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The Roots of Southern Writing

The Roots of Southern Writing PDF Author: Clarence Hugh Holman
Publisher:
ISBN:
Category :
Languages : en
Pages :

Book Description


The Roots of Southern Writing

The Roots of Southern Writing PDF Author: Clarence Hugh Holman
Publisher: Athens : University of Georgia Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 264

Book Description
The Southerner as American writer.--Simms and the wider world: Views and reviews.--William Gilmore Simms's picture of the Revolution as a civil war.--The influence of Scott and Cooper on Simms.--Simms and the British dramatists.--William Gilmore Simms and the American Renaissance.--The novel in the South.--The view from the Regency Hyatt.--Ellen Glasgow: the novelist of manners as social critic.--The dark, ruined Helen of his blood: Thomas Wolfe and the South.--The loneliness at the core.--Europe as catalyst for Thomas Wolfe.--The unity of Faulkner's Light in August.--Absalom, Absalom! The historian as detective.--Her rue with a difference.--Literature and culture: the fugitive-agrarians.--Three views of the real.

A History of Southern Literature

A History of Southern Literature PDF Author: Carl Holliday
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 414

Book Description


The Roots of Southern Writing

The Roots of Southern Writing PDF Author: Clarence Hugh Holman
Publisher:
ISBN:
Category :
Languages : en
Pages :

Book Description


The History of Southern Women's Literature

The History of Southern Women's Literature PDF Author: Carolyn Perry
Publisher: LSU Press
ISBN: 9780807127537
Category : Literary Criticism
Languages : en
Pages : 724

Book Description
Many of America’s foremost, and most beloved, authors are also southern and female: Mary Chesnut, Kate Chopin, Ellen Glasgow, Zora Neale Hurston, Eudora Welty, Harper Lee, Maya Angelou, Anne Tyler, Alice Walker, and Lee Smith, to name several. Designating a writer as “southern” if her work reflects the region’s grip on her life, Carolyn Perry and Mary Louise Weaks have produced an invaluable guide to the richly diverse and enduring tradition of southern women’s literature. Their comprehensive history—the first of its kind in a relatively young field—extends from the pioneer woman to the career woman, embracing black and white, poor and privileged, urban and Appalachian perspectives and experiences. The History of Southern Women’s Literature allows readers both to explore individual authors and to follow the developing arc of various genres across time. Conduct books and slave narratives; Civil War diaries and letters; the antebellum, postbellum, and modern novel; autobiography and memoirs; poetry; magazine and newspaper writing—these and more receive close attention. Over seventy contributors are represented here, and their essays discuss a wealth of women’s issues from four centuries: race, urbanization, and feminism; the myth of southern womanhood; preset images and assigned social roles—from the belle to the mammy—and real life behind the facade of meeting others’ expectations; poverty and the labor movement; responses to Uncle Tom’s Cabin and the influence of Gone with the Wind. The history of southern women’s literature tells, ultimately, the story of the search for freedom within an “insidious tradition,” to quote Ellen Glasgow. This teeming volume validates the deep contributions and pleasures of an impressive body of writing and marks a major achievement in women’s and literary studies.

The Roots of Southern Writing

The Roots of Southern Writing PDF Author: C. Hugh Holman
Publisher: University of Georgia Press
ISBN: 082033359X
Category : Literary Criticism
Languages : en
Pages : 254

Book Description
At the heart of the southern riddle you will find a union of opposites, a condition of instability, a paradox. Calm grace and raw hatred. Polished manners and violence. An intense individualism and intense group pressures toward conformity. A reverence to the point of idolatry of self-determining action and a caste and class structure presupposing an aristocratic hierarchy. A passion for political action and a willingness to surrender to the enslavement of demagogues. A love of the nation intense enough to make the South's fighting men notorious in our wars and the advocacy of interposition and of the public defiance of national law. A region breeding both Thomas Jefferson and John C. Calhoun. If these contradictions are to be brought in focus, if these ambiguities are to be resolved, it must be through the 'reconciliation of opposites.' And the reconciliation of opposites, as Coleridge has told us, is the function of the poet. So begins the first of these seventeen penetrating essays drawn from long and fruitful reflection of southern life and art by C. Hugh Holman. Professor Holman maintains that there is a congeries of characteristics identifiably present in much southern writing, and he astutely defines them in this collection. William Gilmore Simms, Ellen Glasgow, Thomas Wolfe, William Faulkner, and Flannery O'Connor are treated at length. Among the other authors considered in terms of their roles in the making of the southern mind are James Branch Cabell, T.S. Stribling, Erskine Caldwell, and Robert Penn Warren. The essays strike a fine balance between general overview and specific analysis, and they are so arranged as to make a unified study which forms a significant chapter in the intellectual history of the South. Professor Holman asserts that "out of the cauldron of the South's experience, the southern writer has fashioned tragic grandeur and given it as a gift to his fellow Americans. It is possible that no other southern accomplishment will equal it in enduring importance. As urbanization and industrialism conspire to write an 'Epitaph for Dixie,' its greatest contribution to mankind may well be the lesson of its history and the drama of its suffering." In these superb essays the author makes a convincing argument for that position.

The Roots of Southern Writing; Essays on the Literature of the American South [By] C. Hugh Holman

The Roots of Southern Writing; Essays on the Literature of the American South [By] C. Hugh Holman PDF Author: Clarence Hugh Holman
Publisher:
ISBN:
Category : American Literature Southern States
Languages : en
Pages : 236

Book Description


How Celtic Culture Invented Southern Literature

How Celtic Culture Invented Southern Literature PDF Author: Cantrell, James P.
Publisher: Pelican Publishing
ISBN: 9781455605989
Category :
Languages : en
Pages : 344

Book Description


The History of Southern Literature

The History of Southern Literature PDF Author: Louis Decimus Rubin
Publisher:
ISBN: 9780807116432
Category : Literary Criticism
Languages : en
Pages : 626

Book Description
A culmination of years of literary scholarship explores facets of the literature of the South in chronologically arranged sections and discusses the major authors, movements, and social consequences of the American South.

Inventing Southern Literature

Inventing Southern Literature PDF Author: Michael Kreyling
Publisher: Univ. Press of Mississippi
ISBN: 9781604737769
Category : History
Languages : en
Pages : 219

Book Description
I take...an outward route, arguing that the Agrarian project was and must be seen as a willed campaign on the part of one elite to establish and control 'the South' in a period of intense cultural maneuvering. The principal organizers of I'll Take My Stand knew full well there were other 'Souths' than the one they touted; they deliberately presented a fabricated South as the one and only real thing. In Inventing Southern Literature Michael Kreyling casts a penetrating ray upon the traditional canon of southern literature and questions the modes by which it was created. He finds that it was, indeed, an invention rather than a creation. In the 1930s the foundations were laid by the Fugitive-Agrarian group, a band of poet-critics that wished not only to design but also to control the southern cultural entity in a conservative political context. From their heyday to the present, Kreyling investigates the historical conditions under which literary and cultural critics have invented the South and how they have chosen its representations. Through his study of these choices, Kreyling argues that interested groups have shaped meanings that preserve a South as the South. As the Fugitive-Agrarians molded the region according to their definition in I'll Take My Stand, they professed to have developed a critical method that disavowed any cultural or political intent or content, a claim that Kreyling disproves. He shows that their torch was taken by Richard Weaver on the Right and Louis D. Rubin, Jr., on the Center-Left and that both critics tried to preserve the Fugitive-Agrarian credo despite the severe stresses imposed during the era of desegregation. As the southern literary paradigm has been attacked and defended, certain issues have remained in the forefront. Kreyling takes on three: reconciling the imperatives of race with the traditional definitions of the South; testing the ways white women writers of the South have negotiated space within or outside the paradigm; and analyzing the critics' use and abuse of William Faulkner (the major figure of southern literature) as they have relied on his achievement to anchor the total project called Southern Literature. Michael Kreyling, a professor of English at Vanderbilt University, is the author of several books, including "Eudora Welty's Achievement of Order" and "Author and Agent: Eudora Welty and Diarmuid Russell."

A History of Southern Literature

A History of Southern Literature PDF Author: Carl Holliday
Publisher: Legare Street Press
ISBN: 9781019463048
Category :
Languages : en
Pages : 0

Book Description
Travel through time and explore the rich literary traditions of the American South in this comprehensive volume. From William Faulkner to Flannery O'Connor, Carl Holliday traces the evolution of Southern literature and examines the cultural, historical, and social factors that have shaped it. This book is a must-read for anyone interested in the literature and culture of the American South. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.