Author: Ilan Stavans
Publisher: UNM Press
ISBN: 082635257X
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
Ilan Stavans’s collection of essays on kitsch and high art in the Americas makes a return with thirteen new colorful conversations that deliver Stavans’s trademark wit and provocative analysis. “A Dream Act Deferred” discusses an issue that is at once and always topical in the dialogue of Hispanic popular culture: immigration. This essay generated a vociferous response when first published in The Chronicle of Higher Education as the issue of immigration was contested in states like Arizona, and is included here as a new addition that adds a rich layer to Stavans’s vibrant discourse. Fitting in this reconfiguration of his analytical conversations on Hispanic popular culture is Stavans’s “Arrival: Notes from an Interloper,” which recounts his origins as a social critic and provides the reader with interactive insight into the mind behind the matter. Once again delightfully humorous and perceptive, Stavans delivers an expanded collection that has the power to go even further beyond common assumptions and helps us understand Mexican popular culture and its counterparts in the United States.
The Riddle of Cantinflas
Author: Ilan Stavans
Publisher: UNM Press
ISBN: 082635257X
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
Ilan Stavans’s collection of essays on kitsch and high art in the Americas makes a return with thirteen new colorful conversations that deliver Stavans’s trademark wit and provocative analysis. “A Dream Act Deferred” discusses an issue that is at once and always topical in the dialogue of Hispanic popular culture: immigration. This essay generated a vociferous response when first published in The Chronicle of Higher Education as the issue of immigration was contested in states like Arizona, and is included here as a new addition that adds a rich layer to Stavans’s vibrant discourse. Fitting in this reconfiguration of his analytical conversations on Hispanic popular culture is Stavans’s “Arrival: Notes from an Interloper,” which recounts his origins as a social critic and provides the reader with interactive insight into the mind behind the matter. Once again delightfully humorous and perceptive, Stavans delivers an expanded collection that has the power to go even further beyond common assumptions and helps us understand Mexican popular culture and its counterparts in the United States.
Publisher: UNM Press
ISBN: 082635257X
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
Ilan Stavans’s collection of essays on kitsch and high art in the Americas makes a return with thirteen new colorful conversations that deliver Stavans’s trademark wit and provocative analysis. “A Dream Act Deferred” discusses an issue that is at once and always topical in the dialogue of Hispanic popular culture: immigration. This essay generated a vociferous response when first published in The Chronicle of Higher Education as the issue of immigration was contested in states like Arizona, and is included here as a new addition that adds a rich layer to Stavans’s vibrant discourse. Fitting in this reconfiguration of his analytical conversations on Hispanic popular culture is Stavans’s “Arrival: Notes from an Interloper,” which recounts his origins as a social critic and provides the reader with interactive insight into the mind behind the matter. Once again delightfully humorous and perceptive, Stavans delivers an expanded collection that has the power to go even further beyond common assumptions and helps us understand Mexican popular culture and its counterparts in the United States.
The Riddle of Cantinflas
Author: Ilan Stavans
Publisher: UNM Press
ISBN: 0826352561
Category : Kitsch
Languages : en
Pages : 224
Book Description
Ilan Stavans's collection of essays on kitsch and high art in the Americas makes a return with thirteen new colorful conversations that deliver Stavans's trademark wit and provocative analysis. "A Dream Act Deferred" discusses an issue that is at once and always topical in the dialogue of Hispanic popular culture: immigration. This essay generated a vociferous response when first published in The Chronicle of Higher Education as the issue of immigration was contested in states like Arizona, and is included here as a new addition that adds a rich layer to Stavans's vibrant discourse. Fitting in this reconfiguration of his analytical conversations on Hispanic popular culture is Stavans's "Arrival: Notes from an Interloper," which recounts his origins as a social critic and provides the reader with interactive insight into the mind behind the matter. Once again delightfully humorous and perceptive, Stavans delivers an expanded collection that has the power to go even further beyond common assumptions and helps us understand Mexican popular culture and its counterparts in the United States.
Publisher: UNM Press
ISBN: 0826352561
Category : Kitsch
Languages : en
Pages : 224
Book Description
Ilan Stavans's collection of essays on kitsch and high art in the Americas makes a return with thirteen new colorful conversations that deliver Stavans's trademark wit and provocative analysis. "A Dream Act Deferred" discusses an issue that is at once and always topical in the dialogue of Hispanic popular culture: immigration. This essay generated a vociferous response when first published in The Chronicle of Higher Education as the issue of immigration was contested in states like Arizona, and is included here as a new addition that adds a rich layer to Stavans's vibrant discourse. Fitting in this reconfiguration of his analytical conversations on Hispanic popular culture is Stavans's "Arrival: Notes from an Interloper," which recounts his origins as a social critic and provides the reader with interactive insight into the mind behind the matter. Once again delightfully humorous and perceptive, Stavans delivers an expanded collection that has the power to go even further beyond common assumptions and helps us understand Mexican popular culture and its counterparts in the United States.
Mexican American Religions
Author: Gastón Espinosa
Publisher: Duke University Press
ISBN: 0822388952
Category : Religion
Languages : en
Pages : 455
Book Description
This collection presents a rich, multidisciplinary inquiry into the role of religion in the Mexican American community. Breaking new ground by analyzing the influence of religion on Mexican American literature, art, activism, and popular culture, it makes the case for the establishment of Mexican American religious studies as a distinct, recognized field of scholarly inquiry. Scholars of religion, Latin American, and Chicano/a studies as well as of sociology, anthropology, and literary and performance studies, address several broad themes. Taking on questions of history and interpretation, they examine the origins of Mexican American religious studies and Mario Barrera’s theory of internal colonialism. In discussions of the utopian community founded by the preacher and activist Reies López Tijerina, César Chávez’s faith-based activism, and the Los Angeles-based Católicos Por La Raza movement of the late 1960s, other contributors focus on mystics and prophets. Still others illuminate popular Catholicism by looking at Our Lady of Guadalupe, home altars, and Los Pastores dramas (nativity plays) as vehicles for personal, social, and political empowerment. Turning to literature, contributors consider Gloria Anzaldúa’s view of the borderlands as a mystic vision and the ways that Chicana writers invoke religious symbols and rhetoric to articulate a moral vision highlighting social injustice. They investigate the role of healing, looking at it in relation to both the Latino Pentecostal movement and the practice of the curanderismo tradition in East Los Angeles. Delving into to popular culture, they reflect on Luis Valdez’s video drama La Pastorela: “The Shepherds’ Play,” the spirituality of Chicana art, and the religious overtones of the reverence for the slain Tejana music star Selena. This volume signals the vibrancy and diversity of the practices, arts, traditions, and spiritualities that reflect and inform Mexican American religion. Contributors: Rudy V. Busto, Davíd Carrasco, Socorro Castañeda-Liles, Gastón Espinosa, Richard R. Flores, Mario T. García, María Herrera-Sobek, Luís D. León, Ellen McCracken, Stephen R. Lloyd-Moffett, Laura E. Pérez, Roberto Lint Saragena, Anthony M. Stevens-Arroyo, Kay Turner
Publisher: Duke University Press
ISBN: 0822388952
Category : Religion
Languages : en
Pages : 455
Book Description
This collection presents a rich, multidisciplinary inquiry into the role of religion in the Mexican American community. Breaking new ground by analyzing the influence of religion on Mexican American literature, art, activism, and popular culture, it makes the case for the establishment of Mexican American religious studies as a distinct, recognized field of scholarly inquiry. Scholars of religion, Latin American, and Chicano/a studies as well as of sociology, anthropology, and literary and performance studies, address several broad themes. Taking on questions of history and interpretation, they examine the origins of Mexican American religious studies and Mario Barrera’s theory of internal colonialism. In discussions of the utopian community founded by the preacher and activist Reies López Tijerina, César Chávez’s faith-based activism, and the Los Angeles-based Católicos Por La Raza movement of the late 1960s, other contributors focus on mystics and prophets. Still others illuminate popular Catholicism by looking at Our Lady of Guadalupe, home altars, and Los Pastores dramas (nativity plays) as vehicles for personal, social, and political empowerment. Turning to literature, contributors consider Gloria Anzaldúa’s view of the borderlands as a mystic vision and the ways that Chicana writers invoke religious symbols and rhetoric to articulate a moral vision highlighting social injustice. They investigate the role of healing, looking at it in relation to both the Latino Pentecostal movement and the practice of the curanderismo tradition in East Los Angeles. Delving into to popular culture, they reflect on Luis Valdez’s video drama La Pastorela: “The Shepherds’ Play,” the spirituality of Chicana art, and the religious overtones of the reverence for the slain Tejana music star Selena. This volume signals the vibrancy and diversity of the practices, arts, traditions, and spiritualities that reflect and inform Mexican American religion. Contributors: Rudy V. Busto, Davíd Carrasco, Socorro Castañeda-Liles, Gastón Espinosa, Richard R. Flores, Mario T. García, María Herrera-Sobek, Luís D. León, Ellen McCracken, Stephen R. Lloyd-Moffett, Laura E. Pérez, Roberto Lint Saragena, Anthony M. Stevens-Arroyo, Kay Turner
Intoxicated Identities
Author: Tim Mitchell
Publisher: Routledge
ISBN: 1135935351
Category : History
Languages : en
Pages : 228
Book Description
In Intoxicated Identities, Tim Mitchell provides a novel and well-grounded framework for understanding subjective drinking experiences from the Aztecs to the present day in areas as diverse as Chiapas, Chihuahua, Oaxaca, Mexico City, Texas and California. Power drinking plays a crucial role in Mexican religion, politics, fine arts and ritual spousal abuse. Mexico ranks number one in deaths from cirrhosis, and Mexican Americans are twice as likely to be arrested for drunken driving as blacks or whites. With methods and concepts derived from an extraordinary range of disciplines, Mitchell explains how Mexican culture reinforces heavy drinking. He analyzes supply (nationalistic marketing strategies) but emphasizes demand (psychocultural motivations unique to Mexico). He chronicles the joys and sorrows of a borrachera, or drinking binge, and explores this altered state of consciousness on its own terms, not from any temperance or anti-alcohol perspective.
Publisher: Routledge
ISBN: 1135935351
Category : History
Languages : en
Pages : 228
Book Description
In Intoxicated Identities, Tim Mitchell provides a novel and well-grounded framework for understanding subjective drinking experiences from the Aztecs to the present day in areas as diverse as Chiapas, Chihuahua, Oaxaca, Mexico City, Texas and California. Power drinking plays a crucial role in Mexican religion, politics, fine arts and ritual spousal abuse. Mexico ranks number one in deaths from cirrhosis, and Mexican Americans are twice as likely to be arrested for drunken driving as blacks or whites. With methods and concepts derived from an extraordinary range of disciplines, Mitchell explains how Mexican culture reinforces heavy drinking. He analyzes supply (nationalistic marketing strategies) but emphasizes demand (psychocultural motivations unique to Mexico). He chronicles the joys and sorrows of a borrachera, or drinking binge, and explores this altered state of consciousness on its own terms, not from any temperance or anti-alcohol perspective.
The Underdogs
Author: Mariano Azuela
Publisher: Modern Library
ISBN: 0307432734
Category : Fiction
Languages : en
Pages : 194
Book Description
Hailed as the greatest novel of the Mexican Revolution, The Underdogs recounts the story of an illiterate but charismatic Indian peasant farmer’s part in the rebellion against Porfirio Díaz, and his subsequent loss of belief in the cause when the revolutionary alliance becomes factionalized. Azuela’s masterpiece is a timeless, authentic portrayal of peasant life, revolutionary zeal, and political disillusionment.
Publisher: Modern Library
ISBN: 0307432734
Category : Fiction
Languages : en
Pages : 194
Book Description
Hailed as the greatest novel of the Mexican Revolution, The Underdogs recounts the story of an illiterate but charismatic Indian peasant farmer’s part in the rebellion against Porfirio Díaz, and his subsequent loss of belief in the cause when the revolutionary alliance becomes factionalized. Azuela’s masterpiece is a timeless, authentic portrayal of peasant life, revolutionary zeal, and political disillusionment.
The Schocken Book of Modern Sephardic Literature
Author: Ilan Stavans
Publisher: Schocken
ISBN: 030749053X
Category : Fiction
Languages : en
Pages : 482
Book Description
The expulsion of the Jews from Spain in 1492 gave rise to a series of rich, diverse diasporas that were interconnected through a common vision and joie de vivre. The exodus took these Sephardim to other European countries; to North Africa, Asia Minor, and South America; and, eventually, to the American colonies. In each community new literary and artistic forms grew out of the melding of their Judeo-Spanish legacy with the cultures of their host countries, and that process has continued to the present day. This multilingual tradition brought with it both opportunities and challenges that will resonate within any contemporary culture: the status of minorities within the larger society; the tension between a civil, democratic tradition and the anti-Semitism ready to undermine it; and the opposing forces of religion and secularism. Ilan Stavans has been described by The Washington Post as “Latin America’s liveliest and boldest critic and most innovative cultural enthusiast.” And the Forward calls him “a maverick intellectual whose canonical work has already produced a whole array of marvels that are redefining Jewishness.” This new anthology contains fiction, memoirs, essays, and poetry from twenty-eight writers who span more than 150 years. Included are Emma Lazarus’s legendary poem “The New Colossus,” inscribed on the pedestal of the Statue of Liberty; the hypnotizing prose of Greece-born, Switzerland-based Albert Cohen; Nobel—Prize winner Elias Canetti’s ruminations on Europe before World War II; Albert Memmi’s identity quest as an Arab Jew in France; Primo Levi’s testimony on the Holocaust; and A. B. Yehoshua’s epic stories set in Israel today. When read together, these explorations offer an astonishingly incisive collective portrait of the “other Jews,” Sephardim who long for la España perdida, their lost ancestral home, even as they create a vibrant, multifaceted literary tradition in exile.
Publisher: Schocken
ISBN: 030749053X
Category : Fiction
Languages : en
Pages : 482
Book Description
The expulsion of the Jews from Spain in 1492 gave rise to a series of rich, diverse diasporas that were interconnected through a common vision and joie de vivre. The exodus took these Sephardim to other European countries; to North Africa, Asia Minor, and South America; and, eventually, to the American colonies. In each community new literary and artistic forms grew out of the melding of their Judeo-Spanish legacy with the cultures of their host countries, and that process has continued to the present day. This multilingual tradition brought with it both opportunities and challenges that will resonate within any contemporary culture: the status of minorities within the larger society; the tension between a civil, democratic tradition and the anti-Semitism ready to undermine it; and the opposing forces of religion and secularism. Ilan Stavans has been described by The Washington Post as “Latin America’s liveliest and boldest critic and most innovative cultural enthusiast.” And the Forward calls him “a maverick intellectual whose canonical work has already produced a whole array of marvels that are redefining Jewishness.” This new anthology contains fiction, memoirs, essays, and poetry from twenty-eight writers who span more than 150 years. Included are Emma Lazarus’s legendary poem “The New Colossus,” inscribed on the pedestal of the Statue of Liberty; the hypnotizing prose of Greece-born, Switzerland-based Albert Cohen; Nobel—Prize winner Elias Canetti’s ruminations on Europe before World War II; Albert Memmi’s identity quest as an Arab Jew in France; Primo Levi’s testimony on the Holocaust; and A. B. Yehoshua’s epic stories set in Israel today. When read together, these explorations offer an astonishingly incisive collective portrait of the “other Jews,” Sephardim who long for la España perdida, their lost ancestral home, even as they create a vibrant, multifaceted literary tradition in exile.
Mutual Impressions
Author: Ilan Stavans
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 350
Book Description
It is commonly assumed that the United States and Latin America, culturally so different, move artistically to very different rhythms. Also common is the assumption that, with rare exception, the literary figures on one side of the global North/South divide have had little interest in the work of their counterparts. With Mutual Impressions Ilan Stavans dispels these notions by showing how solid the bridges between writers and across borders have been, at least since the early days of this century, and how crucial they are likely to become as we enter the next millennium. Divided into symmetrical halves--South reading North and North reading South--the book presents essays by leading novelists, poets, and other writers that focus on the work of another literary figure from across the divide. Borges, for example, finds in Hawthorne the perfect precursor to his own interest in allegories; Katherine Anne Porter examines José Joaquín Fernández de Lizardi as a rascal whose picaresque views of life in The Itching Parrot served to launch the Latin American novel; Cortázar's study of the plots and style of Poe shows an affinity that left an indelible mark on the Argentine's short fiction; Susan Sontag views Machado de Assis as the ultimate mirror, a proto-postmodernist. With other essays by Thomas Pynchon, William H. Gass, John Updike, Gabriel García Márquez, Alejo Carpentier, John Barth, Robert Coover, Pedro Henríquez Ureña, Grace Paley, Juan Carlos Onetti, and Mark Strand, among others, Mutual Impressions offers a remarkable view of the connections that comprise a literary tradition of the Americas. It is a book that will surprise and enliven its readers as it informs and awakens in them a sense of wonder. Contributors. John Barth, José Bianco, Robert Bly, Jorge Luis Borges, Alejo Carpentier, Hiber Conteris, Robert Coover, Julio Cortázar, Ezequiel Martínez Estrada, Waldo Frank, Carlos Fuentes, William H. Gass, Nicolás Guillén, William Kennedy, Mario Vargas Llosa, Gabriel García Márquez, José Martí, Pablo Neruda, Victoria Ocampo, Juan Carlos Onetti, Grace Paley, Octavio Paz, Katherine Anne Porter, Thomas Pynchon, Kenneth Rexroth, Antonio Benítez Rojo, Barbara Probst Solomon, Susan Sontag, Ilan Stavans, Mark Strand, John Updike, Pedro Henríque Ureña, Derek Walcott, Paul West
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 350
Book Description
It is commonly assumed that the United States and Latin America, culturally so different, move artistically to very different rhythms. Also common is the assumption that, with rare exception, the literary figures on one side of the global North/South divide have had little interest in the work of their counterparts. With Mutual Impressions Ilan Stavans dispels these notions by showing how solid the bridges between writers and across borders have been, at least since the early days of this century, and how crucial they are likely to become as we enter the next millennium. Divided into symmetrical halves--South reading North and North reading South--the book presents essays by leading novelists, poets, and other writers that focus on the work of another literary figure from across the divide. Borges, for example, finds in Hawthorne the perfect precursor to his own interest in allegories; Katherine Anne Porter examines José Joaquín Fernández de Lizardi as a rascal whose picaresque views of life in The Itching Parrot served to launch the Latin American novel; Cortázar's study of the plots and style of Poe shows an affinity that left an indelible mark on the Argentine's short fiction; Susan Sontag views Machado de Assis as the ultimate mirror, a proto-postmodernist. With other essays by Thomas Pynchon, William H. Gass, John Updike, Gabriel García Márquez, Alejo Carpentier, John Barth, Robert Coover, Pedro Henríquez Ureña, Grace Paley, Juan Carlos Onetti, and Mark Strand, among others, Mutual Impressions offers a remarkable view of the connections that comprise a literary tradition of the Americas. It is a book that will surprise and enliven its readers as it informs and awakens in them a sense of wonder. Contributors. John Barth, José Bianco, Robert Bly, Jorge Luis Borges, Alejo Carpentier, Hiber Conteris, Robert Coover, Julio Cortázar, Ezequiel Martínez Estrada, Waldo Frank, Carlos Fuentes, William H. Gass, Nicolás Guillén, William Kennedy, Mario Vargas Llosa, Gabriel García Márquez, José Martí, Pablo Neruda, Victoria Ocampo, Juan Carlos Onetti, Grace Paley, Octavio Paz, Katherine Anne Porter, Thomas Pynchon, Kenneth Rexroth, Antonio Benítez Rojo, Barbara Probst Solomon, Susan Sontag, Ilan Stavans, Mark Strand, John Updike, Pedro Henríque Ureña, Derek Walcott, Paul West
Quixote: The Novel and the World
Author: Ilan Stavans
Publisher: W. W. Norton & Company
ISBN: 0393248380
Category : Literary Criticism
Languages : en
Pages : 202
Book Description
A groundbreaking cultural history of the most influential, most frequently translated, and most imitated novel in the world. The year 2015 marks the four hundredth anniversary of the publication of the complete Don Quixote of La Mancha—an ageless masterpiece that has proven unusually fertile and endlessly adaptable. Flaubert was inspired to turn Emma Bovary into “a knight in skirts.” Freud studied Quixote’s psyche. Mark Twain was fascinated by it, as were Kafka, Picasso, Nabokov, Borges, and Orson Welles. The novel has spawned ballets and operas, poems and plays, movies and video games, and even shapes the identities of entire nations. Spain uses it as a sort of constitution and travel guide; and the Americas were conquered, then sought their independence, with the knight as a role model. In Quixote, Ilan Stavans, one of today’s preeminent cultural commentators, explores these many manifestations. Training his eye on the tumultuous struggle between logic and dreams, he reveals the ways in which a work of literature is a living thing that influences and is influenced by the world around it.
Publisher: W. W. Norton & Company
ISBN: 0393248380
Category : Literary Criticism
Languages : en
Pages : 202
Book Description
A groundbreaking cultural history of the most influential, most frequently translated, and most imitated novel in the world. The year 2015 marks the four hundredth anniversary of the publication of the complete Don Quixote of La Mancha—an ageless masterpiece that has proven unusually fertile and endlessly adaptable. Flaubert was inspired to turn Emma Bovary into “a knight in skirts.” Freud studied Quixote’s psyche. Mark Twain was fascinated by it, as were Kafka, Picasso, Nabokov, Borges, and Orson Welles. The novel has spawned ballets and operas, poems and plays, movies and video games, and even shapes the identities of entire nations. Spain uses it as a sort of constitution and travel guide; and the Americas were conquered, then sought their independence, with the knight as a role model. In Quixote, Ilan Stavans, one of today’s preeminent cultural commentators, explores these many manifestations. Training his eye on the tumultuous struggle between logic and dreams, he reveals the ways in which a work of literature is a living thing that influences and is influenced by the world around it.
Pop Culture in Latin America and the Caribbean
Author: Elizabeth Gackstetter Nichols
Publisher: Bloomsbury Publishing USA
ISBN: 1610697545
Category : History
Languages : en
Pages : 440
Book Description
This insightful book introduces the most important trends, people, events, and products of popular culture in Latin America and the Caribbean. In recent times, Latin American influences have permeated American culture through music, movies, television, and literature. This sweeping volume serves as a ready-reference guide to pop culture in Central America, South America, and the Caribbean, focusing on Mexico, Brazil, Venezuela, Argentina, Haiti, Cuba, the Dominican Republic, Jamaica, and Costa Rica, among other areas. The work encourages hands-on engagement with the popular culture in these places, making such suggestions as Brazilian films to rent or where to find Venezuelan music on the Internet. To start, the book covers various perspectives and issues of these regions, including the influence of the United States, how the idea of machismo reflects on the portrayal of women in these societies, and the representation of Latino-Caribo cultures in film and other mediums. Entries cover key trends, people, events, and products from the beginning of the 20th century to the present day. Each section gives detailed information and profound insights into some of the more academic—and often controversial—debates on the subject, while the inclusion of the Internet, social media, and video games make the book timely and relevant.
Publisher: Bloomsbury Publishing USA
ISBN: 1610697545
Category : History
Languages : en
Pages : 440
Book Description
This insightful book introduces the most important trends, people, events, and products of popular culture in Latin America and the Caribbean. In recent times, Latin American influences have permeated American culture through music, movies, television, and literature. This sweeping volume serves as a ready-reference guide to pop culture in Central America, South America, and the Caribbean, focusing on Mexico, Brazil, Venezuela, Argentina, Haiti, Cuba, the Dominican Republic, Jamaica, and Costa Rica, among other areas. The work encourages hands-on engagement with the popular culture in these places, making such suggestions as Brazilian films to rent or where to find Venezuelan music on the Internet. To start, the book covers various perspectives and issues of these regions, including the influence of the United States, how the idea of machismo reflects on the portrayal of women in these societies, and the representation of Latino-Caribo cultures in film and other mediums. Entries cover key trends, people, events, and products from the beginning of the 20th century to the present day. Each section gives detailed information and profound insights into some of the more academic—and often controversial—debates on the subject, while the inclusion of the Internet, social media, and video games make the book timely and relevant.
Mestizo Modernism
Author: Tace Hedrick
Publisher: Rutgers University Press
ISBN: 9780813532172
Category : Art
Languages : en
Pages : 278
Book Description
Focusing on four key artists who represent Latin-American modernism: Cesar Vallejo; Gabriela Mistral; Diego Rivera; and Frida Kahlo, Tace Hendrick examines what being 'modern' and 'American' meant for them and illuminates the cultural contexts within which they worked.
Publisher: Rutgers University Press
ISBN: 9780813532172
Category : Art
Languages : en
Pages : 278
Book Description
Focusing on four key artists who represent Latin-American modernism: Cesar Vallejo; Gabriela Mistral; Diego Rivera; and Frida Kahlo, Tace Hendrick examines what being 'modern' and 'American' meant for them and illuminates the cultural contexts within which they worked.