The Ritornello Principle in the Organ Works of Bach PDF Download

Author: Henry John Eickhoff
Publisher:
ISBN:
Category :
Languages : en
Pages : 1064

View

Book Description

Author: Peter Williams
Publisher: Cambridge University Press
ISBN: 9780521270786
Category : Music
Languages : en
Pages : 392

View

Book Description
These paperback editions makes Peter Williams's influential scholarship available to a wider field of readers, including those with an interest in the ever-expanding discussions of original instrumentation and its implications for modern performance. Professor Williams examines Bach's organ works piece-by-piece, reconstructing for the present-day performer and listener the original context of the work. Form and style are analysed, with abundant musical examples and frequent allusions to the views of other commentators. Each volume contains a preface, calendar, lists of musical sources and references, and an index.

Author: Leland Dye Bland
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 878

View

Book Description

Author: Peter Williams
Publisher: Cambridge University Press
ISBN: 9780521814164
Category : Music
Languages : en
Pages : 510

View

Book Description
This is a completely revised 2003 edition of volumes I and II of The Organ Music of J. S. Bach (1980), a bestselling title, which has subsequently become a classic text. This edition takes account of Bach scholarship of the 25 years prior to publication. Peter Williams's piece-by-piece commentary puts the musical sources of the organ works in context, describing the form and content of each work and relating them to other music, German and non-German. He summarises the questions about the history, authenticity, chronology, function and performance of each piece, and points out important details of style and musical quality. The study follows the order of the Bach catalogue (BWV), beginning with the sonatas, then the 'free works', followed by chorales and ending with the doubtful works, including the 'newly discovered chorales' of 1985.

Author: Peter Williams
Publisher: CUP Archive
ISBN: 9780521317009
Category : Music
Languages : en
Pages : 372

View

Book Description
Bach's organ works--the best-known of all music ever written for the instrument--have been the subject of a great variety of interpretations, all too often based on subjective opinion and conjecture. What the author does in this piece-by-piece commentary is to combine a performer's insight and experience with the fruits of scholarly research. He is concerned throughout to reconstruct for the modern performer and listener the original context of the work: its sources and history; its place in the composer's development; the implications of contemporary instruments and performing practice, and of the musical and aesthetic theories of the time; and the background which shaped Bach's view of the original chorale melodies. Each of the collections of organ chorales is examined as an entity in a preliminary essay. Then for each piece the author discusses the important sources and their relationship; quotes the underlying chorale melody and one or more verses of the text (with a literal translation) and describes its importance in the life of Bach's church; and analyses the form and style of the organ setting, with many musical examples and frequent allusions to the views of other commentators.

Author: Richard C. Von Ende
Publisher: Scarecrow Press
ISBN: 9780810812710
Category : Music
Languages : en
Pages : 482

View

Book Description
No descriptive material is available for this title.

Author: Richard D. P. Jones
Publisher: Oxford University Press
ISBN: 0198164408
Category : Music
Languages : en
Pages : 350

View

Book Description
This first of a two-volume study deals with the earlier part of Bach's career, and examines the output of his youth and its many external influences, before moving on to study the first great masterpieces in which Bach's own personal voice begins to emerge.

Author: Richard D. P. Jones
Publisher:
ISBN: 0199696284
Category : Biography & Autobiography
Languages : en
Pages : 450

View

Book Description
This last in a two-volume study examines Bach's musical compositional development in his later years, including his time at Cðthen and Leipzig.

Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 1136

View

Book Description
Abstracts of dissertations and monographs in microform.

Author: Richard D. P. Jones
Publisher: OUP Oxford
ISBN: 9780191513244
Category : Music
Languages : en
Pages : 352

View

Book Description
This book gives an account of the individual works of one of the greatest composers. The first volume of a two-volume study of the music of J. S. Bach covers the earlier part of his composing career, 1695-1717. By studying the music chronologically a coherent picture of the composer's creative development emerges, drawing together all the strands of the individual repertoires (e.g. the cantatas, the organ music, the keyboard music). The volume is divided into two parts, covering the early works and the mature Weimar compositions respectively. Each part deals with four categories of composition in turn: large-scale keyboard works; preludes, fantasias, and fugues; organ chorales; and cantatas. Within each category, the discussion is prefaced by a list of the works to be considered, together with details of their original titles, catalogue numbers, and earliest sources. The study is thus usable as a handbook on Bach's works as well as a connected study of his creative development. As indicated by the subtitle Music to Delight the Spirit,, borrowed from Bach's own title-pages, Richard Jones draws attention to another important aspect of the book: not only is it a study of style and technique but a work of criticism, an analytical evaluation of Bach's music and an appreciation of its extraordinary qualities. It also takes account of the remarkable advances in Bach scholarship that have been made over the last 50 years, including the many studies that have appeared relating to various aspects of Bach's early music, such as the varied influences to which he was subjected and the problematic issues of dating and authenticity that arise. In doing so, it attempts to build up a coherent picture of his development as a creative artist, helping us to understand what distinguishes Bach's mature music from his early works and from the music of his predecessors and contemporaries. Hence we learn why it is that his later works are instantly recognizable as 'Bachian'.