The Revolutions of Stage Design in the 20th Century PDF Download

Author: Denis Bablet
Publisher: Leon Amiel Publisher
ISBN:
Category : Performing Arts
Languages : en
Pages : 400

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Book Description
This book is aiming to grasp the evolution of stage design in an entirely international spirit from the end of illusionary realism till present day. It reveals the work of designers and painters who are trying to create a world of stage design, to define space, fill it with forms, sings, color and lighting which will speak to each and every one of us.

Author: Colin Chambers
Publisher: A&C Black
ISBN: 1847146120
Category : Social Science
Languages : en
Pages : 892

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Book Description
International in scope, this book is designed to be the pre-eminent reference work on the English-speaking theatre in the twentieth century. Arranged alphabetically, it consists of some 2500 entries written by 280 contributors from 20 countries which include not only top-level experts, but, uniquely, leading professionals from the world of theatre. A fascinating resource for anyone interested in theatre, it includes: - Overviews of major concepts, topics and issues; - Surveys of theatre institutions, countries, and genres; - Biographical entries on key performers, playwrights, directors, designers, choreographers and composers; - Articles by leading professionals on crafts, skills and disciplines including acting, design, directing, lighting, sound and voice.

Author: Stephen Di Benedetto
Publisher: Routledge
ISBN: 1136480110
Category : Performing Arts
Languages : en
Pages : 283

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Book Description
This introduction to theatre design explains the theories, strategies, and tools of practical design work for the undergraduate student. Through its numerous illustrated case studies and analysis of key terms, students will build an understanding of the design process and be able to: identify the fundamentals of theatre design and scenography recognize the role of individual design areas such as scenery, costume, lighting and sound develop both conceptual and analytical thinking Communicate their own understanding of complex design work trace the traditions of stage design, from Sebastiano Serlio to Julie Taymor. Demonstrating the dynamics of good design through the work of influential designers, Stephen Di Benedetto also looks in depth at script analysis, stylistic considerations and the importance of collaboration to the designer’s craft. This is an essential guide for students and teachers of theatre design. Readers will form not only a strong ability to explain and understand the process of design, but also the basic skills required to conceive and realise designs of their own.

Author: Joslin McKinney
Publisher: Cambridge University Press
ISBN: 1316347788
Category : Drama
Languages : en
Pages : 406

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Book Description
Scenography – the manipulation and orchestration of the performance environment – is an increasingly popular and key area in performance studies. This book introduces the reader to the purpose, identity and scope of scenography and its theories and concepts. Settings and structures, light, projected images, sound, costumes and props are considered in relation to performing bodies, text, space and the role of the audience. Concentrating on scenographic developments in the twentieth century, the Introduction examines how these continue to evolve in the twenty-first century. Scenographic principles are clearly explained through practical examples and their theoretical context. Although acknowledging the many different ways in which design shapes the creation of scenography, the book is not exclusively concerned with the role of the theatre designer. In order to map out the wider territory and potential of scenography, the theories of pioneering scenographers are discussed alongside the work of directors, writers and visual artists.

Author: David Bisaha
Publisher: SIU Press
ISBN: 0809338750
Category : Performing Arts
Languages : en
Pages : 272

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Book Description
An inclusive history of the professionalization of American scenic design The figure of the American theatrical scenic designer first emerged in the early twentieth century. As productions moved away from standardized, painted scenery and toward individualized scenic design, the demand for talented new designers grew. Within decades, scenic designers reinvented themselves as professional artists. They ran their own studios, proudly displayed their names on Broadway playbills, and even appeared in magazine and television profiles. American Scenic Design and Freelance Professionalism tells the history of the field through the figures, institutions, and movements that helped create and shape the profession. Taking a unique sociological approach, theatre scholar David Bisaha examines the work that designers performed outside of theatrical productions. He shows how figures such as Lee Simonson, Norman Bel Geddes, Jo Mielziner, and Donald Oenslager constructed a freelance, professional identity for scenic designers by working within their labor union (United Scenic Artists Local 829), generating self-promotional press, building university curricula, and volunteering in wartime service. However, while new institutions provided autonomy and intellectual property rights for many, women, queer, and Black designers were not always welcome to join the organizations that protected freelance designers’ interests. Among others, Aline Bernstein, Emeline Roche, Perry Watkins, Peggy Clark, and James Reynolds were excluded from professional groups because of their identities. They nonetheless established themselves among the most successful designers of their time. Their stories expand the history of American scenic design by showing how professionalism won designers substantial benefits, yet also created legacies of exclusion with which American theatre is still reckoning.

Author: Darwin Reid Payne
Publisher: SIU Press
ISBN: 9780809318513
Category : Performing Arts
Languages : en
Pages : 364

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Book Description
In this enlarged and thoroughly revised third edition of his widely used text, Darwin Reid Payne explores the principles and philosophies that shape the visual elements of theatre. Payne sets out to discover who scenographers are and to define their responsibilities. He sees scenographers as not merely craftspersons but artists with "a special vision that spans all the arts." Such artists are in a position to "extend and amplify underlying meanings of the production." The proper goal of beginning scenographers, according to Payne, is one day to be able to approach the job as artists in full command of their craft. Payne seeks to instill in beginning scenographers a basic core of knowledge: an understanding of theatre history and the development of drama; a knowledge of art history and an understanding of periods and styles of architecture, painting, sculpture, furnishings, and costume; and a familiarity with the principles, techniques, and materials of pictorial and three-dimensional design. This new edition contains 248 illustrations, 38 more than the second edition. Payne's goal, certainly, is to teach students what to do and how to do it; equally important, however, is Payne's view that scenographers must know why. To Payne, "Scenography is an art whose scope is nothing less than the whole world outside the theatre." Scenographers must read not only in their own field but in others as well. Payne has incorporated into his text many suggestions for outside readings, quoting passages and even entire chapters from important works. Stressing research, Payne argues that without knowledge of the literature of their own and related arts, scenographers cannot grow. And that is the emphasis of this book: to present aspiring scenographers with an approach and a set of concepts that will enable them to grow. Toward that end, Payne establishes five priorities, the first of which is to develop in students what he calls "time vision," or the ability to "see" the historical past as a living place with living inhabitants. The second priority is to bring about an awareness that allows students to "see" beneath the surface of objects and events. Third, students must be helped to recognize and appreciate the difference between the "concept of space as it exists outside the theatre and the concept of space as it is used within the theatre." The fourth priority is to ingrain in students an understanding of the importance of imagery to the scenographer, and the final priority is to teach those technical skills necessary to carry out the concepts of the scenographer.

Author: Edward Gordon Craig
Publisher: MHRA
ISBN: 9780901286598
Category : Biography & Autobiography
Languages : en
Pages : 424

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Book Description
This long-awaited edition brings together for the first time 366 letters, cards and telegrams exchanged between Craig and his patron the cosmopolitan Count Kessler. An important primary source, illuminated by Dr Newman's commentary, it focuses on three areas of particular importance: - 1. Craig's artistic ideas and the spread of his influence through exhibitions and books; proposals are developed for work with Otto Brahm, Eleonora Duse, Max Reinhardt, Henry van de Velde, Eduard Verkade, Leopold Jessner, Dyaghilev, Beerbohm Tree, C. B. Cochran, and others. 2. Kessler's Cranach Press Hamlet with wood-engraved illustrations by Craig; this is a landmark in the history of twentieth-century book design and printing whose genesis is now fully revealed in these letters and amplified with reproductions of eighteen trial page proofs. 3. The relationship between an artist and his patron. Exceptionally detailed indexes are an additional feature of this book

Author: Susan Crabtree
Publisher: Taylor & Francis
ISBN: 0240804627
Category : Art
Languages : en
Pages : 466

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Book Description
With plenty of hints and tips, 'Scenic Art for the Theatre' is an easily understood textbook for students and professionals alike who want to know more about set design and the history of scenic artistry.

Author: Joan Mir¢
Publisher: Courier Corporation
ISBN: 0486244377
Category : Art
Languages : en
Pages : 49

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Book Description
Forty important lithographic prints with line and composition comparable to the works of Miro's friend Picasso. Eerie, droll, technically brilliant, and aggressive.

Author: Jed Rasula
Publisher:
ISBN: 0198833946
Category : Art
Languages : en
Pages : 473

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Book Description
Moving through a vast geographical, cultural, and artistic terrain and juxtaposing numerous modernist works, this volume explores the multiplicity of modernism and provides in-depth case studies, including of James Joyce's Finnegans Wake, the reception of jazz music in Europe, and the Cubist movement in the visual arts.