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Author: Pierre Combe Publisher: CUA Press ISBN: 081321548X Category : History Languages : en Pages : 487
Book Description
Gregorian chant, the Catholic Church's very own music, is proper to the Roman liturgy, but during the course of its long history it has experienced periods of ascendancy and decline. A century ago, Pope Pius X called for a restoration of the sacred melodies, and the result was the Vatican Edition. This book presents for the first time in English the fully documented history of the Gregorian chant restoration. The original French edition was published by the Abbey of Solesmes in 1969.This book describes in careful, vivid detail the strenuous efforts of personalities like Dom Joseph Pothier, Dom Andre Mocquereau, Fr. Angelo de Santi, and Peter Wagner to carry out the wishes of the pope. The attentive reader will not fail to note that many of the questions so fervidly debated long ago are still current and topical today. Robert A. Skeris' introduction to this edition illuminates the current discussion with documentation, including the Preface to the Vatican Gradual and the Last Will and Testament written by Dom Eugene Cardine.
Author: Pierre Combe Publisher: CUA Press ISBN: 081321548X Category : History Languages : en Pages : 487
Book Description
Gregorian chant, the Catholic Church's very own music, is proper to the Roman liturgy, but during the course of its long history it has experienced periods of ascendancy and decline. A century ago, Pope Pius X called for a restoration of the sacred melodies, and the result was the Vatican Edition. This book presents for the first time in English the fully documented history of the Gregorian chant restoration. The original French edition was published by the Abbey of Solesmes in 1969.This book describes in careful, vivid detail the strenuous efforts of personalities like Dom Joseph Pothier, Dom Andre Mocquereau, Fr. Angelo de Santi, and Peter Wagner to carry out the wishes of the pope. The attentive reader will not fail to note that many of the questions so fervidly debated long ago are still current and topical today. Robert A. Skeris' introduction to this edition illuminates the current discussion with documentation, including the Preface to the Vatican Gradual and the Last Will and Testament written by Dom Eugene Cardine.
Author: Katherine Bergeron Publisher: Univ of California Press ISBN: 0520919610 Category : Music Languages : en Pages : 366
Book Description
The oldest written tradition of European music, the art we know as Gregorian chant, is seen from an entirely new perspective in Katherine Bergeron's engaging and literate study. Bergeron traces the history of the Gregorian revival from its Romantic origins in a community of French monks at Solesmes, whose founder hoped to rebuild the moral foundation of French culture on the ruins of the Benedictine order. She draws out the parallels between this longing for a lost liturgy and the postrevolutionary quest for lost monuments that fueled the French Gothic revival, a quest that produced the modern concept of "restoration." Bergeron follows the technological development of the Gregorian restoration over a seventy-year period as it passed from the private performances of a monastic choir into the public commodities of printed books, photographs, and Gramophone records. She discusses such issues as architectural restoration, the modern history of typography, the uncanny power of the photographic image, and the authority of recorded sound. She also shows the extent to which different media shaped the modern image of the ancient repertory, an image that gave rise to conflicting notions not only of musical performance but of the very idea of music history.
Author: Kenneth Levy Publisher: Princeton University Press ISBN: 9780691017334 Category : History Languages : en Pages : 300
Book Description
In Gregorian Chant and the Carolingians, Levy seeks to change long-held perceptions about certain crucial stages of the evolution and dissemination of the old corpus of plainchantmost notably the assumption that such a large and complex repertory could have become and remained fixed for over a century while still an oral tradition.
Author: Jennifer Bain Publisher: Cambridge University Press ISBN: 1316299678 Category : Music Languages : en Pages : 251
Book Description
Since her death in 1179, Hildegard of Bingen has commanded attention in every century. In this book Jennifer Bain traces the historical reception of Hildegard, focusing particularly on the moment in the modern era when she began to be considered as a composer. Bain examines how the activities of clergy in nineteenth-century Eibingen resulted in increased veneration of Hildegard, an authentication of her relics, and a rediscovery of her music. The book goes on to situate the emergence of Hildegard's music both within the French chant restoration movement driven by Solesmes and the German chant revival supported by Cecilianism, the German movement to reform Church music more generally. Engaging with the complex political and religious environment in German speaking areas, Bain places the more recent Anglophone revival of Hildegard's music in a broader historical perspective and reveals the important intersections amongst local devotion, popular culture, and intellectual activities.
Author: David Hiley Publisher: Cambridge University Press ISBN: 9780521690355 Category : Music Languages : en Pages : 0
Book Description
What is Gregorian chant, and where does it come from? What purpose does it serve, and how did it take on the form and features which make it instantly recognizable? Designed to guide students through this key topic, this book answers these questions and many more. David Hiley describes the church services in which chant is performed, takes the reader through the church year, explains what Latin texts were used, and, taking Worcester Cathedral as an example, describes the buildings in which it was sung. The history of chant is traced from its beginnings in the early centuries of Christianity, through the Middle Ages, the revisions in the sixteenth and seventeenth centuries, and the restoration in the nineteenth and twentieth. Using numerous music examples, the book shows how chants are made and how they were notated. An indispensable guide for all those interested in the fascinating world of Gregorian chant.
Author: Katherine Bergeron Publisher: Univ of California Press ISBN: 9780520919617 Category : Music Languages : en Pages : 222
Book Description
The oldest written tradition of European music, the art we know as Gregorian chant, is seen from an entirely new perspective in Katherine Bergeron's engaging and literate study. Bergeron traces the history of the Gregorian revival from its Romantic origins in a community of French monks at Solesmes, whose founder hoped to rebuild the moral foundation of French culture on the ruins of the Benedictine order. She draws out the parallels between this longing for a lost liturgy and the postrevolutionary quest for lost monuments that fueled the French Gothic revival, a quest that produced the modern concept of "restoration." Bergeron follows the technological development of the Gregorian restoration over a seventy-year period as it passed from the private performances of a monastic choir into the public commodities of printed books, photographs, and Gramophone records. She discusses such issues as architectural restoration, the modern history of typography, the uncanny power of the photographic image, and the authority of recorded sound. She also shows the extent to which different media shaped the modern image of the ancient repertory, an image that gave rise to conflicting notions not only of musical performance but of the very idea of music history.
Author: David Hiley Publisher: Oxford University Press ISBN: 9780198165729 Category : Music Languages : en Pages : 764
Book Description
Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come.
Author: Pierre Combe
Author: Pierre Combe
Author: Pierre Combe
Author: Dom Pierre Combe
Author: Katherine Bergeron
Author: Kenneth Levy
Author: Jennifer Bain
Author: 
Author: David Hiley
Author: Katherine Bergeron
Author: David Hiley