Author: Gimferrer, Pere
Publisher: Rizzoli International Publications
ISBN:
Category : Architecture
Languages : en
Pages : 448
Book Description
By comparing Spanish artist Joan Miro's finished paintings and sculptures with more than 1200 of his sketches and preparatory studies, Gimferrer places Miro's art in a surprising new perspective. Marvelously illustrated with 285 radiant color plates and 1276 in black-and-white, this intensive analysis of Miro's creative process explains how he would first isolate some element from the teeming outside world, then incorporate a graphic sign into it, thus setting in motion a transfigurative process in which objects, signs and symbols underwent a constant metamorphosis. In placing Miro's preliminary drawings alongside the pictures to which they gave rise, Spanish poet and art critic Gimferrer illuminates the inner alchemy by which Miro discovered his major motifs and set them loose in a free-floating pictorial universe.
The Roots of Miró
Author: Gimferrer, Pere
Publisher: Rizzoli International Publications
ISBN:
Category : Architecture
Languages : en
Pages : 448
Book Description
By comparing Spanish artist Joan Miro's finished paintings and sculptures with more than 1200 of his sketches and preparatory studies, Gimferrer places Miro's art in a surprising new perspective. Marvelously illustrated with 285 radiant color plates and 1276 in black-and-white, this intensive analysis of Miro's creative process explains how he would first isolate some element from the teeming outside world, then incorporate a graphic sign into it, thus setting in motion a transfigurative process in which objects, signs and symbols underwent a constant metamorphosis. In placing Miro's preliminary drawings alongside the pictures to which they gave rise, Spanish poet and art critic Gimferrer illuminates the inner alchemy by which Miro discovered his major motifs and set them loose in a free-floating pictorial universe.
Publisher: Rizzoli International Publications
ISBN:
Category : Architecture
Languages : en
Pages : 448
Book Description
By comparing Spanish artist Joan Miro's finished paintings and sculptures with more than 1200 of his sketches and preparatory studies, Gimferrer places Miro's art in a surprising new perspective. Marvelously illustrated with 285 radiant color plates and 1276 in black-and-white, this intensive analysis of Miro's creative process explains how he would first isolate some element from the teeming outside world, then incorporate a graphic sign into it, thus setting in motion a transfigurative process in which objects, signs and symbols underwent a constant metamorphosis. In placing Miro's preliminary drawings alongside the pictures to which they gave rise, Spanish poet and art critic Gimferrer illuminates the inner alchemy by which Miro discovered his major motifs and set them loose in a free-floating pictorial universe.
The Roots of Dependency
Author: Richard White
Publisher: U of Nebraska Press
ISBN: 9780803297241
Category : Social Science
Languages : en
Pages : 460
Book Description
"Richard White's study of the collapse into 'dependency' of three Native American subsistence economies represents the best kind of interdisciplinary effort. Here ideas and approaches from several fields--mainly anthropology, history, and ecology--are fruitfully combined in one inquiring mind closely focused on a related set of large, salient problems. . . . A very sophisticated study, a 'best read' in Indian history."--American Historical Review "The book is original, enlightening, and rewarding. It points the way to a holistic manner in which tribal histories and studies of Indian-white relations should be written in the future. It can be recommended to anyone interested in Indian affairs, particularly in the question of the present-day dependency plight of the tribes."--Alvin M. Josephy, Jr., Western Historical Quarterly "The Roots of Dependency is a model study. With a provocative thesis tightly argued, it is extensively researched and well written. The nonreductionist, interdisciplinary approach provides insight heretofore beyond the range of traditional methodologies. . . . To the historiography of the American Indian this book is an important addition."--W. David Baird, American Indian Quarterly Richard White is a professor of history at the University of Washington. He is the winner of the Albert J. Beveridge Award of the American Historical Asso-ciation, the James A. Rawley Prize presented by the Organization of Ameri-can Historians and the Francis Parkman Prize from the Society of American Historians. His books include The Middle Ground: Indians, Empires, and Republics in the Great Lakes Region, 1650–1815, "It's Your Misfortune and None of My Own": A History of the American West and The Organic Machine: The Remaking of the Columbia River
Publisher: U of Nebraska Press
ISBN: 9780803297241
Category : Social Science
Languages : en
Pages : 460
Book Description
"Richard White's study of the collapse into 'dependency' of three Native American subsistence economies represents the best kind of interdisciplinary effort. Here ideas and approaches from several fields--mainly anthropology, history, and ecology--are fruitfully combined in one inquiring mind closely focused on a related set of large, salient problems. . . . A very sophisticated study, a 'best read' in Indian history."--American Historical Review "The book is original, enlightening, and rewarding. It points the way to a holistic manner in which tribal histories and studies of Indian-white relations should be written in the future. It can be recommended to anyone interested in Indian affairs, particularly in the question of the present-day dependency plight of the tribes."--Alvin M. Josephy, Jr., Western Historical Quarterly "The Roots of Dependency is a model study. With a provocative thesis tightly argued, it is extensively researched and well written. The nonreductionist, interdisciplinary approach provides insight heretofore beyond the range of traditional methodologies. . . . To the historiography of the American Indian this book is an important addition."--W. David Baird, American Indian Quarterly Richard White is a professor of history at the University of Washington. He is the winner of the Albert J. Beveridge Award of the American Historical Asso-ciation, the James A. Rawley Prize presented by the Organization of Ameri-can Historians and the Francis Parkman Prize from the Society of American Historians. His books include The Middle Ground: Indians, Empires, and Republics in the Great Lakes Region, 1650–1815, "It's Your Misfortune and None of My Own": A History of the American West and The Organic Machine: The Remaking of the Columbia River
Daughter of the Ganges
Author: Asha Miró
Publisher: Simon and Schuster
ISBN: 0743286723
Category : Adoptees
Languages : en
Pages : 290
Book Description
Adopted from India when she was six and raised in Spain, the author takes a heart-wrenching trip back to India as an adult to uncover her roots and discover a sister she never knew.
Publisher: Simon and Schuster
ISBN: 0743286723
Category : Adoptees
Languages : en
Pages : 290
Book Description
Adopted from India when she was six and raised in Spain, the author takes a heart-wrenching trip back to India as an adult to uncover her roots and discover a sister she never knew.
Joan Miró
Author: Joan Miró
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 262
Book Description
Taking Joan Miró's notorious declaration of 1927--"I want to assassinate painting"--as its point of departure, this richly illustrated volume is the first to focus on Miró the "anti-painter," identifying the core practices and strategies the artist used to challenge painting between 1927 and 1937. Joan Miró Painting and Anti-Painting 1927-1937 surveys the various material, iconographical and rhetorical forms of Miró's attacks on painting by presenting, in chronological sequence, 12 distinct series of works, beginning with a remarkable group of paintings on unprimed canvas and concluding with Miró's return to Realism in "Still Life with Old Shoe" (1937). Acidic color, grotesque disfigurement, stylistic heterogeneity and the use of resistant, ready-made materials are among the key tactics of aggression that are explored in this extraordinary presentation of the interrelated and oppositional series of paintings, collages, objects and drawings Miró produced during this crucial decade of his long career. This volume integrates close scrutiny of Miró's materials and processes with historical and iconographic analysis, leading to an expanded understanding of the underappreciated aggressiveness of an artist long regarded as Surrealism's most lyrical painter-poet. Joan Miró was born in 1893 in Barcelona. After his first trip to Paris in 1920, and through 1931, Miró generally spent half of each year in the French capitol and half in his native Catalonia, returning to live in France after the outbreak of the Spanish Civil War in 1936. One of the twentieth century's greatest Modern artists, Miró created a pictorial world of intense imaginative power, in which visionary and cosmic elements are inextricably intertwined with the earthly and mundane. He died in 1983 in Palma de Mallorca, Spain.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 262
Book Description
Taking Joan Miró's notorious declaration of 1927--"I want to assassinate painting"--as its point of departure, this richly illustrated volume is the first to focus on Miró the "anti-painter," identifying the core practices and strategies the artist used to challenge painting between 1927 and 1937. Joan Miró Painting and Anti-Painting 1927-1937 surveys the various material, iconographical and rhetorical forms of Miró's attacks on painting by presenting, in chronological sequence, 12 distinct series of works, beginning with a remarkable group of paintings on unprimed canvas and concluding with Miró's return to Realism in "Still Life with Old Shoe" (1937). Acidic color, grotesque disfigurement, stylistic heterogeneity and the use of resistant, ready-made materials are among the key tactics of aggression that are explored in this extraordinary presentation of the interrelated and oppositional series of paintings, collages, objects and drawings Miró produced during this crucial decade of his long career. This volume integrates close scrutiny of Miró's materials and processes with historical and iconographic analysis, leading to an expanded understanding of the underappreciated aggressiveness of an artist long regarded as Surrealism's most lyrical painter-poet. Joan Miró was born in 1893 in Barcelona. After his first trip to Paris in 1920, and through 1931, Miró generally spent half of each year in the French capitol and half in his native Catalonia, returning to live in France after the outbreak of the Spanish Civil War in 1936. One of the twentieth century's greatest Modern artists, Miró created a pictorial world of intense imaginative power, in which visionary and cosmic elements are inextricably intertwined with the earthly and mundane. He died in 1983 in Palma de Mallorca, Spain.
Fixed Ecstasy
Author: Charles Palermo
Publisher: Penn State University Press
ISBN:
Category : Art
Languages : en
Pages : 296
Book Description
Introduction: silence in painting -- Calligraphy: vine and sundial -- Extension: toys and rainbows -- Stroke: medium and compass -- Entering painting's thickness: translucence and turning -- Suicide: Leiris and Siriel -- Conclusion: Miró in silence
Publisher: Penn State University Press
ISBN:
Category : Art
Languages : en
Pages : 296
Book Description
Introduction: silence in painting -- Calligraphy: vine and sundial -- Extension: toys and rainbows -- Stroke: medium and compass -- Entering painting's thickness: translucence and turning -- Suicide: Leiris and Siriel -- Conclusion: Miró in silence
Constellations of Miro, Breton
Author: Paul Hammond
Publisher: City Lights Books
ISBN: 9780872863729
Category : Art
Languages : en
Pages : 268
Book Description
In Constellations of Miro, Breton Paul Hammond unravels some of the mysteries of the call-and-response of these two Surrealists by reading the pictures against the poetry, the poetry against the pictures, and both against the madness of a history that none of us has left that far behind."--BOOK JACKET.
Publisher: City Lights Books
ISBN: 9780872863729
Category : Art
Languages : en
Pages : 268
Book Description
In Constellations of Miro, Breton Paul Hammond unravels some of the mysteries of the call-and-response of these two Surrealists by reading the pictures against the poetry, the poetry against the pictures, and both against the madness of a history that none of us has left that far behind."--BOOK JACKET.
Miro
Author: Joan Miró
Publisher: Gramercy
ISBN: 9780517652565
Category : Art
Languages : en
Pages : 148
Book Description
Beautiful full-color survey examines the work of the master surrealist painter covering the full range of his extraordinary career. Insightful text and extensive captions treat the lfie and the work of this playful, enigmatic painter.
Publisher: Gramercy
ISBN: 9780517652565
Category : Art
Languages : en
Pages : 148
Book Description
Beautiful full-color survey examines the work of the master surrealist painter covering the full range of his extraordinary career. Insightful text and extensive captions treat the lfie and the work of this playful, enigmatic painter.
Miró
Author: Carmen Fernández Aparicio
Publisher: Yale University Press
ISBN:
Category : Art
Languages : en
Pages : 112
Book Description
A compelling new look at the late works by one of art history's most renowned and inventive modern artists This groundbreaking publication offers a reassessment of renowned modernist Joan Miró's late-career works, created between 1963 and 1981. This body of work, almost entirely unknown in the United States, showcases Miró's exceptional ingenuity as both a painter and sculptor. Miró The Experience of Seeing includes color illustrations of nearly 50 paintings, drawings, and sculptures that show the breadth and contrast of this body of work--from bold, colorful canvases with expressive gestures to the most minimal calligraphic markings on white fields. His sculptures made of found objects are a revelation. Comparisons between paintings and sculptures highlight startling connections between shapes and symbols that Miró used in each medium. These mature works represent the culmination of the artist's development of an innovative and personal visual language. Engaging texts, including a contribution by noted Spanish filmmaker Pere Portabella, explain Miró's role as a political figure and his quest to speak about the most intangible subjects through the materiality of objects and the painted gesture. This important new examination of Miró's later work allows for a richer, deeper understanding of this significant modern artist's distinguished career. Published in association with the Seattle Art Museum in collaboration with the Museo Nacional Centro de Arte Reina Sofia Exhibition Schedule: Seattle Art Museum (02/13/14-05/25/14) The Nasher Museum of Art (09/11/14-02/22/15) Denver Art Museum (03/22/15-06/28/15)
Publisher: Yale University Press
ISBN:
Category : Art
Languages : en
Pages : 112
Book Description
A compelling new look at the late works by one of art history's most renowned and inventive modern artists This groundbreaking publication offers a reassessment of renowned modernist Joan Miró's late-career works, created between 1963 and 1981. This body of work, almost entirely unknown in the United States, showcases Miró's exceptional ingenuity as both a painter and sculptor. Miró The Experience of Seeing includes color illustrations of nearly 50 paintings, drawings, and sculptures that show the breadth and contrast of this body of work--from bold, colorful canvases with expressive gestures to the most minimal calligraphic markings on white fields. His sculptures made of found objects are a revelation. Comparisons between paintings and sculptures highlight startling connections between shapes and symbols that Miró used in each medium. These mature works represent the culmination of the artist's development of an innovative and personal visual language. Engaging texts, including a contribution by noted Spanish filmmaker Pere Portabella, explain Miró's role as a political figure and his quest to speak about the most intangible subjects through the materiality of objects and the painted gesture. This important new examination of Miró's later work allows for a richer, deeper understanding of this significant modern artist's distinguished career. Published in association with the Seattle Art Museum in collaboration with the Museo Nacional Centro de Arte Reina Sofia Exhibition Schedule: Seattle Art Museum (02/13/14-05/25/14) The Nasher Museum of Art (09/11/14-02/22/15) Denver Art Museum (03/22/15-06/28/15)
Barcelona and Modernity
Author: William H. Robinson
Publisher: Yale University Press
ISBN: 0300121067
Category : Art
Languages : en
Pages : 552
Book Description
Catalogus van een tentoonstelling van werk van Catalaanse kunstenaars.
Publisher: Yale University Press
ISBN: 0300121067
Category : Art
Languages : en
Pages : 552
Book Description
Catalogus van een tentoonstelling van werk van Catalaanse kunstenaars.
Miró
Author: Tomás Llorens Serra
Publisher: Fundacion Thyssen Bornemisza
ISBN:
Category : Art
Languages : en
Pages : 252
Book Description
A survey of Joan Miro's career from 1918, the date of his first solo exhibition, to his last works. Its guiding thread is the idea of "Earth" in its widest sense. For Miro, "Earth" meant his native region of Catalunya, but the word also functioned for the artist as a key to certain ideas and values characteristic of rural culture such as fertility, sexuality, fable and excess. In addition, it is related to the quest for the ancestral and the primitive. In pictorial terms, the earthly can be seen as a mistrust of form and a tendency to experiment with material. These stylistic features, which the exhibition aims to highlight, allow us to see Miro as the great forerunner of Informalism and Abstract Expressionism, trends that prevailed in mid-20th-century art.
Publisher: Fundacion Thyssen Bornemisza
ISBN:
Category : Art
Languages : en
Pages : 252
Book Description
A survey of Joan Miro's career from 1918, the date of his first solo exhibition, to his last works. Its guiding thread is the idea of "Earth" in its widest sense. For Miro, "Earth" meant his native region of Catalunya, but the word also functioned for the artist as a key to certain ideas and values characteristic of rural culture such as fertility, sexuality, fable and excess. In addition, it is related to the quest for the ancestral and the primitive. In pictorial terms, the earthly can be seen as a mistrust of form and a tendency to experiment with material. These stylistic features, which the exhibition aims to highlight, allow us to see Miro as the great forerunner of Informalism and Abstract Expressionism, trends that prevailed in mid-20th-century art.