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Author: Martin White Publisher: Routledge ISBN: 1134917813 Category : Performing Arts Languages : en Pages : 276
Book Description
Renaissance Drama in Action is a fascinating exploration of Renaissance theatre practice and staging. Covering questions of contemporary playhouse design, verse and language, staging and rehearsal practices, and acting styles, Martin White relates the characteristics of Renaissance theatre to the issues involved in staging the plays today. This refreshingly accessible volume: * examines the history of the plays on the English stage from the seventeenth century to the present day * explores questions arising from reconstructions, with particular reference to the new Globe Theatre * includes interviews with, and draws on the work and experience of modern theatre practitioners including Harriet Walter, Matthew Warchus, Trevor Nunn, Stephen Jeffreys, Adrian Noble and Helen Mirren * includes discussions of familiar plays such as The Duchess of Malfi and 'Tis Pity She's A Whore, as well as many lesser known play-texts Renaissance Drama in Action offers undergraduates and A-level students an invaluable guide to the characteristics of Elizabethan and Jacobean drama, and its relationship to contemporary theatre and staging.
Author: Martin White Publisher: Routledge ISBN: 1134917813 Category : Performing Arts Languages : en Pages : 276
Book Description
Renaissance Drama in Action is a fascinating exploration of Renaissance theatre practice and staging. Covering questions of contemporary playhouse design, verse and language, staging and rehearsal practices, and acting styles, Martin White relates the characteristics of Renaissance theatre to the issues involved in staging the plays today. This refreshingly accessible volume: * examines the history of the plays on the English stage from the seventeenth century to the present day * explores questions arising from reconstructions, with particular reference to the new Globe Theatre * includes interviews with, and draws on the work and experience of modern theatre practitioners including Harriet Walter, Matthew Warchus, Trevor Nunn, Stephen Jeffreys, Adrian Noble and Helen Mirren * includes discussions of familiar plays such as The Duchess of Malfi and 'Tis Pity She's A Whore, as well as many lesser known play-texts Renaissance Drama in Action offers undergraduates and A-level students an invaluable guide to the characteristics of Elizabethan and Jacobean drama, and its relationship to contemporary theatre and staging.
Author: William N. West Publisher: ISBN: 9780226158112 Category : English drama Languages : en Pages : 0
Book Description
Renaissance Drama explores the rich variety of theatrical and performance traditions and practices in early modern Europe and intersecting cultures. Volume 41 features articles that extend the scope of our understanding of early modern playing, theatre history, and dramatic texts and interpretation, encouraging innovative theoretical and methodological approaches to these traditions, examining familiar works, and revisiting well-known texts from fresh perspectives.
Author: Philip Steadman Publisher: UCL Press ISBN: 1787359158 Category : Art Languages : en Pages : 418
Book Description
Renaissance Fun is about the technology of Renaissance entertainments in stage machinery and theatrical special effects; in gardens and fountains; and in the automata and self-playing musical instruments that were installed in garden grottoes. How did the machines behind these shows work? How exactly were chariots filled with singers let down onto the stage? How were flaming dragons made to fly across the sky? How were seas created on stage? How did mechanical birds imitate real birdsong? What was ‘artificial music’, three centuries before Edison and the phonograph? How could pipe organs be driven and made to play themselves by waterpower alone? And who were the architects, engineers, and craftsmen who created these wonders? All these questions are answered. At the end of the book we visit the lost ‘garden of marvels’ at Pratolino with its many grottoes, automata and water jokes; and we attend the performance of Mercury and Mars in Parma in 1628, with its spectacular stage effects and its music by Claudio Monteverdi – one of the places where opera was born. Renaissance Fun is offered as an entertainment in itself. But behind the show is a more serious scholarly argument, centred on the enormous influence of two ancient writers on these subjects, Vitruvius and Hero. Vitruvius’s Ten Books on Architecture were widely studied by Renaissance theatre designers. Hero of Alexandria wrote the Pneumatics, a collection of designs for surprising and entertaining devices that were the models for sixteenth and seventeenth century automata. A second book by Hero On Automata-Making – much less well known, then and now – describes two miniature theatres that presented plays without human intervention. One of these, it is argued, provided the model for the type of proscenium theatre introduced from the mid-sixteenth century, the generic design which is still built today. As the influence of Vitruvius waned, the influence of Hero grew.
Author: Jocelyn Beard Publisher: Smith & Kraus ISBN: Category : Acting Languages : en Pages : 208
Book Description
Selected from the Renaissance period, these selections go from monologues for women, including The alchemist and The witch of Edmonton, to monologues for men, including Catiline and Such stuff as dreams are made of.
Author: Susan Zimmerman Publisher: Routledge ISBN: 1134919840 Category : Literary Criticism Languages : en Pages : 162
Book Description
Contributions from the most influential cultural materialist theorists working on the English Renaissance Work on gender, sexuality and identity is at the heart of current teaching on the Renaissance and in cultural studies Coverage is the entire Renaissance stage, not just Shakespeare
Author: Sidia Fiorato Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110464810 Category : Law Languages : en Pages : 310
Book Description
In the Renaissance period the body emerges as the repository of social and cultural forces and a privileged metaphor for political practices and legal codification. Due to its ambivalent expressive force, it represents the seat and the means for the performance of normative identity and at the same time of alterity. The essays of the collection address the manifold articulations of this topic, demonstrating how the inscription of the body within the discursive spheres of gender identity, sexuality, law, and politics align its materiality with discourses whose effects are themselves material. The aesthetic and performative dimension of law inform the debates on the juridical constitution of authority, as well as its reflection on the formation and the moulding of individual subjectivity. Moreover, the inherently theatrical elements of the law find an analogy in the popular theatre, where juridical practices are represented, challenged, occasionally subverted or created. The works analyzed in the volume, in their ample spectre of topics and contexts aim at demonstrating how in the Renaissance period the body was the privileged focus of the social, legal and cultural imagination.
Author: David Scott Kastan Publisher: Routledge ISBN: 1136758240 Category : Literary Criticism Languages : en Pages : 306
Book Description
The essays in Staging the Renaissance show the theatre to be the site of a rich confluence of cultural forces, the place where social meanings are both formed and transformed. The volume unites some of the most challenging issues in contemporary Renaissance studies and some of our best-known critics, including Stephen Orgel, Margaret Ferguson, Cath
Author: Peter Womack Publisher: John Wiley & Sons ISBN: 0470779845 Category : Literary Criticism Languages : en Pages : 336
Book Description
The book considers the London theatrical culture which took shape in the 1570s and came to an end in 1642. Places emphasis on those plays that are readily available in modern editions and can sometimes to be seen in modern productions, including Shakespeare. Provides students with the historical, literary and theatrical contexts they need to make sense of Renaissance drama. Includes a series of short biographies of playwrights during this period. Features close analyses of more than 20 plays, each of which draws attention to what makes a particular play interesting and identifies relevant critical questions. Examines early modern drama in terms of its characteristic actions, such as cuckolding, flattering, swaggering, going mad, and rising from the dead.
Author: John Gassner Publisher: Hal Leonard Corporation ISBN: 9781557830739 Category : Performing Arts Languages : en Pages : 516
Book Description
(Applause Books). Theatre and Drama in the Making introduces readers not only to important primary sources, but to the uses made of them by distinguished theorists, critics, and historians. Unlike other texts, it discusses theatre as a whole, embracing both the art of dramatic writing and the art of performance. Included in this new edition are greatly expanded sections covering "Latin Theatre and Drama" and "The Golden Age of Spain," as well as all the exciting new archaeological information relating to the excavation of the Rose and the Globe. The introduction to each essay has been revised and enlarged so that together they may be read independently as a concise and accurate narrative of theatre history. From Aeschylus to Calderon, from Agatharcus to Serlio, from Thespis to Burbage, from Aristotle to Sidney, here is the story of Western Theatre in all its glorious variety.
Author: Martin White
Author: Martin White
Author: William N. West
Author: Philip Steadman
Author: David M Bevington
Author: Jocelyn Beard
Author: Susan Zimmerman
Author: Sidia Fiorato
Author: David Scott Kastan
Author: Peter Womack
Author: John Gassner