of letters. "Dime novels", literary magazines, innovative print technology, and even favorable postal rates contributed to the burgeoning domestic book trade in place by the time of the Missouri Compromise. Contributors weigh novelists of this period alongside their most enduring fictional works to reveal how even the most "American" of novels sometimes confronted the inhuman practices upon which the promise of the new republic had been made to depend. Similarly, the volume also looks at efforts made to extend American interests into the wider world beyond the nation's borders, and it thoroughly documents the emergence of novels projecting those imperial aspirations.