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Author: Willard Bohn Publisher: State University of New York Press ISBN: 079148971X Category : Literary Criticism Languages : en Pages : 261
Book Description
In The Rise of Surrealism, Willard Bohn examines the various literary and artistic developments that prepared the way for the international Surrealist movement—including Cubism, Metaphysical Art, and Dada—as well as the triumph of Surrealism itself. In an analysis that spans the first two-thirds of the twentieth century, Bohn surveys writers and artists from France, Italy, Germany, Spain, Argentina, Mexico, Chile, and the United States, examining both their aversion to mimesis and the solutions they devised to replace it. Much of the book is concerned with competing artistic models and with different strategies for creating avant-garde works, and focuses on such figures as Guillaume Apollinaire, Max Weber, Marius de Zayas, Francis Picabia, Giorgio de Chirico, André Breton, J. V. Foix, and Joan Miró. The dynamics of the imagery that painters and poets chose to employ and the new roles this imagery assumed in their compositions are also discussed.
Author: Willard Bohn Publisher: State University of New York Press ISBN: 079148971X Category : Literary Criticism Languages : en Pages : 261
Book Description
In The Rise of Surrealism, Willard Bohn examines the various literary and artistic developments that prepared the way for the international Surrealist movement—including Cubism, Metaphysical Art, and Dada—as well as the triumph of Surrealism itself. In an analysis that spans the first two-thirds of the twentieth century, Bohn surveys writers and artists from France, Italy, Germany, Spain, Argentina, Mexico, Chile, and the United States, examining both their aversion to mimesis and the solutions they devised to replace it. Much of the book is concerned with competing artistic models and with different strategies for creating avant-garde works, and focuses on such figures as Guillaume Apollinaire, Max Weber, Marius de Zayas, Francis Picabia, Giorgio de Chirico, André Breton, J. V. Foix, and Joan Miró. The dynamics of the imagery that painters and poets chose to employ and the new roles this imagery assumed in their compositions are also discussed.
Author: Robin Walz Publisher: University of California Presson Demand ISBN: 9780520216198 Category : History Languages : en Pages : 206
Book Description
"A 'wonder cabinet' of a book that brings to vivid life again the ephemeral pleasures of flanerie in Paris. Walz is a marvelous guide to the pulp fiction, newspaper sensationalism, and 'disreputable, ' fast-disappearing neighborhoods of Paris that the surrealists not only loved but drew on for inspiration in their revolutionary effort to reconfigure human consciousness in early twentieth-century France." Richard Abel, author of "The Cine Goes to Town: French Cinema, 1896-1914" and "The Red Rooster Scare: Making Cinema American, 1900-1910 " "Robin Walz's "Pulp Surrealism" represents an original and creative approach to the cultural history of the French interwar avant-garde. He shifts our focus away from surrealist texts themselves to the conditions of their production and in the process illuminates in fascinating ways the relationship between surrealism and popular culture." Carolyn Dean, author of "The Frail Social Body: Pornography, Homosexuality, and Other Fantasies in Interwar France" "Pulp Surrealism is the vibrant story of the interplay between avant-garde intellectuals and emerging mass culture in the early years of the twentieth century. In this stimulating history Robin Walz lays bare the many contradictory connections between high and popular culture, and in the process restores to life the brilliant effrontery and joy of the surrealist movement." Tyler Stovall, author of "The Rise of the Paris Red Belt" and "Paris Noir: African Americans in the City of Light"
Author: Christian Bouqueret Publisher: National Geographic Books ISBN: 0500410925 Category : Photography Languages : en Pages : 0
Book Description
The classic Photofile series brings together the best work of the world's greatest photographers in an attractive format and at a reasonable price. Handsome and collectible, the books each contain reproductions in color and/or duotone, plus a critical introduction and a bibliography. Paris in the early 1920s saw the growth of a new art form called surrealism. Both a formal movement and a spiritual orientation, surrealism embraced ethics and politics as well as the arts. Surrealists sought to create a medium that liberated the subconscious mind, and many artists and photographers captured this revolution through photographic images. This new survey includes works by Max Ernst, Dora Maar, Lee Miller, René Magritte, Meret Oppenheim, and more.
Author: Maurice Nadeau Publisher: Belknap Press ISBN: 9780674403451 Category : Art Languages : en Pages : 366
Book Description
"I believe," André Breton said, "in the future resolution of the states of dream and reality--in appearance so contradictory--in a sort of absolute reality, or surréalité." The Surrealist movement, born in the 1920s out of the ferment of Dada, committed to revolution against bourgeois rationalism, and inspired by Freudian exploration of the unconscious, has reverberated more widely and deeply than perhaps any other art movement in our century. Its automatism, biomorphic shapes, visionary mode, and manipulation of found objects mark the work of artists as different as Ernst, Miró, Magritte, and Dali. Maurice Nadeau's History of Surrealism, first published in French in 1944 and in English in 1965, has become a classic. It is both lucid and authoritative--by far the best overall account of this complex movement. Nadeau traces the evolution of Surrealism, bringing to life its many internal debates about politics and art. He relates the movement to its intellectual and artistic environment. And he provides the statements and manifestos of Breton, Aragon, Tzara, and others.
Author: Martica Sawin Publisher: MIT Press (MA) ISBN: 9780262692014 Category : Art Languages : en Pages : 466
Book Description
Sawin's rich year-by-year narrative documents the cultural transfer that took place when the greater part of the prewar Surrealist group was transplanted to the Western Hemisphere.
Author: Oliver Shell Publisher: Rizzoli Publications ISBN: 0847863131 Category : Art Languages : en Pages : 0
Book Description
This revelatory survey of Surrealist masterworks of the 1930s and 1940s by artists such as Salvador Dalí, Joan Miró, Max Ernst, and André Masson presents the movement through a new and timely lens--that of war, violence, and exile. During the pivotal years between the world wars, Surrealist artists on both sides of the Atlantic responded through their works to the rise of Hitler and the spread of Fascism in Europe, resulting in a period of surprising brilliance and fertility. Monstrosities in the real world bred monsters in paintings and sculpture, on film, and in the pages of journals and artists' books. Despite the political and personal turmoil brought on by the Spanish Civil War and World War II, avant-garde artists in Europe and those who sought refuge in the United States pushed themselves to create some of the most potent and striking images of the Surrealist movement. Trailblazing essays by four experts in the field trace the experimental and international extent of Surrealist art during these years--and, perhaps most unexpectedly of all, its irrepressible beauty.
Author: Susie Brooks Publisher: Compass Point Books ISBN: 0756562414 Category : Juvenile Nonfiction Languages : en Pages : 49
Book Description
"The Surrealist movement turned the art world on its head with bold, strange works of art that celebrated the subconsious and the power of dreams, and delighted in defying convention. With celebrated artists, such as Salvador Dali and Rene Magritte, the Surrealists' legacy lives on today, influencing media from art and music to film and advertising"--
Author: Kirsten Anderson Publisher: Last Gasp ISBN: 0867196181 Category : Art Languages : en Pages : 182
Book Description
With its origins in the 1960s hot rod culture and underground comix and rock music posters, Pop Surrealism/Lowbrow Art has evolved and expanded into the most vilified, vital, and exciting movement in contemporary art. Pop Surrealism is the first book to offer a comprehensive survey of this movement featuring twenty-three of today's most important and interesting artists.
Author: Gérard Durozoi Publisher: Taylor & Francis US ISBN: 9780226174112 Category : Art, Modern Languages : en Pages : 832
Book Description
Tracing the movement from its origins in the 1920s to its decline in the 1950s and 1960s, Durozoi tells the history of Surrealism through its activities, publications, and reviews, demonstrating its close ties to some of the most explosive political, as well as creative, debates of the twentieth century. Unlike other histories, which focus mainly on the pre-World War II years of the movement in Paris, Durozoi covers both a wider chronological and geographic range, treating in detail the postwar years and Surrealism's colonization of Latin America, the United States, Japan, Czechoslovakia, Belgium, Italy, and North Africa. Drawing on documentary and visual evidence--including 1,000 photos, many of them in color--he illuminates all the intellectual and artistic aspects of the movement, from literature and philosophy to painting, photography, and film. All the Surrealist stars and their most important works are here--Aragon, Borges, Breton, Buñuel, Cocteau, Crevel, Dalí, Desnos, Ernst, Man Ray, Soupault, and many more--for all of whom Durozoi has provided brief biographical notes in addition to featuring them in the main text.
Author: Susan Laxton Publisher: Duke University Press ISBN: 147800343X Category : Art Languages : en Pages : 376
Book Description
In Surrealism at Play Susan Laxton writes a new history of surrealism in which she traces the centrality of play to the movement and its ongoing legacy. For surrealist artists, play took a consistent role in their aesthetic as they worked in, with, and against a post-World War I world increasingly dominated by technology and functionalism. Whether through exquisite-corpse drawings, Man Ray’s rayographs, or Joan Miró’s visual puns, surrealists became adept at developing techniques and processes designed to guarantee aleatory outcomes. In embracing chance as the means to produce unforeseeable ends, they shifted emphasis from final product to process, challenging the disciplinary structures of industrial modernism. As Laxton demonstrates, play became a primary method through which surrealism refashioned artistic practice, everyday experience, and the nature of subjectivity.